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PhotoPlus_Issue_128_July_2017

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MARC ASPLAND<br />

Profile<br />

09<br />

Marc Aspland<br />

Sports Photographer<br />

52-year-old Marc was born and brought<br />

up in the West Midlands. After leaving<br />

school he took an NCTJ course in<br />

photojournalism. His first job was working<br />

for the Watford Observer before joining<br />

The Times as a freelancer in 1988. He has<br />

been the newspaper’s Chief Sports<br />

Photographer since 1993.<br />

He has covered most of the major<br />

sporting events of the past 30 years,<br />

including six summer Olympic Games and<br />

four FIFA World Cup Finals, plus every FA<br />

Cup Final and Wimbledon final since 1988.<br />

10<br />

He has been awarded Sports<br />

Photographer of the Year four times and<br />

he published a book of his best work, The<br />

Art of Sports Photography, in 2014. In the<br />

same year he was awarded an Honorary<br />

Fellowship of the Royal Photographic<br />

Society. He is member of the Canon<br />

Ambassadors Programme.<br />

there.” But my abiding memory is that I<br />

didn’t particularly enjoy any of it, because<br />

I was concentrating so hard, every single<br />

round. You’ve got to anticipate everything<br />

and you can come away from those 11<br />

rounds absolutely exhausted because you<br />

cannot take your eye off it for one minute.<br />

So the worst thing about it is that you<br />

can’t enjoy these events as a fan, you<br />

have to be absolutely in the zone.<br />

What advice would you offer<br />

someone who wants to be a<br />

pro sports photographer?<br />

I would offer this advice: believe in<br />

yourself. Believe in your own ability.<br />

Don’t look at everybody else’s pictures of<br />

an event and think, “Oh no, I’ve missed<br />

the winning goal.” It’s not about that.<br />

Just have faith that you’re seeing things<br />

differently to anybody else. Aim to<br />

capture the image on the back of the<br />

camera that you have already seen in<br />

your mind’s eye. Go out and practice and<br />

if you get it wrong, find out why and try<br />

again. As long as you believe in your own<br />

ability, sure enough, that style, your own<br />

individuality, will come through.<br />

Next issue: Liquid motion specialist<br />

David Lund splashes his secrets<br />

The worst thing is<br />

you can’t enjoy these<br />

events as a fan, you<br />

have to be absolutely<br />

in the zone<br />

The Canon Magazine 71

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