1. Jan-Feb 2011
NEWS and HAPPENINGS Upcoming Exhibition of ‘Paubha Art’ in Japan BALGO – Contemporary Australian Art from the Balgo Hills 21 November – 5 December, Kathmandu On the 21 st of November, an indigenous art exhibition, Balgo-Contemporary Art from the Balgo Hills, was held at the Siddhartha Art Gallery in Kathmandu, as part of a series of events to celebrate 50 years of diplomatic relations between Australia and Nepal. While the exhibition, featuring artists from the remote Balgo Hills region in Western Australia, was intended to promote greater understanding and awareness of Australia’s indigenous cultures, the artworks consisted of paintings and etchings, besides presenting a range of stories demonstrating the strong connection that the Aborginal people have with their traditions. - USS 2nd January – 22 March, 2011 Fukuoka Asian Art Museum in Japan – the Museum well known for its unique Art collections from all over Asia and its active efforts to promote Asian Art tradition and the contemporary Asian Art, is organizing a special exhibition of ‘Paubha Art’ of Nepal, between Jan 02 through March 22, 2011 in the Asia Gallery B of the Museum. This exhibition, the fifth in the series of the exhibition “Contemporary Asian Artist”, is seeking to showcase how this unique medieval art tradition has developed with new materials and methods such as oil and chiaroscuro of Western Paintings, while being traditional and religious paintings. The exhibition will feature about fifty paintings including 15 paintings from the collections of the Museum itself painted by the some of the eminent Paubha painters of Nepal today, namely, Uday Charan Shrestha, Dinesh Charan Shrestha, Lok Chitrakar, Deepak Kumar Joshi and Prem Man Chitrakar among others. To coincide with the occasion, Fukuoka Asian Art Museum is also making a special publication on the ‘Paubha Art’, which will include an analytical essay on the Paubha tradition and its current nuances written by Madan Chitrakar – artist and art writer of Nepal, in addition to the descriptions of the exhibits. It is widely believed that the exhibition will remain a unique opportunity to showcase this rich artistic tradition of Kathmandu Valley in Japan and would greatly help understand the Nepalese culture. – Madan Chitrakar Let’s talk about ART baby! www.spacesnepal.com 22 17 th . December, 2011, Kathmandu A work of art, as Madan Chitrakar rightly puts it, is merely a physical object created by an artist as a product of his or her natural instinct, which, in the long run, and in the absence of its creator, would be left to make dialogues with the viewer irrespective of the time it is viewed and judged. And to this date, these lifeless, yet timeless works, continue to be glorified and debated upon. “So why do we need to talk about ART?” further writes Madan Chitrakar, an artist and an art critique, in his opening lines as he introduces Sujan Chitrakar, the artist advocating the statement – “Let’s talk about ART baby!” The answer is simple Sujan says, and explains thus: “...I believe art to be the output of a fundamental human characteristic. The appreciation of art and the production of art are both essentially human, but art suffers from a misunderstood elitism... what I want to do is bring out the fact that art is all around us and January-February 2011 we should talk about art. As an artist, I think it is my responsibility to bring this out into the public and show that art could be accessible and should be everywhere. Thus ‘Let’s talk about Art, baby’.” Sujan Chitrakar is an artist, an educator, a thinker and above all a staunch ART – activist. His solo exhibition, which he prefers to refer to as ‘Collaborative Solo’, took off at the Siddartha Art Gallery, amidst a very large audience - probably the highest number ever seen in an art exhibition! - USS
- Page 1: JANUARY - FEBRUARY 2011 ART - ARCHI
- Page 12: INBOX C ongratulations on a wonderf
- Page 16 and 17: CONTRIBUTORS Ar. Kai Weise Ar. Yatr
- Page 18 and 19: www.spacesnepal.com 18 January-Febr
- Page 20 and 21: NEWS and HAPPENINGS Chagall in Nepa
- Page 24: INFOCUS CIVIL GROUP 7 WAYS to reduc
- Page 28 and 29: SOLUTIONS A synopsis on Sustainable
- Page 30 and 31: SOLUTIONS or flat terraces of a bui
- Page 32 and 33: SOLUTIONS Build It Yourself SOLAR W
- Page 34: SOLUTIONS How to Save on your build
- Page 37 and 38: SOLUTIONS Construction Detail Morta
- Page 39 and 40: ARCHITECTURE Heaven Here on Earth T
- Page 41 and 42: ARCHITECTURE Mr. Tulachan recalls o
- Page 43 and 44: ARCHITECTURE D J A, N K, L T
- Page 45: ARCHITECTURE magnificent views of D
- Page 49 and 50: ARCHITECTURE View of Lo Manthang lo
- Page 51 and 52: ARCHITECTURE Villagers dancing duri
- Page 53 and 54: ARCHITECTURE © Kai Weise Construct
- Page 55 and 56: ARCHITECTURE These same buildings c
- Page 57 and 58: INTERNATIONAL “S — -
- Page 59 and 60: INTERNATIONAL The interiors of Hote
- Page 61 and 62: INTERNATIONAL ESPASpa and Beach Hot
- Page 63 and 64: INTERIOR A civilization like ours s
- Page 65 and 66: INTERIOR The traditionally set eati
- Page 67 and 68: INTERIOR The stairway opens out to
- Page 70 and 71: HERITAGE Changing Times Text: Ar. S
NEWS and HAPPENINGS<br />
Upcoming Exhibition of<br />
‘Paubha Art’ in Japan<br />
BALGO – Contemporary<br />
Australian Art from the<br />
Balgo Hills<br />
21 November – 5 December, Kathmandu<br />
On the 21 st of November, an indigenous art exhibition,<br />
Balgo-Contemporary Art from the Balgo Hills, was held<br />
at the Siddhartha Art Gallery in Kathmandu, as part of<br />
a series of events to celebrate 50 years of diplomatic<br />
relations between Australia and Nepal.<br />
While the exhibition, featuring artists from the remote<br />
Balgo Hills region in Western Australia, was intended<br />
to promote greater understanding and awareness of<br />
Australia’s indigenous cultures, the artworks consisted<br />
of paintings and etchings, besides presenting a range<br />
of stories demonstrating the strong connection that<br />
the Aborginal people have with their traditions. - USS<br />
2nd <strong>Jan</strong>uary – 22 March, <strong>2011</strong><br />
Fukuoka Asian Art Museum in Japan –<br />
the Museum well known for its unique<br />
Art collections from all over Asia and<br />
its active efforts to promote Asian Art<br />
tradition and the contemporary Asian<br />
Art, is organizing a special exhibition<br />
of ‘Paubha Art’ of Nepal, between <strong>Jan</strong><br />
02 through March 22, <strong>2011</strong> in the Asia<br />
Gallery B of the Museum. This exhibition,<br />
the fifth in the series of the exhibition<br />
“Contemporary Asian Artist”, is seeking<br />
to showcase how this unique medieval art tradition has developed with new<br />
materials and methods such as oil and chiaroscuro of Western Paintings,<br />
while being traditional and religious paintings. The exhibition will feature<br />
about fifty paintings including 15 paintings from the collections of the<br />
Museum itself painted by the some of the eminent Paubha painters of<br />
Nepal today, namely, Uday Charan Shrestha, Dinesh Charan Shrestha, Lok<br />
Chitrakar, Deepak Kumar Joshi and Prem Man Chitrakar among others.<br />
To coincide with the occasion, Fukuoka Asian Art Museum is also making a<br />
special publication on the ‘Paubha Art’, which will include an analytical essay<br />
on the Paubha tradition and its current nuances written by Madan Chitrakar<br />
– artist and art writer of Nepal, in addition to the descriptions of the exhibits.<br />
It is widely believed that the exhibition will remain a unique opportunity to<br />
showcase this rich artistic tradition of Kathmandu Valley in Japan and would<br />
greatly help understand the Nepalese culture. – Madan Chitrakar<br />
Let’s talk<br />
about ART baby!<br />
www.spacesnepal.com 22<br />
17 th . December, <strong>2011</strong>, Kathmandu<br />
A work of art, as Madan Chitrakar rightly<br />
puts it, is merely a physical object created<br />
by an artist as a product of his or her natural<br />
instinct, which, in the long run, and in the<br />
absence of its creator, would be left to make<br />
dialogues with the viewer irrespective of the<br />
time it is viewed and judged. And to this date,<br />
these lifeless, yet timeless works, continue to<br />
be glorified and debated upon.<br />
“So why do we need to talk about ART?”<br />
further writes Madan Chitrakar, an artist and<br />
an art critique, in his opening lines as he<br />
introduces Sujan Chitrakar, the<br />
artist advocating the statement –<br />
“Let’s talk about ART baby!”<br />
The answer is simple Sujan says,<br />
and explains thus: “...I believe art<br />
to be the output of a fundamental<br />
human characteristic. The<br />
appreciation of art and the<br />
production of art are both<br />
essentially human, but art suffers<br />
from a misunderstood elitism...<br />
what I want to do is bring out the<br />
fact that art is all around us and<br />
<strong>Jan</strong>uary-<strong>Feb</strong>ruary <strong>2011</strong><br />
we should talk about art. As an artist, I think it<br />
is my responsibility to bring this out into the<br />
public and show that art could be accessible<br />
and should be everywhere. Thus ‘Let’s talk<br />
about Art, baby’.”<br />
Sujan Chitrakar is an artist, an educator, a<br />
thinker and above all a staunch ART – activist.<br />
His solo exhibition, which he prefers to refer<br />
to as ‘Collaborative Solo’, took off at the<br />
Siddartha Art Gallery, amidst a very large<br />
audience - probably the highest number ever<br />
seen in an art exhibition! - USS