Andrew Louth - Syriac Christian Church
Andrew Louth - Syriac Christian Church Andrew Louth - Syriac Christian Church
achieves, not simply union with God, but also fulfils what is the essentially human role of being the natural bond of all being, drawing the whole created order into harmony with itself, and into union with God. 20 But because the human person has not ‘moved around the unmoved’ (1308C), but on the contrary has directed its power of movement towards lower creatures that are even less capable of stillness than itself, it has been sucked into the perpetual, unsatisfying movement of the fallen universe. Instead of holding in union what is divided, it has been the cause of separation of what is united. The universe is now characterized by fragmentation, disintegration—the corruption leading to death, of which we have seen St Athanasius had spoken. The only solution is the Incarnation, which introduces the unmoved into the midst of motion, and thus enables human beings to reorientate themselves. It is the Incarnation that now overcomes the five divisions: sexual division through the virginal conception, the division between paradise and the oikoumenê in the words from the cross to the repentant thief and in the resurrection appearances, that between heaven and earth in the event of the Ascension, that between the intelligible and the sensible by the enduring reality of the Ascension—the presence of the sacred humanity in heaven, and that between uncreated and created by his sitting at the right hand of the Father, that we confess in the Creed. ‘Thus he divinely recapitulates the universe in himself, showing that the whole creation exists as one, like another human being’ (1312A). Through the Incarnation it is once again possible for human beings to fulfil their natural role as bond of creation and microcosm. 21 THE COSMIC LITURGY 22 COSMIC THEOLOGY 71 This notion of the divisions of being occurs elsewhere in Maximus but it is given particular significance in the first part of his short work on the Eucharistic liturgy, his Mystagogia. This work falls into three parts: first, a series of chapters on the symbolism of the Church (meaning primarily, though not exclusively, the church building) (chapters 1–7); second, a series of chapters interpreting the successive ceremonies of the Byzantine liturgy of his day (chapters 8–21); 23 and finally three chapters that show how the movement of the liturgy provides an interpretation of the movement of the individual soul towards God. In the introduction, the whole work is presented as something revealed to him by a ‘blessed old man’ as a complement to the Ecclesiastical Hierarchy of Denys the Areopagite. In that work Denys set his whole understanding of the liturgy (not just the Eucharistic
72 INTRODUCTION liturgy, but other Sacraments and sacramental rites— baptism, the consecration of sacred oil, ordination, admission to the monastic order, and the funeral service) against the background of his understanding of the cosmic order as a hierarchical reality, meaning by that (as we have seen), not so much a structure of rank and subordination, as a graded structure of reality in which each order mediates the divine glory and recalls other beings to unity with the divine. For Denys the cosmos is a community reaching from heaven to earth, in which each part fulfils its own role and so contributes to the good of the whole and of each part. 24 Maximus begins by asserting that he is taking a knowledge of the Dionysian understanding of the liturgy for granted and is not going to repeat anything said there (660D–661A). This is a little disingenuous as some of the interpretations Maximus puts forward constitute a fundamental revision of the Dionysian perspective. This is apparent in the very first chapter of the second part. Here Maximus gives an interpretation of the entry of the bishop into the church at the beginning of the liturgy (what is now the ‘little entrance’): this represents ‘the first coming into the world of the Son of God, our Saviour Christ, in the flesh’ (688C). In contrast, Denys the Areopagite only ever speaks of the bishop coming out of the sanctuary into the body of the church and then returning to the sanctuary, and interprets this circuit of the way in which God in his goodness moves out into the multiplicity of the world and then returns, enfolding everything into unity. Denys sees a primordial circular movement, Maximus envisages a movement onwards towards a final rest. Denys is much closer to the pagan Neoplatonic view of reality as fundamentally circular (a view with which the Origenists concurred): Maximus, as we have seen, breaks with this by placing rest, not at the beginning but at the end, as the goal. This fundamental correction, both of Denys and Origen, must be kept in mind. The first part of the Mystagogia presents a series of ways in which the church can be seen as symbolic. First, the Church (here primarily as a world-wide community, than as a building) is interpreted as an image of God, since both of them bring about union (Myst. 1: 664D-668C). The church building is then said to be an image of the cosmos, for as the church is divided into sanctuary and nave, so the cosmos is divided into the invisible and the visible. But this division is not a separation: it is a division within a unity. Nave and sanctuary are separated by being related; similarly the spiritual world is present in the world of the senses in symbols, and the world of the senses in the spiritual world in the logoi that constitute it (Myst. 2:668C– 669D). Again the church is an image of the visible world, the distinction between sanctuary and nave being reflected in
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72 INTRODUCTION<br />
liturgy, but other Sacraments and sacramental rites— baptism, the<br />
consecration of sacred oil, ordination, admission to the monastic<br />
order, and the funeral service) against the background of his<br />
understanding of the cosmic order as a hierarchical reality, meaning<br />
by that (as we have seen), not so much a structure of rank and<br />
subordination, as a graded structure of reality in which each order<br />
mediates the divine glory and recalls other beings to unity with the<br />
divine. For Denys the cosmos is a community reaching from heaven to<br />
earth, in which each part fulfils its own role and so contributes to the<br />
good of the whole and of each part. 24 Maximus begins by asserting that<br />
he is taking a knowledge of the Dionysian understanding of the<br />
liturgy for granted and is not going to repeat anything said there<br />
(660D–661A). This is a little disingenuous as some of the<br />
interpretations Maximus puts forward constitute a fundamental<br />
revision of the Dionysian perspective. This is apparent in the very<br />
first chapter of the second part. Here Maximus gives an interpretation<br />
of the entry of the bishop into the church at the beginning of the<br />
liturgy (what is now the ‘little entrance’): this represents ‘the first<br />
coming into the world of the Son of God, our Saviour Christ, in the<br />
flesh’ (688C). In contrast, Denys the Areopagite only ever speaks of<br />
the bishop coming out of the sanctuary into the body of the church and<br />
then returning to the sanctuary, and interprets this circuit of the way<br />
in which God in his goodness moves out into the multiplicity of the<br />
world and then returns, enfolding everything into unity. Denys sees a<br />
primordial circular movement, Maximus envisages a movement<br />
onwards towards a final rest. Denys is much closer to the pagan<br />
Neoplatonic view of reality as fundamentally circular (a view with<br />
which the Origenists concurred): Maximus, as we have seen, breaks<br />
with this by placing rest, not at the beginning but at the end, as the<br />
goal. This fundamental correction, both of Denys and Origen, must be<br />
kept in mind.<br />
The first part of the Mystagogia presents a series of ways in which<br />
the church can be seen as symbolic. First, the <strong>Church</strong> (here primarily<br />
as a world-wide community, than as a building) is interpreted as an<br />
image of God, since both of them bring about union (Myst. 1:<br />
664D-668C). The church building is then said to be an image of the<br />
cosmos, for as the church is divided into sanctuary and nave, so the<br />
cosmos is divided into the invisible and the visible. But this division is<br />
not a separation: it is a division within a unity. Nave and sanctuary<br />
are separated by being related; similarly the spiritual world is present<br />
in the world of the senses in symbols, and the world of the senses in<br />
the spiritual world in the logoi that constitute it (Myst. 2:668C–<br />
669D). Again the church is an image of the visible world, the<br />
distinction between sanctuary and nave being reflected in