1. Jan-Feb 2011
ART personal guts and attitudes towards the life in the West where he spent a reasonable span of time. During his stay in London, he managed to drag a reputed art gallery in London, The Hayward Gallery, to the court of law, suing it under the Human Rights Act on the grounds that he had been racially discriminated when the gallery failed to return some of his paintings. Goeffrey claimed a whopping amount of some 65 million Sterling Pounds as compensation for his lost paintings. In another instance, Syed Iqbal Geoffrey- an artist with avant guarde thoughts - came forward to defend a certain Mir Aimal Kasi - a Pakistani national accused of shooting two CIA officials - in a court of Law in New York, a place where no reputed lawyer dared to take up the defence case because of the existing public sentiments then. It does make a rare example of an artist defending a criminal case in a court of law – in of all the places - the United States of America ! So what Siddhartha Art Gallery offered in its gallery should not be treated simply as a row of paintings hung up on its walls, but rather a virtual panorama of vivid reflections of a mind simultaneously living as an artist and a barrister, always preoccupied with a multiple spectrum of thoughts on issues of social injustice, to gather courage to face the mighty and the powerful so as to defend the helpless. www.spacesnepal.com 88 January-February 2011
January-February 2011 89 www.spacesnepal.com
- Page 38 and 39: ARCHITECTURE The sun does not just
- Page 40 and 41: ARCHITECTURE From the flood plains
- Page 42 and 43: ARCHITECTURE The warmth at the entr
- Page 44 and 45: ARCHITECTURE The panorama of Thasan
- Page 48 and 49: ARCHITECTURE THE COURTYARD HOUSES O
- Page 50 and 51: ARCHITECTURE In the ancient kingdom
- Page 52 and 53: ARCHITECTURE VARIATIONS IN LAYOUTS
- Page 54 and 55: ARCHITECTURE First concrete buildin
- Page 56 and 57: INTERNATIONAL Resort World Sentosa
- Page 58 and 59: INTERNATIONAL Resorts World TM Sent
- Page 60 and 61: INTERNATIONAL The interiors of the
- Page 62 and 63: INTERIOR Where Context Meets Contex
- Page 64 and 65: INTERIOR The staircase, guided by f
- Page 66 and 67: INTERIOR Details and details The id
- Page 68: The three storey building envelope
- Page 71 and 72: HERITAGE The Area of Maru, with Mar
- Page 73 and 74: HERITAGE SITE PLAN: Kathmandu Darba
- Page 75 and 76: HERITAGE The Kumari Bahal built in
- Page 77: HERITAGE The royal thrones used for
- Page 80 and 81: ANALYSIS This time around the propo
- Page 82 and 83: OPINION Kathmandu Sustainable Urban
- Page 84 and 85: OPINION Kathmandu Sustainable Urban
- Page 86 and 87: ART © Siddhartha Art Gallery Syed
- Page 90 and 91: www.spacesnepal.com 90 January-Febr
- Page 92 and 93: www.spacesnepal.com 92 January-Febr
- Page 96: www.spacesnepal.com 96 January-Febr
ART<br />
personal guts and attitudes towards the life in the West<br />
where he spent a reasonable span of time. During his stay<br />
in London, he managed to drag a reputed art gallery in<br />
London, The Hayward Gallery, to the court of law, suing<br />
it under the Human Rights Act on the grounds that he<br />
had been racially discriminated when the gallery failed<br />
to return some of his paintings. Goeffrey claimed a<br />
whopping amount of some 65 million Sterling Pounds as<br />
compensation for his lost paintings. In another instance,<br />
Syed Iqbal Geoffrey- an artist with avant guarde thoughts<br />
- came forward to defend a certain Mir Aimal Kasi - a<br />
Pakistani national accused of shooting two CIA officials<br />
- in a court of Law in New York, a place where no reputed<br />
lawyer dared to take up the defence case because of<br />
the existing public sentiments then. It does make a rare<br />
example of an artist defending a criminal case in a court of<br />
law – in of all the places - the United States of America !<br />
So what Siddhartha Art Gallery offered in its gallery should<br />
not be treated simply as a row of paintings hung up on its<br />
walls, but rather a virtual panorama of vivid reflections of<br />
a mind simultaneously living as an artist and a barrister,<br />
always preoccupied with a multiple spectrum of thoughts<br />
on issues of social injustice, to gather courage to face the<br />
mighty and the powerful so as to defend the helpless.<br />
www.spacesnepal.com 88<br />
<strong>Jan</strong>uary-<strong>Feb</strong>ruary <strong>2011</strong>