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T h e O l d S t a t i o n e r - N o 8 1<br />

Further information from the Sheffield Master Cutler advised<br />

that a) all recipients and their escorts were invited to a lunch in<br />

Cutler's Hall after the service and b) the Cutler's Company was<br />

having two special chairs made for the service, for the Queen and<br />

the Duke of Edinburgh by a Company member, using Sheffield<br />

stainless steel. These would remain in the cathedral. The Cutler's<br />

Hall, which is directly opposite the cathedral, was to be used for<br />

the recipients to be received and duly identified before being<br />

taken across to their seats.<br />

The Almoner pointed out that we were not expected to give the<br />

Queen anything in return. Apparently on one occasion an elderly<br />

lady presented her with a jar of homemade marmalade after<br />

receiving the purses!<br />

And so to the great day. Needless to say, my wife Hazel had a<br />

new outfit, and as the street was closed to traffic, we could not<br />

take cars UP to the doors of the Cutler's Hall and had to walk<br />

the final 200 yards. We hoped that the weather would be kind to<br />

her outfit and my suit, and this proved to be the case as although<br />

cold it was dry and sunny. We were taken across to the Cathedral<br />

watched by the crowds gathered The Queen arrived spot on 11.0<br />

am, with an escort of Yeomen of the Guard. There were four<br />

processions, the Cathedral's, the Ecumenical, The Queen's and<br />

The Royal Almonry. The Choirs of the Chapel Royal and<br />

Cathedral were magnificent, and the music (I gather chosen by<br />

the Queen) included Handel's stirring "Zadoc the Priest" which<br />

is sung at coronations. During the service the Queen went twice<br />

round the cathedral handing the Maundy money to each of us<br />

personally. like many others I was surprised at how petite she<br />

seemed. Amazingly, despite all that had to be achieved the<br />

processions out were right on 12 noon (perhaps because there<br />

was no sermon i), with the Queen signing the Visitor's Book at<br />

the Cathedral door, following which she was greeted by a crowd<br />

estimated at 10,000, and went across to a Civic lunch at the<br />

nearby Town Hall.<br />

The irony for me was that the cost of my wife's new outfit for the<br />

event would have qualified me for assistance under the heading<br />

of destitute! But regardless, the occasion was a memory of a<br />

lifetime.<br />

Rev Brian Cranwell after receiving Maundy Money from the Queen in<br />

Sheffield Cathedral, with his wife Hazel.<br />

Music at Stationers'<br />

Your article about Dr David Clover, Director of Music at<br />

Stationers’ reminded me of a coincidence that happened<br />

only 3-4 years ago in Sheffield.<br />

I was talking to another retired clergyman named John<br />

Collie, and in the course of the conversation he mentioned<br />

he had been at Highgate School. When I told him I had<br />

been at Stationers’ he said “Oh, my father taught music at<br />

Stationers’ for some years”. I realised that his father was<br />

Norman Collie who ran the choir of which I was a member<br />

at Stationers’. He had the nickname of ‘Hamilton’ though I<br />

have no idea why.<br />

This choir was invited to sing at St Paul’s Cathedral at the<br />

first post war Stationers’ Hall crypt service on Ash<br />

Wednesday in 1946. I still remember the first two lines of<br />

the anthem we sang with its tune but have no remembrance<br />

of the composer.<br />

When John died a memorial service was held for him in<br />

the church where he had been vicar for many years. During<br />

the service two of John’s grandchildren played an<br />

instrumental piece “Romance” written by Norman Collie<br />

for his daughter’s 21st birthday.. Later, at the bun fight<br />

following I told the grandchildren I remembered their<br />

great grandfather. They must have thought I was as old as<br />

Methuselah!<br />

I remember mention of Clover in the Sheffield press when<br />

he ran the youth choir. I wish I had known his connection<br />

with Stationers. The musical side of life only consisted of<br />

the choral practice one hour a week at Stationers in my day.<br />

Rev. Brian Cranwell<br />

Promotional programme to<br />

encourage membership of the<br />

Stationers’ Company<br />

Our President was recently a guest at a Master and Wardens’<br />

Luncheon at the Stationers’ Hall. When invited to speak, he<br />

recalled his first visit to the Hall in 1966 as a member of the<br />

school choir after singing the Ash Wednesday service in the<br />

crypt of St. Paul’s Cathedral in the memory of John Norton who<br />

died in 1612.<br />

His comments reminded me that our relationship with the<br />

Worshipful Company of Stationers and Newspaper Makers not<br />

only takes us back to the days of our teens and the opening of our<br />

school in 1861, but it also links us to the beginnings of the<br />

printing industry in 1403.<br />

There are 110 Livery Companies in the City of London, all<br />

playing a part in maintaining the traditions of each guild and<br />

industry from which they were created. Today, not only do these<br />

companies provide a wide variety of social gatherings and a<br />

network of business contacts, but there is also a strong ethic of<br />

support for both charities and educational establishments.<br />

Collectively, the Livery Companies of London donate over £50<br />

million per year which is exemplified by the current investment<br />

by the Stationers’ Company in the Stationers Crown Woods<br />

Academy.<br />

17

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