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well as work really hard, for this would be the<br />

consortium’s make or break project. This also meant<br />

Shangri-La could have more of a say in the design<br />

process and so there was a lot of input from their<br />

side but all in all a very healthy interactive design<br />

process ensued, resulting in a mutually satisfying<br />

end result.<br />

Design Consortium, which is now known as Design<br />

Cell, then consisted of four young architects: Sanjay<br />

Pradhan, Umesh Man Shrestha, Arun Dev Pant<br />

and Shakti Man Dangol. The current CEO of the<br />

Right & above: Pebbled paths and lush green ferns<br />

are well married to thatched cottages.<br />

He had the vision to see the possibilities-Shyam B.<br />

Pandey.<br />

Below: The grounds of the resort offers many<br />

excellent examples of an aesthetic mind.<br />

Shangri-La in Kathmandu. He had the<br />

skills and experience required and shared<br />

in the vision of its owners. So when the<br />

Shangri-La group decided to set up a<br />

presence in the growing tourist market<br />

in Pokhara, he was a natural choice to<br />

represent Shangri-La. Interestingly, at this<br />

point, a design for the Shangri-La Village<br />

already existed, created by a French<br />

architect. But though acknowledged as<br />

being superb in many aspects both by<br />

the client and its final architects, this<br />

design did not find fruition. So why was<br />

Design Consortium selected over both<br />

an existing already-paid-for design, as well<br />

as other established architectural firms<br />

in the country at that time? They say<br />

Sengupta had a gift for recognizing talent,<br />

and he and his team saw in the Design<br />

Consortium team, well…talent! Also,<br />

being young and enthusiastic, they would<br />

help infuse energy into the project – as<br />

Left page: Symmetry and harmony are well<br />

demonstrated in the corridors.<br />

42 SEP-OCT 2005 SPACES

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