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The Ultimate Body Language Book

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Chapter 11 - Emotional <strong>Body</strong> <strong>Language</strong><br />

Summary – Chapter 11<br />

This chapter focused on emotional body language. We began by discussing New York style body<br />

language called “displacement behaviour.” We saw that displacement behaviours include actions set to<br />

preoccupy in order to dehumanize the outside world – especially in more crowded areas. <strong>The</strong> list of<br />

behaviours included nail biting, gum chewing, grooming, tapping the does, head scratching or playing<br />

with jewelry, but can also mean looking and acting ‘out of touch’ or closed off.<br />

Next, “fight or flight” was finally shifted to “freeze, flight or fight” finally putting it into the proper<br />

order. Following this was clenching behaviour where we found that actions such as gripping the wrist<br />

of the opposite hand in behind the back, or wringing the hands out like a wet article of clothing, are<br />

forms of restraint. We also hit on nervous hands and how shaking can tell us a lot about what sort of<br />

emotions a person is experiencing.<br />

We then moved onto poor self image and the language that tells. Here we found that auto contacts<br />

including stroking the beard, rubbing the hands, tugging the ear, massaging the throat, pulling the<br />

fingers, rubbing the back of the neck and so forth, are linked to insecurity since they attempt to provide<br />

reassurance. We hit on eyebrow lowering and that when they are permanently lowered by the newly<br />

incarcerated it signifies easy prey for existing inmates. Interlaced fingers and palm finger stroking, on<br />

the other “hand”, were both labeled as emitted by those with negative thoughts. In the section on<br />

suckling and mouthing we saw that the mouth and lips provide a target for tactile gratification to<br />

provide comfort. Here we saw that anytime the fingers go to the mouth or lips to suckle, that our target<br />

is regressing to an infantile stage, and is trying to regain the security they felt as a child.<br />

We found that compressed lips indicate stress, down-turned smile unhappiness, anger or tension, and<br />

lip pursing indicates that a thought, usually negative, is being processed. We found that tongues can<br />

depict deep concentration or a cheeky attitude, and that sneering signals contempt, disapproval and<br />

disrespect the world over. Ear language was covered next and we learned that ear grabbing refers to<br />

“hearing no evil” showing disbelief or an attempt to close off communication by blocking the ears.<br />

Hostile body language, on the other hand, was found to be more similar to sexual body language, but<br />

only in so much as the body language showed through figuratively onto ourselves when we would<br />

much rather inflict it onto others. Examples of such hostile body language included pulling or pinching<br />

at one’s own ears, cheeks, hair, or face. Next we covered the sequence by which bodies reject and then<br />

how they relax.<br />

We discovered that the neck becomes particularly sensitive under pressure and like the cheeks, it<br />

becomes red and engorged with blood when we become nervous. Thus when people are under pressure<br />

they tend to touch or cover it so as to pacify. Women also tend to cover their “suprasternal notch” when<br />

they are experiencing anxiety. We found that people who don’t cross their legs are generally<br />

uncomfortable because crossing significantly reduces the ability to act quickly during confrontation and<br />

exit. Next we found that the eyes and the body can block unwanted thoughts and images, that blushing<br />

indicates emotion and anxiety, and that asymmetry can show when emotions are faked, gravity defying<br />

behaviours means people are happy, and that there are six universal facial expressions. We learned that<br />

asymmetry is what tells us honest expressions from fake ones. We also discovered that everyone, no<br />

matter how extroverted, requires emotional downtime, that timid people will cocoon and that guilty<br />

people will turtle. We also found in this chapter that full body hugs, where the chest and hips make<br />

contact, shows sexual intimacy, and that light hugs, where the shoulders touch shows friendship. Lastly<br />

we covered the “hug-ender cue” or the “tap out” that tells others that the hug has run its full course and

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