Spaces Vol 1 Is 6
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well as work really hard, for this would be the<br />
consortium’s make or break project. This also meant<br />
Shangri-La could have more of a say in the design<br />
process and so there was a lot of input from their<br />
side but all in all a very healthy interactive design<br />
process ensued, resulting in a mutually satisfying<br />
end result.<br />
Design Consortium, which is now known as Design<br />
Cell, then consisted of four young architects: Sanjay<br />
Pradhan, Umesh Man Shrestha, Arun Dev Pant<br />
and Shakti Man Dangol. The current CEO of the<br />
Right & above: Pebbled paths and lush green ferns<br />
are well married to thatched cottages.<br />
He had the vision to see the possibilities-Shyam B.<br />
Pandey.<br />
Below: The grounds of the resort offers many<br />
excellent examples of an aesthetic mind.<br />
Shangri-La in Kathmandu. He had the<br />
skills and experience required and shared<br />
in the vision of its owners. So when the<br />
Shangri-La group decided to set up a<br />
presence in the growing tourist market<br />
in Pokhara, he was a natural choice to<br />
represent Shangri-La. Interestingly, at this<br />
point, a design for the Shangri-La Village<br />
already existed, created by a French<br />
architect. But though acknowledged as<br />
being superb in many aspects both by<br />
the client and its final architects, this<br />
design did not find fruition. So why was<br />
Design Consortium selected over both<br />
an existing already-paid-for design, as well<br />
as other established architectural firms<br />
in the country at that time? They say<br />
Sengupta had a gift for recognizing talent,<br />
and he and his team saw in the Design<br />
Consortium team, well…talent! Also,<br />
being young and enthusiastic, they would<br />
help infuse energy into the project – as<br />
Left page: Symmetry and harmony are well<br />
demonstrated in the corridors.<br />
42 SEP-OCT 2005 SPACES