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Andrew Louth - Syriac Christian Church

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2<br />

THE SOURCES OF MAXIMUS’<br />

THEOLOGY<br />

Hans Urs von Balthasar prefaced his great study of the world-view of<br />

St Maximus the Confessor with a quotation from Coleridge:<br />

There is among us a set of critics, who seem to hold, that every<br />

possible thought and image is traditional; who have no notion<br />

that there are such things as fountains in the world, small as<br />

well as great; and who would therefore charitably derive every<br />

rill they behold flowing, from a perforation made in some other<br />

man’s tank. 1<br />

It is important to heed Balthasar’s warning, not because Maximus is<br />

completely original, but precisely because his originality is that of a<br />

mind that draws disparate things together in a profound and<br />

compelling way. But he certainly has sources, and many of his ideas<br />

can be traced back across the centuries, and not only across the<br />

<strong>Christian</strong> centuries, for Maximus knew a good deal of classical<br />

philosophy— in its later form that we dub ‘Neoplatonism’—so that<br />

many of his ideas can be traced back to the great philosopher of the<br />

fifth and fourth centuries BC, Plato, and even earlier. But he lived in<br />

a civilization that valued tradition, that tended to think that history<br />

was a process of degeneration and decay, rather than of progress, so<br />

that consequently antiquity was a measure of truth. The ideal<br />

condition would be to remain the same; any change was likely to be<br />

corruption. But Paul Lemerle’s oft-quoted warning that ‘to represent<br />

Byzantium as immutable over a period of eleven centuries is to fall<br />

into a trap set by Byzantium itself’ 2 applies to Byzantine theology, as<br />

much as to Byzantine political institutions. In both cases we need to<br />

accustom ourselves to recognize originality in the attempt to preserve<br />

an impression of permanence.

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