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Spaces Vol 1 Is 6

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axis’s - rather, structures occur naturally,<br />

in a more loosely bound, or organic,<br />

pattern. This pattern they say was inspired<br />

by the way village settlements are laid<br />

out – and so the end result was a Shangri-<br />

La Village Resort.<br />

Shangri-La’s instructions had been to<br />

create a place that was warm and<br />

welcoming, giving a flavour of local<br />

architecture – while providing all the<br />

comforts of a deluxe resort of this<br />

category. Surrounding settlements around<br />

Pokhara like Birethati and Siklis were<br />

visited to draw inspiration from for the<br />

village concept. One of the designers<br />

even thought of creating a village based<br />

on the idyll of Gaulish villages featured<br />

in the Asterix and Obelix comics, which<br />

some readers may be familiar with!<br />

However, reflecting on local elements of<br />

design was their brief, and that is what<br />

the resort has finally incorporated.<br />

DETAILS AND FEATURES<br />

In fact, a lot of this village element at<br />

the resort is found in the details like the<br />

Maithili motifs on the walls, the lamp<br />

niches in the stone walls and the stone<br />

walls themselves. Typical Nepali villages<br />

in the region incorporate a lot of stone,<br />

straw and wood in their construction and<br />

these materials have also been used<br />

extensively in the resort to add to the<br />

village feel. Here, an essentially modern<br />

construction has been disguised to more<br />

or less give it a village veneer.<br />

The profile of the blocks with the guest<br />

rooms, backed up against the southwest<br />

perimeter of the property, has been<br />

deliberately broken up by creating a row<br />

of split level cottages with four sets of<br />

rooms each, with two more in the section<br />

joining the cottages. All of these blocks<br />

are shaped like a typical ‘matchbox’<br />

Nepali house and have only two floors<br />

each. There are also a number of rooms<br />

in the southern corner of the property<br />

that seem to lie below ground level, an<br />

effect achieved by converting their<br />

combined flat roof area into a lawn. These<br />

rooms may remind guests of the flat roof<br />

design of the houses in Manang and the<br />

Mustang regions off north of the<br />

Pokhara valley. All of these rooms face<br />

the mountains to catch that priceless view<br />

- and every room comes with this view.<br />

The entire orientation of the resort has<br />

therefore been created with this view in<br />

mind. One of the most attractive<br />

features about the design of the resort<br />

is the way in which rooms seem to have<br />

so much privacy, an effect enhanced by<br />

the split levelling and the fact that no<br />

rooms face each other. The effect of<br />

Above: The entrance itself<br />

promises expansiveness within.<br />

Left: Split level designs have<br />

been incorporated adding to the<br />

independance of each room<br />

with regard to uninterrupted view.<br />

Right: One view of the resort that<br />

exemplifies the thoughtfulness<br />

towards the creation of an<br />

interesting landscape.<br />

SPACES SEP-OCT 2005 45

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