Spaces Vol 1 Is 6

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Text: Shristi Pradhan, Spatial Design Company Setting Moods Among the many finishes applied on walls, one of the most commonly used is paint. Wall surfaces act as a background against displays, or even as a dominant feature of a room and if used properly, effectively sets the mood of the room. It is widely recognized that colours have a strong impact on human moods and emotions. Hence choosing the appropriate colour is a daunting task. COLOUR SCHEME AND CHOICE While deciding on colour schemes, a few factors have to be kept in mind. The orientation and extent of daylight supply to the space through windows/ openings, and the type and location of artificial lighting used for specific purposes, are important in the sense that ill illuminated areas require lighter shades of colour. The duration that the space will be used, the purposes it will serve and the climatic condition also needs to be analysed. In addition, the character or atmosphere desired (calm, restful, stimulating, exciting, dignified, playful, etc.) also affects the colour scheme to be chosen. Choosing the correct colour can also make a space visually aesthetic as well as functional. A small space can be made to seem larger and an oddly shaped space to seem better. For example, if the end walls of a long and narrow room are of a strong warm colour, while the sides are lighter and cooler in tone, the ends seem to come closer visually and the sides move away, making the room look more normally shaped. Similarly, a dark ceiling will tend to seem lower than the same ceiling in a lighter tone. COLOUR EFFECTS Colour creates some surprising effects. Warm colours like red, orange and yellow are said to advance, that is, appear closer than they actually are, while cool colours like green, blue, and violet recede, appearing farther away. Light colours make objects look larger and lighter than they are, while darker colours make them look smaller and heavier. A dark floor and ceiling can greatly reduce apparent height and may even seem oppressive. A door painted to match the colour of the wall around it or a window curtained in a tone matching its surroundings will blend into their environment. On the other hand, the same elements if treated in contrasting colours will be emphasized. However there is no hard and fast rule to make any interior space lively. A small room can also be inviting and cosy using warm colours rather than going against space size. COLOUR HARMONY The concept of colour harmony is one of the keys to under-standing the theory that lies behind the development of various colour schemes. Before choosing any colour for 102 SEP-OCT 2005 SPACES

complementary of the background colour. For example, a small area of strong green will seem more intensely green when placed on a reddish (pink) background and when placed on a violet background, its hue will seem to shift towards yellow green. Colour permutations and combinations. the wall, the total colour scheme for the room should also be considered. Neutral colours like shades of grey, beige as well as browns, tans and white are safe colours for those who are hesitant to experiment and explore. They appear homelike in their milder tones and masculine in their heavier values. Almost any colour can work in certain situations and almost any combination can be successful, given balanced relationships of hue, chrome and value, and sound choices of location, area, texture and other variables. In practice, all of the systematic knowledge of colour reviewed above is best absorbed as background for creative work that proceeds in ways independent of formula or routine. COLOURS IN RELATION TO EACH OTHER The actual space influence how colours appear. When seen against a larger background, small areas of colour may alter in both value and hue. Light colours will appear lighter than they are when seen against a darker background and dark colours become darker against a light background. A medium tone can be made to seem either light or dark through contrast with its surroundings. Similarly, hues will seem to shift in relation to surroundings. A neutral grey will appear warm when placed on a blue background and cool when placed on red. Stronger colours will seem to shift in hue in relation to background, with a small sample seeming to move toward the PAINTS The selection of the paints available in the market can be confusing. Basically, paints are divided into two types: water based and oil based. Paints are available in different finishes: matte, satin and gloss. Matte finish is practical and inexpensive as it covers a large area quickly. However surfaces with matte paints are difficult to clean but can be touched up easily. Satin paints are oil based and are slightly expensive than the water based paint. While gloss finish gives more shine, texture paints gives a rough finish to the surface. Try adding different textures to the room to add interest and variety to an otherwise plain wall. Painting finishes can be plain, textured or patterned. Emulsion paint is a good choice for painting walls as it lasts longer and gives a good finish. Distemper is another choice for walls and is comparatively cheaper than emulsion paint. For external surfaces, different paints like exterior emulsion, cement paints, waterproof paints and textures are available in the market. TROUBLESHOOTING PAINT PROBLEMS 1. Choose good quality primer. This gives a smooth surface. Apply and dry fully. 2. If you are not happy with the applied colour, repaint it. You can also try ragging and sponging over the painted surface, giving a mottled look. 3. If paints spill on the carpet in a small portion, then do not rub. Instead let it dry and rub with abrasive sandpaper. For water-based paints, immediately remove by washing with plenty of water and blotting with clean rags. For oil-based paints, first scrape the colour then wash with white spirit and soapy water. S SPACES SEP-OCT 2005 103

complementary of the<br />

background colour. For<br />

example, a small area of<br />

strong green will seem<br />

more intensely green<br />

when placed on a reddish<br />

(pink) background and<br />

when placed on a violet<br />

background, its hue will<br />

seem to shift towards<br />

yellow green.<br />

Colour permutations and combinations.<br />

the wall, the total colour scheme for the<br />

room should also be considered. Neutral<br />

colours like shades of grey, beige as well<br />

as browns, tans and white are safe<br />

colours for those who are hesitant to<br />

experiment and explore. They appear<br />

homelike in their milder tones and<br />

masculine in their heavier values. Almost<br />

any colour can work in certain situations<br />

and almost any combination can be<br />

successful, given balanced relationships<br />

of hue, chrome and value, and sound<br />

choices of location, area, texture and<br />

other variables. In practice, all of the<br />

systematic knowledge of colour reviewed<br />

above is best absorbed as background<br />

for creative work that proceeds in ways<br />

independent of formula or routine.<br />

COLOURS IN RELATION TO EACH OTHER<br />

The actual space influence how colours<br />

appear. When seen against a larger<br />

background, small areas of colour may<br />

alter in both value and hue. Light colours<br />

will appear lighter than they are when<br />

seen against a darker background and<br />

dark colours become darker against a<br />

light background. A medium tone can<br />

be made to seem either light or dark<br />

through contrast with its surroundings.<br />

Similarly, hues will seem to shift in<br />

relation to surroundings. A neutral grey<br />

will appear warm when placed on a blue<br />

background and cool when placed on red.<br />

Stronger colours will seem to shift in hue<br />

in relation to background, with a small<br />

sample seeming to move toward the<br />

PAINTS<br />

The selection of the paints<br />

available in the market<br />

can be confusing.<br />

Basically, paints are<br />

divided into two types:<br />

water based and oil based.<br />

Paints are available in<br />

different finishes: matte,<br />

satin and gloss. Matte finish is practical<br />

and inexpensive as it covers a large area<br />

quickly. However surfaces with matte<br />

paints are difficult to clean but can be<br />

touched up easily. Satin paints are oil<br />

based and are slightly expensive than the<br />

water based paint. While gloss finish gives<br />

more shine, texture paints gives a rough<br />

finish to the surface. Try adding different<br />

textures to the room to add interest and<br />

variety to an otherwise plain wall. Painting<br />

finishes can be plain, textured or<br />

patterned. Emulsion paint is a good<br />

choice for painting walls as it lasts longer<br />

and gives a good finish. Distemper is<br />

another choice for walls and is<br />

comparatively cheaper than emulsion<br />

paint. For external surfaces, different<br />

paints like exterior emulsion, cement<br />

paints, waterproof paints and textures are<br />

available in the market.<br />

TROUBLESHOOTING PAINT PROBLEMS<br />

1. Choose good quality primer. This gives<br />

a smooth surface. Apply and dry fully.<br />

2. If you are not happy with the applied<br />

colour, repaint it. You can also try ragging<br />

and sponging over the painted surface,<br />

giving a mottled look.<br />

3. If paints spill on the carpet in a small<br />

portion, then do not rub. Instead let it<br />

dry and rub with abrasive sandpaper. For<br />

water-based paints, immediately remove<br />

by washing with plenty of water and<br />

blotting with clean rags. For oil-based<br />

paints, first scrape the colour then wash<br />

with white spirit and soapy water. S<br />

SPACES SEP-OCT 2005 103

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