1. Jan-Feb 2011
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HERITAGE<br />
The Temple of Shiv Parvati commissioned by<br />
Bahadur Shah. This temple is built in traditional<br />
Newari style and the first plinth acts as a dabali<br />
used for cultural performances.<br />
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Incidentally the monuments erected during their reign were all<br />
commissioned by their mothers, queen regents, Riddhilaxmi and<br />
Bhuvanlaxmi respectively. During the reign of Bhupalendra Malla an<br />
image of Garuda was placed in front of the Trailokyamohan Narayan<br />
Temple by Queen Mother Riddhilaxmi (B.S. 1746). In the same year<br />
the huge temple of Lord Shiva, popularly known as Maju Degal was<br />
also constructed. Maju Degal is named so as it was commissioned<br />
by the Queen Mother and is the highest temple in the palace<br />
complex after Taleju and Degutale, both of which are the shrines<br />
of the Mother Goddesses. Bhupalendra Malla was succeeded by<br />
his four year old son, Bhaskar Malla. In his reign, Queen Mother<br />
Bhuvanalaxmi established the gold images of Ananda Bhairav<br />
and Ananda Bhairavi in the memory of her late husband; these<br />
images are displayed during Indra Jatra. The images of Ganga and<br />
Jamuna at the door of Taleju were also established by her. In B.S.<br />
1765 the Queen Mother also commissioned the construction of<br />
a temple dedicated to Lord Shiva which is now popularly known<br />
as Kageshwor Temple. Although this temple was initially built in<br />
traditional Malla style, after the earthquake of B.S. 1990, it has been<br />
reconstructed in a hybrid fashion, merging the traditional Malla<br />
style with Shikhara Style.<br />
Bhaskar Malla, being childless, appointed Jagajaya Malla as his<br />
successor. His reign saw the death of his eldest son and he erected<br />
a temple of Laxmi and Vishnu. In the earthquake of B.S. 1990, the<br />
temple was destroyed and the golden image was moved to the<br />
eastern wing of Nasal Chowk. Jagajaya Malla was succeeded by<br />
his son Jayaprakash Malla, the last Malla king to rule the Valley. As<br />
his reign was filled with both internal conflicts as well as attacks by<br />
the forces from Gorkha, there was neither economic prosperity nor<br />
patronizing of arts and architecture. The only architectural entity<br />
created by Jayaprakash Malla is the Kumari Chowk, the residence<br />
of the living goddess Kumari. The Kumari Chowk built in B.S. 1813,<br />
is constructed in the form of a Buddhist Bahal.<br />
When Prithivi Narayan Shah captured Kathmandu, he devised the<br />
policy to promote Nepali artists; his policy encouraged building in<br />
traditional styles as well as encouraged the promotion of local arts<br />
and crafts. Within this policy he commissioned the construction<br />
of Basantapur and Vilas Mandir within the existing palace complex<br />
in B.S. 1826. Following the policy of Prithivi Narayan Shah, his<br />
successors Pratap Singh Shah and Rana Bahadur Shah also<br />
www.spacesnepal.com 76<br />
<strong>Jan</strong>uary-<strong>Feb</strong>ruary <strong>2011</strong>