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Spaces Vol 1 Is 6

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- all with attached bathrooms – connected<br />

by the family lounge.<br />

The bedroom on the east is a haven for<br />

those seeking the warmth of early<br />

sunshine, assured by two bay windows<br />

facing east and northeast. The bathroom<br />

is also quite different because of the odd<br />

angles of the walls. The adjoining master<br />

bedroom has a bay window facing west<br />

and is well furnished. A wall cabinet and<br />

a divan complement a large double bed<br />

with attached bedside tables. On one of<br />

the bedside tables stands a beautiful nude<br />

arched backwards, holding a globular<br />

lamp. The third bedroom has two bay<br />

windows and a wooden cabinet<br />

displaying miniature animal figures and<br />

other showpieces. This is the son’s room<br />

and lokta paper lampshades enlighten it.<br />

The ceiling in this room is high and Kewal<br />

is mulling over plans to build a sort of<br />

loft in the space available. When seated<br />

on the private lounge one is treated to<br />

the interesting sight of wooden steps<br />

leading up to the third floor and this is<br />

further enhanced by the big brass<br />

hurricane lamp dangling from the ceiling.<br />

No chandeliers in Lumanti Chen, but<br />

then who needs one when there are such<br />

appealing lights available? A square<br />

Facing Page: The hurricane lamp casts a<br />

warm glow on the first floor landing and<br />

the private lounge.<br />

Above: The master bedroom is elegantly<br />

simple in its style of furnishings.<br />

wooden mandala hangs near the second<br />

floor landing. According to Kewal, “Most<br />

of the wooden items are from Lalitpur<br />

while the clay ones are from Bhaktapur.”<br />

Sunita seems to have an affinity towards<br />

gardening and says, “We have a gardener<br />

coming twice a week but rest of the time<br />

I look after it.” She also says proudly,<br />

“At the back of the house is a small<br />

nursery which I maintain.” The back of<br />

the house, at two ends, also has a guest<br />

room as well as a mandir. The couple<br />

takes great satisfaction from a job well<br />

done. However Kewal admits, “I am<br />

constantly moving things around. It’s<br />

hard to be perfectly satisfied.” One of<br />

the reasons for his dissatisfaction stems<br />

INTERIORS<br />

from the fact that he has always wanted<br />

to hang two portraits of Malla Kings on<br />

the living room walls, but says, “Sunita<br />

and I have visited many galleries but have<br />

yet to find what we are looking for.”<br />

Another reason for discontent is the<br />

malfunctioning of the fireplace. “Can<br />

you suggest how we can fix it?”<br />

Well one does need a few imperfections<br />

in real life otherwise life would be too<br />

sickeningly perfect. Still, we must wish<br />

them luck in their search for an artist<br />

who will paint for them the portraits they<br />

desire and an engineer who will make<br />

sure that the smoke from the fireplace<br />

does not come into the room and tarnish<br />

their creditable efforts. S<br />

SPACES SEP-OCT 2005 85

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