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Li Shaokang, XJTLU, ARC305, semester 1, 2016-17

Portfolio of Li Shaokang's ARC305 studio project, semester 1, 2016-17, Xi'an Jiaotong-Liverpool University, Department of Architecture. Tutor: Li-An Tsien.

Portfolio of Li Shaokang's ARC305 studio project, semester 1, 2016-17, Xi'an Jiaotong-Liverpool University, Department of Architecture. Tutor: Li-An Tsien.

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NEW SPIECES INVASION<br />

PARASITE<br />

—— By <strong>Li</strong> <strong>Shaokang</strong>


<strong>ARC305</strong><br />

Small and Medium<br />

Scale Buildings<br />

BEng Architecture Level 3<br />

<strong>2016</strong>/20<strong>17</strong> 1st Semeste<br />

Building Creative Cities<br />

<strong>Li</strong> <strong>Shaokang</strong><br />

ID: 1301846<br />

Tutor: <strong>Li</strong>-An Tsien<br />

1


CONTENT<br />

1. Introduction<br />

3<br />

2. Site Analysis<br />

4 - 8<br />

3. Design Concept<br />

9 - 11<br />

4. Design Development<br />

12 - 13<br />

5. Final Proposal<br />

14 - 22<br />

6. Archtecture Renderings<br />

23 - 28<br />

7. Construction Details<br />

29 - 31<br />

8. Photo of models<br />

32 - 35<br />

2


To Begin with...<br />

1. Introduction<br />

Building creative cites<br />

Having been through the decades of urban development,<br />

Chinese cities are facing new period of city transition.<br />

At present, cities need to deal with a number of important<br />

urban challenges, including rising inequality, migratory<br />

pressure, population aging, environmental problems and et. al.<br />

In the city transition, if we see the city in perspective of art,<br />

to consider or focus on innovation, creativity, society and<br />

culture, the result might achieve ideal city image. In the context<br />

of this studio, the aim is to explore the new type or relationship<br />

between built urban spaces and creative societies.<br />

What is creative city?<br />

Creative city may represent an other world,<br />

which is perhaps Utopia or ideal and it also<br />

lives in each people’s mind. In the other<br />

world, life becomes full of variety, people<br />

might alter their cognition towards society,<br />

culture and urban space.<br />

How the city could be more creative?<br />

My answer is : Parasite (Parasitic buildings).<br />

In perspective of architecture, it means new buildings will be built<br />

on the basement of original one. They attach the old one while adapt<br />

themsevles and change the original buildings at the same time. These<br />

parasitic buildings are equipped with two essential characters:<br />

1. All parasitic buildings could grouped to form a system that exist in<br />

the city. They link with each other and become another transportation<br />

system or “another world”.<br />

2. The parastic buildings increase the potential of the exsiting building,<br />

while they redefine the original building and add additional meaning of<br />

the building itself.<br />

3


Jing’An Villa, Shanghai, China...<br />

2. Site Analysis<br />

In this project, we started from neighbor scale to present how the idea of creative city works<br />

in specific area. Then, this idea could be expanded through the whole city or another city,<br />

which is based on the context of the site. Finally, this project has potential to be adapted in<br />

city scale or bigger pictures.<br />

The selected site is named Jin’An Villa, Shanghai, China. It is a relatively closed neighbor,<br />

located in the busiest area in Shanghai —— West Nanjing Road, while near Metro line No.2.<br />

The surroundings are mostly business zone —— Meilongzhen Shopping mall. However, this<br />

neighbor does not been disturbed by surroundings. As a closed neighbor and typical <strong>Li</strong>long<br />

House, the Jing’An Villa has large potential to form “another world”.<br />

4


GENERAL INFORMATION<br />

Jing’An Villa is located in PuXi Area and situated right on West Nanjing Road.<br />

It faces to Meilongzhen Shopping zone and next to Meilongzhen Hotel, while<br />

the front street is quite busy with a number of watch shops and cloths shops.<br />

The north entrance of Jing’An Villa is unimpressive on Nanjing road,<br />

while the whole residential area is isolated by walls. So that, the life of<br />

MEILONGZHEN SHOPPING MALL<br />

MEILONGZHEN HOTEL<br />

WEST NANJING ROAD<br />

JING‘AN VILLA<br />

SITE MAP<br />

neighbor is not disturbed by the outside business district completely.<br />

0 40 80 120m<br />

West Nanjing Road<br />

WEST NANJING ROAD<br />

MAP of<br />

WEST NANJING ROAD<br />

Wall<br />

Residential Blocks<br />

5<br />

WEST NANJING ROAD<br />

MAP of SHANGHAI


Before 1930<br />

As the Racecourse<br />

in French Concession<br />

HISTORY BACKGROUND<br />

of<br />

JING’AN VILLA<br />

West NanJing Road<br />

In 1928<br />

Jin’an Villa<br />

It was bought by Zhang Jingjiang,<br />

who is the teacher of Jiang jieshi.<br />

Jing’An Villa is protective historical building group nowadays.<br />

Although it not has very long history, it was still in important position<br />

in Morden times of Shanghai.<br />

In 1932<br />

Jingan villa was established.<br />

As a Private Villa for<br />

high-class people.<br />

The Old Map of Shanghai 1928<br />

In the World War II, Shanghai was a colony. The site was the<br />

racecourse for French Concession. It was owned by colonists<br />

before Zhang Jingjiang bought this area in 1928. This man was<br />

a powerful man in KMT, while he used to be teacher of Chiang<br />

Kai-shek. In 1932, he established Jing’an Villa as a private villa for<br />

high- class people only. In 1942, Kong Xiangxi bought the villa<br />

In 1942<br />

Kong Xiangxi bought it<br />

who is belong to one of the<br />

Family of the Republic of China.<br />

and it belonged to the Family of KMT. After Great Cultural Revolution<br />

in 1966, the Villa was belong to nation and it was opened to the<br />

public. Then a wide range of people come into this place to live.<br />

Recent years, a large number of commerial programs entered in<br />

Jiang’an Villa, which broke neighbor’s original <strong>Li</strong>long life. To protect<br />

traditional <strong>Li</strong>long House in Shanghai, Jiang’An Villa was forbidden to<br />

After 1966<br />

The Great Cultural Revolution<br />

A wide range of people come into<br />

the Villa.<br />

operate business programs 3 years ago. Now, it is a relatively closed place.<br />

TIME LINE<br />

The Modern times of Shanghai 1945<br />

6


ANLYSIS OF LILONG FABRIC<br />

LIFE & PROBLEMS<br />

of<br />

JING’AN VILLA<br />

Purposes of <strong>Li</strong>long :<br />

1. construction efficiency<br />

2. high level density<br />

Jing’an Villa<br />

Traditional Typical <strong>Li</strong>long<br />

Jing’An Villa is typical <strong>Li</strong>long House in Shanghai, while compare with other<br />

<strong>Li</strong>long Fabric<br />

<strong>Li</strong>long patterns in Shanghai, it is simplified and not work very well.<br />

<strong>Li</strong>long is the product in last century, which may not work so well in the new<br />

period.<br />

The residence in Jiang’An Villa could be simply divided into two<br />

circulation<br />

gourps of people. One is Shanghai natives whoes ancestors live in<br />

this area since last century; the other is the migrants or new Shanghai<br />

people who are mostly office workers. They have different life patterns<br />

relation between<br />

neighbors<br />

in neighbors, while they all meet different problems in <strong>Li</strong>long life.<br />

In my vision, I intend to create a neighbor that full of freedom,<br />

public space<br />

interaction, activated and creative life in Jing’An Villa.<br />

LIFE PATTERNS BETWEEN MIGRANT & NATIVE<br />

small garden in ground floor<br />

houses for residents<br />

Second &<br />

Third Floor<br />

Migrants<br />

First Floor<br />

Native<br />

secondary lanes are<br />

occupied by cars<br />

Upstairs rooms for rent<br />

are so narrow and crowded<br />

7


PROBLEMS IN JING’AN VILLA<br />

1. the courtyards in each house<br />

are face to the backside of the<br />

buildings. It reduces the<br />

connections between neighbors.<br />

2. Each side lanes used to be<br />

public living space, but taken<br />

by cars.<br />

3. The central lane is for creating interaction<br />

of people, and increase the chance for meeting.<br />

However, the space lack of variety, which can<br />

not be a space for staying. It is only for circulation.<br />

4. Simplex circulation, that the<br />

car and pedestrian share the<br />

central lane.<br />

VISION OF THE NEIGHBORS<br />

8


New spieces invation, Parasite....<br />

3. Design Concept<br />

The idea of building creative city in this project is called —— Parasite.<br />

The concept is to trigger new spieces invation in city of Shanghai. The new buildings<br />

are like parasites, they attache and adapt old buildings and changing them at the<br />

same time. The new blocks bring new life and energy to the old one, while they<br />

attache the old buildings in various ways and they are linked with each other<br />

to form a group. It could also been called as a new system or “ the other world”.<br />

When several parasitic buildings are connceted togethter, people could go through<br />

the sky bridges to another block. That will create another transportation system in the city.<br />

To sum up, these parasitic buildings has two characters. One is highly adapted to the old<br />

ones; another is they interact with each other and create a growing system.<br />

9


FIRST CONCEPTUAL DRAWING<br />

IDEA of GRID<br />

The first attempt of the parasite idea was using grid as the media to<br />

First Attempt (Idea of Grid)<br />

develop a system adapted to the original <strong>Li</strong>long blocks while could grow<br />

and extend. If using a spacial grid box as a basic elements of design,<br />

it has large potential leading to various results. The simple grid could<br />

be anything conceptially. So that the first idea is focus on the spread<br />

of parasitic buildings: the grid as element that start to grow and extend<br />

through the whole neighbors, then bestrew the whole city.<br />

The idea of grid became the first generation of parasite building,<br />

which was the conceptial and abstract idea of a real buildings.<br />

Then, these grids need to be transform into something else and<br />

not just as the structure system of the buildings.<br />

FUNCTIONAL SPACE<br />

FURNITURE<br />

FIRST CONCEPTIAL VISION<br />

SEAT<br />

PLAY SPACE<br />

TEA TABLE<br />

TEA HOUSE<br />

COMMODITY SHELF<br />

10


CONCEPTIAL MODELS THE DECLARATION OF THE ARCHITECTURE<br />

After the experiment of abstrcting grid idea, several models had been done to develop the idea of parasite.The models are in different<br />

scale, which present different vision of the project. The parasitic buildings could break the original buildings, attach on the facade of<br />

Final Outcome of The Concept<br />

buildings, stay in the central area of buildings or stay on top of buildings. The models present various potential of parasite blocks<br />

adapted to old buildings.<br />

Besides, the models also indicate different organizations of parasite groups and how they connected with each others in three-dimension.<br />

While considered of the contexts of different site, the quantity, scale and form of parasite will be various.<br />

11


Noise, smell, voice....<br />

4. Design Development<br />

To create an activated neighbor life and provide more creative space for residents, this project<br />

came up with six different programs. They are all basic functional elements. When combine<br />

them with residential houses (like parasite), it will generate creative urban space in neighbors.<br />

Meanwhile, the perception of people was considered during the design of these programs,<br />

when you are strolling in the parasitic blocks, the perception or senses will lead you to<br />

the next station.<br />

12


PERCEPTIONS<br />

FUNCTIONAL ELEMENTS<br />

(Noise)<br />

(Birds Singing)<br />

Temporary shed Dwelling Flea Market<br />

Nest Dwelling Public Terrace<br />

(Smell)<br />

(The crowd)<br />

Chimney Dwelling Resteraurant<br />

Tearooms Dwelling Tea House<br />

(View)<br />

(<strong>Li</strong>ght and Music)<br />

Tree Dwelling Vertical Garden<br />

Stage Dwelling Performing Space<br />

13


Perform Stage, Tea House, Vertical Garden....<br />

5. Final Proposal<br />

In the project, I choosed the north part of Jing’An Villa as the experimental location<br />

of my parasites, which is near West Nanjing Road. There are six different parasite<br />

blocks exsit in the <strong>Li</strong>long House. While they are in different functions including:<br />

a performing stage in the middle of the original building, tea houses plug into the<br />

house, a public terrace replaced part of the top floor, a vertical garden linked with<br />

dwellings, a kitchen in the middle of houses and a flea market on the top of building.<br />

These six parasites workings together as a system, there are sky bridges linking each<br />

of them. They are sometime independent and sometime need to depended by others.<br />

With these parasitic buildings, they create the “Other” World in the neighbor.<br />

14


SITE PLAN<br />

0 20 40 60m<br />

WEST NANJING ROAD<br />

15


ROOF PLAN<br />

0 5 10 15m<br />

16


PLAN 1:200<br />

LEVEL 6.5m<br />

1. Performing Stage<br />

2. Tea House<br />

3. Vertical Garden<br />

4. Kitchen&Restaurant<br />

4<br />

1<br />

2<br />

3<br />

<strong>17</strong><br />

0 5 10 15m


PLAN 1:200<br />

LEVEL 9.5m<br />

1. Performing Stage<br />

2. Tea House<br />

3. Vertical Garden<br />

4. Kitchen&Restaurant<br />

5. Public Terrace<br />

4<br />

1<br />

3<br />

2<br />

5<br />

0 5 10 15m<br />

18


SECTION AA (Kitchen & Flea Market)<br />

A<br />

0 5 10 15m<br />

A<br />

19


SECTION BB (Vertical Garden & Performing Stage)<br />

B B<br />

0 5 10 15m<br />

20


ELEVATION (Tea House & Public Terrace)<br />

0 5 10 15m<br />

21


AXONOMETRIC VIEW<br />

22


I Woke up in The “Other” World....<br />

6. Archtecture Renderings<br />

The following narrtive is inspired from my dream visions.<br />

In the dream, it was the “Other” parallel world exists,<br />

while this new world overturn the cognize of the real world.<br />

In the dream, everything seems to be hazy, but the senses<br />

and feelings seem to be real.<br />

In the dream, the parasitc buildings bring me the “Other”<br />

potential of a neighbor.<br />

23


One day, I was in the sleep. Some noise disturbed me, then I woke up and find myself in a strange room.<br />

I did not know where I am, but I was just curious about the noise, which seemed come from the ceiling.<br />

Then I followed the noise and came to the roof top, it was a flea market. There are some shops and also temporary shelts,<br />

which are assmbled by steel frame and dyeing cloth. Lots of people are strolling in the flea market.<br />

24


Suddenly, I smelt something good and felt hungry. Then I following the smell and find out a big chimney in the middle of residential blocks.<br />

I passed the sky bridge and went downstairs. It is a public kitchen and restaurant, mostly for family meetings. I perfor eating alone, so<br />

I had a seat and orderd food for myself. After lunch, a resident told me there is a garden towards chimney. I really need a walk after<br />

25<br />

eating. I saw ring forms plates surrounding a big tree. Kids were playing here, old men were reading under the shade.


When I was wandering in the garden, a leaf fall down my head. It was autumn? Oh, no, it was a bird. Its wings were flaping leaves<br />

and it was going to fly to somewhere. My sight is focusing on that bird and it landed on a top of roof. It seemed to be a nest.<br />

“No, it is a public terrace with a nest-like roof, birds like to gather there.”<br />

26


Suddenly, the day became dark, my view became unclear. Then I saw several light in the darkness,<br />

while residents were moving towards light. I did not know what happened, so just followed the crowd.<br />

The light is from a group of tea house, people are gather there, some people were sitting on the tatami,<br />

27<br />

some are standing on the corridor. They are waiting for something...


The music came out, there is a frame box shinning between dwellings.The crowd was applauding<br />

and cheering. The show is begin.<br />

“The show is begin?”<br />

28


Steel, brick, steel again.....<br />

7. Construction Details<br />

All the parasitic buildings conform to several rules of construction.<br />

The material need to be light and easy to transport, while it need to<br />

be easy to assemble. All the components are fabricated in the factory.<br />

These parasitic buildings could applied to various material, which<br />

need to be environmental- friendly, energy-efficient, hight-intensity<br />

and non-corrosible new material. So the ideal material is steel.<br />

29


1:50 Detail Section<br />

(Performing Space)<br />

Section & Axonometric Drawing<br />

1: 100<br />

(Performing Space)<br />

1<br />

1 gravel layer<br />

cenment<br />

cavity<br />

thermal insulation<br />

sealing belt<br />

steel I beam<br />

2<br />

2 sheet aluminium power coated<br />

ventilation layer<br />

aluminium component<br />

cavity<br />

insulation blanket<br />

water barrier<br />

reinforced concrete<br />

coating<br />

3 brick block<br />

metal tie<br />

insulation blanket<br />

water barrier<br />

reinforced concrete<br />

coating<br />

outside<br />

inside<br />

4 parquet<br />

underfloor heating screed<br />

impack sound insulation<br />

reinforced concrete<br />

half-finished slab<br />

3<br />

4<br />

30


1:50 Detail Section<br />

(Vertical Garden)<br />

Section & Axonometric Drawing<br />

1: 100<br />

(Vertical Garden)<br />

Welded Joint<br />

1<br />

2<br />

3<br />

1 steel panel<br />

steel beam (secondary)<br />

cavity<br />

steel beam (first)<br />

2 steel decking<br />

stair structure<br />

welded connection<br />

to beam<br />

metal beam<br />

3 steel stick connection<br />

31


Finally.....<br />

8. Photo of models<br />

To sum up, the project is assimilated to parasite, it is about<br />

new small buildings integrated with the original neighbors.<br />

I call it as new- species invasion that my project intrude<br />

into the old ones, adapted to them as well as changing them.<br />

The purpose of my project is to create freedom, intersection<br />

and activited life for the neighbors. While the parasite<br />

could grow and extend through thewhole neighbors and<br />

even city of Shanghai.<br />

32


33<br />

PHOTO OF THE CONCEPTIAL MODELS & CONSTRUCTION MODEL


PHOTO OF THE FINAL MODEL<br />

34


35

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