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PhotoPlus_Issue_128_July_2017

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Traffic Trails<br />

STEP BY STEP Be a trailblazer<br />

How to set up your DSLR for a series of long-exposure light trails<br />

01 Get set up<br />

Fix your DSLR to a tripod. Look for an angle where the<br />

winding road begins close up then recedes into the<br />

distance, as this’ll make more interesting lines than,<br />

say, a side-on view. Try a low-down or high-up view, and<br />

frame loosely to account for different-height vehicles.<br />

02 Switch to manual<br />

Rather than shooting in pitch dark, try just after sunset<br />

so there’s still detail in the sky. Even so, autofocus can<br />

struggle to lock on in low light, so focus on a point a<br />

third of the way into the scene, then switch to manual<br />

focus to lock it. This’ll prevent hunting between frames.<br />

Using<br />

Manual<br />

exposure<br />

If you find you usually<br />

stick to the auto exposure<br />

modes, a project like<br />

this offers a gentle<br />

introduction to Manual<br />

exposure mode. In order<br />

to get the long shutter<br />

speeds we need, we<br />

have to adjust our other<br />

exposure settings to<br />

compensate. Firstly<br />

we can use a high<br />

f-number like f/16. This<br />

decreases the size of the<br />

opening in the lens and<br />

restricts the flow of light.<br />

Secondly, we can use a<br />

low sensitivity, such as<br />

ISO100, so the sensor<br />

requires more light for a<br />

correct exposure. Both<br />

factors help to restrict<br />

the amount of light,<br />

which means we can use<br />

a longer shutter speed<br />

that will blur any motion.<br />

03 Set your exposure<br />

Switch your DSLR to Manual exposure mode. All<br />

scenes are different, but here’s a good starting point<br />

for exposure: set the aperture to f/16, shutter speed<br />

30 secs and ISO100. If the image is too bright or<br />

dark, try adjusting the aperture until you’re happy.<br />

05 Combine several images<br />

Open the images you want to use (we blended seven) in<br />

Photoshop. Choose one frame as the base image, then<br />

go to another image, Select All (Cmd/Ctrl+A), Copy<br />

(Cmd/Ctrl+C) then go back to the base image and<br />

Paste (Cmd/Ctrl+V). Repeat for all the other images.<br />

04 Time it right<br />

Shoot lots of frames as vehicles zoom by. Differences<br />

in height make the trails more varied (as will flashing<br />

lights, which appear as dashes). Take care not to nudge<br />

the camera between shots, as we need all the frames<br />

to be in alignment if we intend to blend them together.<br />

06 Blend the layers<br />

Go to the Layers panel (Window>Layers) then change<br />

the blending mode of all layers to Lighten, which<br />

effectively overlays the trails on top of one another.<br />

If any other areas, like the sky, look messy, use a layer<br />

mask or the eraser to remove them from the mix.<br />

Quick Tip!<br />

Use a 2-sec selftimer<br />

drive mode<br />

if you don’t have a<br />

remote control so<br />

you can start the<br />

exposure without<br />

nudging the<br />

camera<br />

The Canon Magazine 57

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