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PhotoPlus_Issue_128_July_2017

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CANONSCHOOL<br />

Portraits part-time<br />

If you’re building your<br />

portfolio, it’s worth seeing<br />

if a model will trade time for<br />

shots – you get experience,<br />

they get good images<br />

growing market for pet<br />

portraits, from cats and<br />

dogs to larger beasts such as<br />

horses. Along with a love for<br />

photographing animals, you’ll<br />

also need similar people skills<br />

to shooting normal portraits<br />

when dealing with the owner<br />

of the pet. This can often take<br />

a lot of patience, as you’ll have<br />

to be ready to deal with both a<br />

potentially unwilling subject<br />

and their owner!<br />

How to charge<br />

There are two typical business<br />

models when it comes to<br />

charging for portrait shoots.<br />

You can either charge a set<br />

rate for the sitting, which will<br />

include a set number of prints<br />

and digital files, depending on<br />

how long it will take, or you<br />

can charge a small (or zero)<br />

fee for the sitting and then<br />

charge extra for prints or<br />

digital files afterwards.<br />

The single-fee model is best<br />

for those who like a consistent<br />

income from each portrait<br />

shoot. You’ll know beforehand<br />

how much money you will<br />

make, approximately how<br />

much time it will take, and<br />

don’t have to spend as much<br />

time ‘selling’ the prints to the<br />

client afterwards. You should<br />

have an agreement with the<br />

client about how many prints<br />

or digital images they would<br />

get for this fee, with an option<br />

to buy more on top of the basic<br />

fee. This approach is much<br />

simpler if you’re more<br />

interested in photography<br />

than selling, particularly if you<br />

are a ‘one-man band’.<br />

The lower (or zero) fee plus<br />

charging for prints option is<br />

ideal if you are prepared to do<br />

a bit more selling to your<br />

customers. With this approach<br />

you’ll need to be confident of<br />

selling enough prints to make<br />

up the value of the time that<br />

you take for the shoot and any<br />

post-production. Not having to<br />

pay up front will appeal to<br />

many potential customers, so<br />

it’s a good way to get this type<br />

of client. But this can be<br />

time-consuming and not every<br />

photographer is happy with<br />

this more ‘high street’<br />

approach to selling their<br />

images and time.<br />

How much time will it take?<br />

Setting up the initial elements<br />

of a portrait photography<br />

business will only take a few<br />

weeks in your spare time,<br />

but building it up to become<br />

genuinely successful and<br />

profitable will take much<br />

longer. It will usually take<br />

anywhere between six months<br />

and a year to get all of the<br />

elements in place to get<br />

regular bookings and for your<br />

marketing to have time to<br />

reach a good range of people.<br />

In the know: Take better portraits<br />

Our ten top tips to help you capture better portraits<br />

01 Use a long focal length as the compression<br />

effect is more flattering; a 70-300mm at the<br />

long end is perfect.<br />

02 Use Av mode and set a wide aperture (low<br />

f-number) for a shallow depth of field to<br />

isolate the subject from the background.<br />

03 For more dramatic full-length shots when<br />

using a long focal length, shoot from a low<br />

viewpoint (in other words, lie on the ground).<br />

04 Avoid shooting in midday sun as the harsh,<br />

overhead light is unflattering and causes<br />

dark eyes (but if you must, use a reflector).<br />

05 Focus on the closest eye to the camera.<br />

06 Position your subject against a background<br />

that contrasts with their skin tone (pale<br />

subject/dark background and vice versa).<br />

07 For the best results, shoot on an overcast<br />

day (but avoid getting the sky in the shot)<br />

or during the golden hour, just before<br />

sunset, when the light is softer and warmer.<br />

08 Don’t ask the subject to smile; make them<br />

smile by saying something funny and you<br />

will capture their true personality.<br />

09 Use Partial metering rather than the default<br />

Evaluative to read the light on the subject.<br />

10 Avoid distractions in the frame, like signs.<br />

82 www.digitalcameraworld.com

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