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PhotoPlus_Issue_128_July_2017

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seasonalphotoskills<br />

4<br />

Use the<br />

whole day<br />

There’s more to shooting in the summer<br />

than getting up early and staying out late<br />

The great thing about shooting in the summer<br />

months is the long days and amount of daylight<br />

available for you to take advantage of. During the day,<br />

however, metering can become tricky. Have you ever<br />

looked onto a glimmering ocean view, gone to capture<br />

it with your camera, and been disappointed by the<br />

result? This is because the human eye can see the<br />

equivalent of about 14 f-stops of dynamic range, while<br />

Canon DSLRs are limited to around eight. Don’t be<br />

disheartened though. As long as you choose the right<br />

subject to photograph (under the right conditions), the<br />

season can be just as rewarding as any other. Here,<br />

we’ll encourage you to use the whole of the day<br />

– including in the harsh, high and bright midday light.<br />

You could try to shake up your composition to avoid<br />

contrast completely, or use shade to your advantage.<br />

It’s time to make friends with midday…<br />

Shooting summer scenes<br />

with a longer focal length<br />

simplifies the composition.<br />

Excluding a bright sky can<br />

make exposure easier, too<br />

Sunrise Midday Sunset<br />

Early-morning light tends to be cooler. Arrive at<br />

least 30 minutes before actual sunrise to set up<br />

Light in the middle of the day often makes<br />

landscapes look a bit flat and two-dimensional<br />

Late evening light leans toward pleasingly<br />

warm colour casts of orange and red<br />

TOP<br />

TIP<br />

How to shoot a sunrise<br />

The reward of capturing the sun rising over the<br />

horizon almost always makes up for the lack of sleep.<br />

Research carefully to check the direction of sunrise,<br />

and scout your location beforehand so you can set up<br />

a good composition without faff. Arrive in plenty of<br />

time, and mount your camera onto a tripod. Opt for<br />

a low ISO, an aperture of around f/8-f/11 and a longer<br />

shutter speed to compensate.<br />

32<br />

Morning light is cooler<br />

in tone, so you might<br />

want to set the white<br />

balance to Shade<br />

www.digitalcameraworld.com

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