Spaces Vol 1 Is 6
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- all with attached bathrooms – connected<br />
by the family lounge.<br />
The bedroom on the east is a haven for<br />
those seeking the warmth of early<br />
sunshine, assured by two bay windows<br />
facing east and northeast. The bathroom<br />
is also quite different because of the odd<br />
angles of the walls. The adjoining master<br />
bedroom has a bay window facing west<br />
and is well furnished. A wall cabinet and<br />
a divan complement a large double bed<br />
with attached bedside tables. On one of<br />
the bedside tables stands a beautiful nude<br />
arched backwards, holding a globular<br />
lamp. The third bedroom has two bay<br />
windows and a wooden cabinet<br />
displaying miniature animal figures and<br />
other showpieces. This is the son’s room<br />
and lokta paper lampshades enlighten it.<br />
The ceiling in this room is high and Kewal<br />
is mulling over plans to build a sort of<br />
loft in the space available. When seated<br />
on the private lounge one is treated to<br />
the interesting sight of wooden steps<br />
leading up to the third floor and this is<br />
further enhanced by the big brass<br />
hurricane lamp dangling from the ceiling.<br />
No chandeliers in Lumanti Chen, but<br />
then who needs one when there are such<br />
appealing lights available? A square<br />
Facing Page: The hurricane lamp casts a<br />
warm glow on the first floor landing and<br />
the private lounge.<br />
Above: The master bedroom is elegantly<br />
simple in its style of furnishings.<br />
wooden mandala hangs near the second<br />
floor landing. According to Kewal, “Most<br />
of the wooden items are from Lalitpur<br />
while the clay ones are from Bhaktapur.”<br />
Sunita seems to have an affinity towards<br />
gardening and says, “We have a gardener<br />
coming twice a week but rest of the time<br />
I look after it.” She also says proudly,<br />
“At the back of the house is a small<br />
nursery which I maintain.” The back of<br />
the house, at two ends, also has a guest<br />
room as well as a mandir. The couple<br />
takes great satisfaction from a job well<br />
done. However Kewal admits, “I am<br />
constantly moving things around. It’s<br />
hard to be perfectly satisfied.” One of<br />
the reasons for his dissatisfaction stems<br />
INTERIORS<br />
from the fact that he has always wanted<br />
to hang two portraits of Malla Kings on<br />
the living room walls, but says, “Sunita<br />
and I have visited many galleries but have<br />
yet to find what we are looking for.”<br />
Another reason for discontent is the<br />
malfunctioning of the fireplace. “Can<br />
you suggest how we can fix it?”<br />
Well one does need a few imperfections<br />
in real life otherwise life would be too<br />
sickeningly perfect. Still, we must wish<br />
them luck in their search for an artist<br />
who will paint for them the portraits they<br />
desire and an engineer who will make<br />
sure that the smoke from the fireplace<br />
does not come into the room and tarnish<br />
their creditable efforts. S<br />
SPACES SEP-OCT 2005 85