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art<br />

Above: Women and Expressions - lovingly<br />

portrayed females are regular features of the art<strong>is</strong>t’s<br />

works.<br />

Left: Lord Ganesha - a favourite subject with art<strong>is</strong>ts<br />

- here with a Shyam Lal tw<strong>is</strong>t.<br />

Shyam Lal Shrestha <strong>is</strong> now a name regarded with high respect<br />

in the art fraternity of Nepal. He has waded deep into the<br />

depths of art<strong>is</strong>tic waters, and has swum with and against h<strong>is</strong><br />

own art<strong>is</strong>tic capabilities as well as limitations. Initially a watercolour<strong>is</strong>t,<br />

he has experimented, or rather, explored, more<br />

creative possibilities, with a certain amount of w<strong>is</strong>e d<strong>is</strong>cretion,<br />

and come out the better for it. Better in the sense that h<strong>is</strong><br />

works are now quite easily identifiable as h<strong>is</strong> own, and in<br />

doing so, he has achieved a feat that most art<strong>is</strong>ts strive for.<br />

H<strong>is</strong> canvases, though oriented towards the abstract, are still<br />

to a layman, comparatively easy to fathom, and so, appreciate<br />

although he does admit, “I have still some way to travel before<br />

I can claim to be proficient in abstract art”. Th<strong>is</strong>, perhaps, <strong>is</strong><br />

a knowledgeable art<strong>is</strong>t’s refrain against painters jumping<br />

towards the abstract and claiming to be adept in the same<br />

before even the having enough knowledge about the basics.<br />

Yet, it <strong>is</strong> true that Shyam Lal, even though so greatly talented<br />

and so highly experienced, believes himself not yet ready to<br />

delve into th<strong>is</strong> final aspect of a well traveled art<strong>is</strong>tic soul.<br />

Th<strong>is</strong> gives conviction to the belief that art lovers can look<br />

forward to the day th<strong>is</strong> art<strong>is</strong>t reaches h<strong>is</strong> creative life’s<br />

journey’s end and presents to the world, abstract canvases<br />

that are truly so and not mere fragments of hurried hands<br />

and more so, hasty ambitions as are evident in many art<strong>is</strong>ts’<br />

works today. S<br />

30 MAR-APR 2006 SPACES

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