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The WAVE: JUNE '17

The WAVE: JUNE '17 with Nevaeh Heaven and AleXx Stone on the covers

The WAVE: JUNE '17 with Nevaeh Heaven and AleXx Stone on the covers

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Keith Robinson (Cool V)<br />

52 | @thewaveX<br />

Mr. Official Whistle<br />

@mrofiicialwhistle<br />

Tell the readers who you are and where you’re from?<br />

I’m the industry insomniac, <strong>The</strong> Official Whistle, Cool<br />

V (Vibez), Mr Official Whistle. I’m a dj, producer,<br />

marketing guru, music curator, blogger, public speaker,<br />

writer and humanitarian, yeah that about sums it<br />

up. I’m from NY (Bronx) and I also resided in Buffalo<br />

NY and lived in many other places including Toronto,<br />

DC and currently VA.<br />

Being a monster on the marketing side of all things<br />

music, what is the first thing an artist needs to do to<br />

start pushing their brand the right way?<br />

First I humbly say “Thank You” for the compliment<br />

(Humbled) second to answer your question an artist<br />

must first make sure no one already has his or her<br />

name trademarked already because nothing’s worse<br />

than putting in a ton of work only to find out someone<br />

already legally possesses that name because that will<br />

bring on a ton of issues. Also they should cover themselves<br />

legally by trademarking their name/phrase for<br />

future branding purposes. <strong>The</strong> Next thing is I would<br />

make sure I would do is I would make sure my social<br />

media outlets was on deck ( Facebook, Youtube, Twitter,<br />

Instagram, Vine, Google+, Soundcloud, Blogsite/<br />

Website. <strong>The</strong> also need a bio, E.P.K, one sheet and<br />

other promotional material to be taken seriously. I<br />

would also suggest they hire a music attorney and marketing<br />

executive to save some some money it’s more<br />

cost efficient because doing it yourself you may end<br />

up spending a ton of unnecessary cash. For more tips<br />

just follow me on Instagram/Twitter or check my blog<br />

www.coolvsratednext.blogspot.com for much more<br />

info.<br />

Is college radio as effective as it once was?<br />

I would say yes or no and here’s why. Yes, depending<br />

on the college station if they have a popular app or<br />

website because those sites still generate alot of traffic<br />

but NO, if it’s a college that doesn’t have a website nor a<br />

good listening audience but here’s the catch twenty two<br />

it might be a yes if it’s a large college that has a college<br />

station on site and they are your core audience.<br />

<strong>The</strong>re are now internet radio stations popping’ up by<br />

the shit load. Just about everybody I know has a radio<br />

show now. How can an artist know what stations are<br />

good to go get on and weed out the bad ones?<br />

First you want to find out if their station is a reporting<br />

station. Find out if they are registered to soundscan<br />

and if they chart new music. Also find out if their audience<br />

and staff is receptive not just to new music but<br />

new artists as well. Because not every deejay gives new<br />

artists a platform that’s all contingent on the deejay and<br />

the program director.<br />

Let’s talk hip hop real quick. Where do you see the rap<br />

game, musically, in 2 years?<br />

Wow that’s a good question (Pauses) hmmm… Ok I<br />

see Hip Hop moving in a more international direction<br />

because it’s constantly evolving and it’s also merging<br />

with other genre’s so It’s changing there’s so many<br />

sub-genre’s now it’s hard to say which ones will stay<br />

and which ones will be a fad it’s too early in the game<br />

to make assumptions. However my prediction is it’s<br />

going to not only go back to it’s roots but it will evolve<br />

to something greater. I also see it merging with dance,<br />

country and more island influenced. I see big label<br />

contracts becoming a thing of the past more digital<br />

distribution outlets emerging. I also see the concert<br />

and promoting venues changing and it more intimate<br />

and you being able to interact with your favorite artist<br />

like never before.<br />

In your opinion, what was the cause of mumble rap<br />

and will it be around in the future?<br />

I say the cause of mumble rap was society! I think<br />

things was designed this was by the majors to dumb<br />

down the consumer also because times are too real<br />

some people don’t want to think they just want to<br />

party and zone out to the music and as they say, “Just<br />

ride the wave bro” , but as times get more serious and<br />

reality settles in and the more emerging rappers like<br />

Kendrick Lemar, J Cole and Dave East etc arrives and<br />

the mure popular and mainstream they become the<br />

more the demand for it. I see a revolution in music<br />

remember Hip Hop’s been here before back when it<br />

first merged with Pop music example C+C Music Factory<br />

and Hammer. I see more female, gospel and gay<br />

rappers emerging. I also predict the merging of dance<br />

music being more prominent and a new evolution of<br />

mixtapes.<br />

Do you think hip hop as a culture and rap, as a genre<br />

of music, are being made a mockery of by the labels<br />

and the new crop of artist that the machine is pushing<br />

out now?<br />

I feel it’s an agenda because the people who are in<br />

control of the labels and distribution know very little<br />

about the music or the artists they represent most the<br />

time ( Not ALL label executives fit this description),<br />

@wavemag | 53

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