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ART<br />

for. “I realized that art gave me a feeling<br />

of great liberation.” She went on to<br />

complete her Bachelor in Fine Arts from<br />

Lalit Kala Academy in 1992 and had her<br />

first solo exhibition, ‘SAARC Girl Child<br />

Decade’ at the Goethe Institute in 1990,<br />

followed by ‘Women’, at the Srijana<br />

Contemporary Art Gallery in 1993. In<br />

the same year, ‘Wonderful Landscapes<br />

of Nepal’ was exhibited at the J Art<br />

Gallery. Ashmina then won a scholarship<br />

to do BFA from the University of<br />

Tasmania in Australia. With widening<br />

exposure to the world, the latent rebel in<br />

Ashmina seemed to be boiling over with<br />

righteous anger at the unjust gender<br />

inequality between the sexes back in her<br />

own country.<br />

Left above: Asmina’s installation art in<br />

Durbar Square, Basantpur, expressing<br />

the loss of identity and the bloodshed of<br />

recent times.<br />

Left below: Charcoal sketch on lokta<br />

paper from the ‘Hair Warp’ series.<br />

Anger, which gave birth to ‘Women and<br />

Sensuality’ in 1998 which was exhibited<br />

at the Kathmandu Art Gallery. One of<br />

the organizers was architect Sarosh<br />

Pradhan, an artist himself, and he<br />

remembers, “Ashmina wanted to title the<br />

exhibit, ‘Women and Sexuality’ but we<br />

advised her that it would be more prudent<br />

to use the term, ‘Sensuality’ rather than<br />

‘Sexuality’.” Through this show, Ashmina<br />

wanted to ‘express the feminine<br />

perspective towards women’s sexuality’.<br />

Some of the oils on canvas created quite<br />

a stir-a profusion of blood red depicting<br />

depths of stark womanhood. Other<br />

canvases on display were lithographs<br />

which were more complex in nature.<br />

Ashmina claims to “have always been<br />

influenced by nature…Human Nature,<br />

Social Nature, Cultural Nature, Nature’s<br />

Nature’ which provokes searching for<br />

answers to the questions, ‘Who am I?<br />

What am I? Where am I?’”. Ashmina<br />

brings up an interesting point when she<br />

says that people should be able to<br />

understand the difference between skill<br />

and creativity in an artist. “An artist may<br />

be very accomplished, but it is creativity<br />

which uplifts art to a transcendent level.”<br />

According to ‘Gender and Globalism’<br />

(Aomori Contemporary Art Centre/<br />

24 SEP-OCT 2005 SPACES

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