10.07.2017 Views

Tokyo Weekender July 2016

Breaking the rules of kimono – a new book shatters antiquated views of this traditional garment. Plus: The boys for sale in Shinjuku Ni-chome, best sake of 2017, Japan's new emperor, and what really goes on inside "Terrace House."

Breaking the rules of kimono – a new book shatters antiquated views of this traditional garment. Plus: The boys for sale in Shinjuku Ni-chome, best sake of 2017, Japan's new emperor, and what really goes on inside "Terrace House."

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

BEHIND THE SCENES AT<br />

THE OPENING SHOW<br />

The opening day for Alata couldn’t<br />

be more fitting: <strong>July</strong> 7 is the most<br />

common day for celebrating<br />

Tanabata, a holiday that recognizes<br />

two celestial lovers, and is a time<br />

when magical things are known to happen.<br />

The title character of the play is Alata,<br />

a shogun from the Sengoku period (1467–<br />

1603). In his own time, he was charged<br />

with the duty of protecting a princess<br />

from an evil spirit. Defeated on his mission,<br />

Alata finds himself magically transported to<br />

<strong>Tokyo</strong> and the year 2020. There, he meets<br />

Kokoro, a modern young woman with<br />

no fondness for old traditions. As Alata<br />

struggles to make his way in the modern<br />

era, he and Kokoro are pursued by the<br />

same spirit that sent Alata into the future.<br />

One of the things that makes Alata<br />

unique is its ability to tell its tale entirely<br />

without words. Whether audiences are<br />

marveling at Alata’s intense swordplay,<br />

being moved by fast-paced dance routines,<br />

or looking up to see performers on wires<br />

zooming towards the stage, there’s no<br />

language barrier and audiences from<br />

around the world will be able to follow the<br />

story without missing a beat.<br />

We were able to see part of a rehearsal<br />

for the show, and the stage positively<br />

crackles with energy as the characters<br />

brought the captivating story to life with<br />

dance, pantomime, and swordplay.<br />

The playwright behind Alata is Kensuke<br />

Yokouchi, who has penned works that range<br />

from Super Kabuki shows and large-scale<br />

plays to small, independent works. Together<br />

with director Shunichi Okamura, who has<br />

produced everyone from idol groups to<br />

DANCE,<br />

SWORDPLAY,<br />

AND PANTOMIME<br />

COME TOGETHER<br />

TO CREATE AN<br />

UNFORGETTABLE<br />

THEATRICAL<br />

EXPERIENCE<br />

kabuki actors, he has taken up the<br />

challenge of bringing a completely<br />

wordless work to dramatic life.<br />

For a theatrical piece that uses<br />

no words, music plays a crucial<br />

role, which is where the group Mili comes<br />

into focus. The band came to international<br />

attention through the hit mobile music game<br />

Deemo, and all of Mili’s album releases have<br />

hit the number one spot on Japan’s indie<br />

music chart. Their music, which manages<br />

to evoke both traditional Japan and hyper<br />

modern <strong>Tokyo</strong>, is a perfect counterpoint to<br />

this tale of a time-transplanted samurai.<br />

The two performers who will bring<br />

the lead characters to life are Elina and<br />

Yuko Saotome. Elina, who plays Kokoro,<br />

has starred on stage and screen, and has<br />

recently returned from a stint in New York,<br />

further developing her craft as a dancer.<br />

Yuki Saotome, her counterpart, made his<br />

stage debut with Japan’s leading theater<br />

troupe, Gekidan Sujaku, when he was<br />

one and a half years old. After years of<br />

performing in traditional Japanese theater,<br />

Saotome is now known as one of Japan’s<br />

quickest and most talented sword play<br />

performers.<br />

And although the celestial lovers of<br />

Tanabata, Orihime and Hikoboshi, only get a<br />

day to spend with one another, audiences will<br />

be able to enjoy the adventures of Alata and<br />

Kokoro for many months to come. It’s a show<br />

that you don’t want to miss.<br />

ESSENTIAL INFO<br />

Alata hits the stage at Alternative Theatre<br />

on <strong>July</strong> 7.<br />

Tickets: www.alternative-theatre.jp/en<br />

Address: Alternative Theatre Yurakucho<br />

Center Bldg (Yurakucho Mullion) 7F, 2–5–1<br />

Yurakucho, Chiyoda-ku.<br />

Scenes from the Alata stage rehearsal<br />

TOKYO WEEKENDER | JULY 2017 | 13

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!