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PhotoPlus_Issue_128_July_2017

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Project 3<br />

Take it further with a QUick edit<br />

Use a few quick Photoshop sliders to set your shots alight<br />

01 start in camera raw<br />

It doesn’t take much tweaking to enhance<br />

these portraits. Because direct sunlight<br />

can often result in images that are slightly<br />

underexposed, your main aim is to<br />

brighten up the face without blowing out<br />

the definition of the ring itself. To begin,<br />

we took down the Whites and Highlights.<br />

02 Local adjuStmentS<br />

Next, we opened up our image in the<br />

main Photoshop editor. First, we used the<br />

Dodge tool to selectively brighten up areas<br />

of the face, with the Range set to Midtones<br />

and the Exposure to 50%. Then, we set<br />

the Range to Highlights and brightened up<br />

the rim lighting outlining our model’s head.<br />

03 Finishing touches<br />

The last step was to add a few subtle<br />

adjustment layers to our shot. We ramped<br />

up the Brightness and Contrast ever so<br />

slightly for a punchier result, as this suited<br />

the high-contrast shooting conditions. In<br />

some situations, you might find that you<br />

actually want a flatter, more subtle result.<br />

Final inspiration TO Get the glow GOING<br />

Try out different pipes, lighting and shooting situations<br />

left look up<br />

If the sun is still very<br />

high in the sky, find an<br />

open space to shoot<br />

in, crouch down low<br />

and position it behind<br />

your model’s head.<br />

right forget<br />

the ring<br />

This technique creates<br />

gorgeous flare effect,<br />

but you don’t have to<br />

make them circular.<br />

Next month<br />

catch a wave<br />

54<br />

www.digitalcameraworld.com

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