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PhotoPlus_Issue_128_July_2017

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HOT<br />

SHOT<br />

#6<br />

SHOOT WITH A PRO<br />

EXPERT inSIGHT<br />

Colour wheel &<br />

clothing choices<br />

Ahead of our shoot, Nina supplied the<br />

families with a Pinterest board for inspiration<br />

on what to wear (https://uk.pinterest.com/<br />

ninamace/what-to-wear-spring-shoots).<br />

She explained to Paul that, ideally, her family<br />

would be dressed using complementary colours.<br />

“Analogous colour schemes use colours that are<br />

next to each other on the colour wheel. They<br />

usually match well, are often found in nature,<br />

and are harmonious and pleasing to the eye,”<br />

she explained, “Ideally, I choose one colour to<br />

dominate, a second that supports, and a third<br />

colour is then added (along with black, white or<br />

grey) as an accent. The dominant colour is that<br />

of the backgrounds we intended to use outdoors,<br />

so at this time of year it’s green, which means that<br />

blues and yellows work especially well, alongside<br />

neutrals like greys and whites.”<br />

Lens<br />

Exposure<br />

Canon EF 135mm f/2L USM<br />

1/320 sec, f/2.8, ISO400<br />

Paul’s comment<br />

Nina found a great spot where a pool of light was falling<br />

in amongst some birch trees. Shooting at f/2.8 here<br />

has blurred the trees nicely. By getting dad to lift up his son, both<br />

of their faces are on the same level so I could get in closer for<br />

a more pleasing composition. Nina was great at having<br />

fun with them, and her encouragement has resulted in the relaxed poses.<br />

Dress your subjects in shades that sit next to the<br />

dominant background colour on a colour wheel<br />

Posing and expressions<br />

People often worry if<br />

their subjects aren’t<br />

looking directly towards<br />

them, however you can<br />

sometimes capture more<br />

evocative shots by doing<br />

the opposite, as Nina<br />

explains: “Here, you can<br />

see that you don’t always<br />

need people to be looking<br />

down your lens – it works<br />

well when they’re looking<br />

at each other instead, as<br />

if it’s a shared moment,<br />

caught on camera.”<br />

The Canon Magazine 17

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