Spaces Vol 1 Is 6
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PROFILE§<br />
Above: Royal Palace proposal,<br />
Kathmandu.<br />
Right: St. Mary’s School and T.U.<br />
Science Block, Kathmandu.<br />
Below: Royal Hotel, Kathmandu<br />
Association for Technical Assistance)<br />
office and guest house at Ekanta Kuna,<br />
Jawalakhel, Lalitpur.<br />
In 1957 Nepal was still in the throngs of<br />
setting up a democratically elected<br />
government. Robert Weise was on a twoyear<br />
assignment within the framework<br />
of the Swiss assistance to the Ministry<br />
of Agriculture. One of the ongoing<br />
projects was the establishment of cheese<br />
factories in the mountainous regions. The<br />
factory in the Langtang Valley had already<br />
been set up and additional factories were<br />
planned, such as the one in Thodung,<br />
north of Charikot. Designs were also<br />
prepared for storage godowns and staff<br />
quarters for the ministry. Weise also<br />
prepared a proposal for the establishment<br />
of a Building Research Centre in<br />
Kathmandu, which even after a<br />
concerted effort did not get the required<br />
backing of the Swiss.<br />
The contract with SATA expired in 1959,<br />
nevertheless Weise had already been<br />
approached by the royal family for<br />
various design projects; a barn for the<br />
royal palace, a restaurant in the Gokarna<br />
forest and residences for Prince<br />
Himalaya and Prince Basundhara in<br />
Tahachal. A proposal was also prepared<br />
for the Nepal Bank building in New<br />
Road. However, it was not these projects<br />
that convinced Weise to stay on in Nepal,<br />
but the prospect of working on the<br />
proposed Tribhuvan University complex<br />
in Kirtipur. 1960 was a critical year, not<br />
only for Robert Weise, but also for Nepal.<br />
The Tribhuvan University project did<br />
materialize and he was given a three year<br />
contract as Architect-in-Chief for the<br />
preparation of the Master Plan and the<br />
design of the Library Building and the<br />
Science Block. The decision to leave the<br />
refuge of the Swiss government and take<br />
the leap to working for the local<br />
government was that which led to the<br />
exceptional contribution of Robert Weise<br />
to modern architecture in Nepal.<br />
In 1960, King Mahendra took a bold<br />
step when he commissioned the design<br />
of a new palace. This clearly symbolised<br />
the break from the past history of Rana<br />
domination and was part of the nationbuilding<br />
process for a “Modern Nepal”.<br />
The Ranas used the neo-classical style<br />
of the colonial powers in India to<br />
distinguish themselves from the<br />
common folk and to symbolically strive<br />
towards equality with the British.<br />
However, King Mahendra wanted to<br />
replace the “Rana Style” palace with a<br />
building designed in a style representing<br />
a modern interpretation of Nepalese<br />
architecture. Architect Weise was<br />
approached to submit a proposal. The<br />
architect was honoured. However, as a<br />
young architect, he naturally felt rather<br />
SPACES SEP-OCT 2005 73