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seasonalphotoskills<br />
4<br />
Use the<br />
whole day<br />
There’s more to shooting in the summer<br />
than getting up early and staying out late<br />
The great thing about shooting in the summer<br />
months is the long days and amount of daylight<br />
available for you to take advantage of. During the day,<br />
however, metering can become tricky. Have you ever<br />
looked onto a glimmering ocean view, gone to capture<br />
it with your camera, and been disappointed by the<br />
result? This is because the human eye can see the<br />
equivalent of about 14 f-stops of dynamic range, while<br />
Canon DSLRs are limited to around eight. Don’t be<br />
disheartened though. As long as you choose the right<br />
subject to photograph (under the right conditions), the<br />
season can be just as rewarding as any other. Here,<br />
we’ll encourage you to use the whole of the day<br />
– including in the harsh, high and bright midday light.<br />
You could try to shake up your composition to avoid<br />
contrast completely, or use shade to your advantage.<br />
It’s time to make friends with midday…<br />
Shooting summer scenes<br />
with a longer focal length<br />
simplifies the composition.<br />
Excluding a bright sky can<br />
make exposure easier, too<br />
Sunrise Midday Sunset<br />
Early-morning light tends to be cooler. Arrive at<br />
least 30 minutes before actual sunrise to set up<br />
Light in the middle of the day often makes<br />
landscapes look a bit flat and two-dimensional<br />
Late evening light leans toward pleasingly<br />
warm colour casts of orange and red<br />
TOP<br />
TIP<br />
How to shoot a sunrise<br />
The reward of capturing the sun rising over the<br />
horizon almost always makes up for the lack of sleep.<br />
Research carefully to check the direction of sunrise,<br />
and scout your location beforehand so you can set up<br />
a good composition without faff. Arrive in plenty of<br />
time, and mount your camera onto a tripod. Opt for<br />
a low ISO, an aperture of around f/8-f/11 and a longer<br />
shutter speed to compensate.<br />
32<br />
Morning light is cooler<br />
in tone, so you might<br />
want to set the white<br />
balance to Shade<br />
www.digitalcameraworld.com