The Ultimate Body Language Book
Anger Disgust. Some expressions are only seen very rarely, which is the case with the more extreme expressions making them difficult to study. These facial expressions also happen very quickly, so it’s not always easy to spot them. Usually the expressions are encoded by the viewer in large part to the context in which we find them. For example, jumping out of the bushes and yelling at someone is bound to create a surprised look, but can you decide if a face absent of context shows fear or surprise, what about sadness? It’s not always that easy, but absent of slow motion photography and mind reading, the rules of thumb covered here can make the process simpler and more manageable. Chapter 11 - Emotional Body Language Universal Facial Expressions As discussed in chapter 2, there are six main facial expressions that are found throughout the world. They are happiness, sadness, surprise, fear, anger and disgust. Each expression involves three independent parts of the face, the forehead and eyebrows, the eyes, eyelids and upper part of the nose called the “root” and the lower part of the face including the lower part of the nose, cheeks, chin and mouth. Here is a breakdown of the six facial expressions: ___________________________________________________________________________________ __________
Happiness. Happiness (smile): The gesture is done by slightly raising the lower eyelids, wrinkles appear below them, crow’s feet may form at the edge of the eye. The mouth lengthens as the corners move out and up. Lips may part to show upper teeth and the cheeks rise and bulge narrowing the eyes and creating wrinkles around the nose and mouth. ___________________________________________________________________________________ __________ Sadness. Sadness: Sadness is controlled mainly by the mouth where it drops at the corners. The inner eyebrows rise producing a triangular shape between the root of the nose and the eyes. The forehead might show wrinkles and the eyes may appear moist with tears. ___________________________________________________________________________________ __________ Surprise. Surprise: The eyebrows curve upwards, wrinkles form in the forehead and the whites of the eyes become visible through eye widening. The jaw becomes slack and opens. ___________________________________________________________________________________ __________
- Page 375 and 376: emotions we talk about what motivat
- Page 377 and 378: Burying yourself in a book or liste
- Page 379 and 380: smoothing clothing, rotating a wedd
- Page 381 and 382: The fight or flight response is a b
- Page 383 and 384: Chapter 11 - Emotional Body Languag
- Page 385 and 386: Extreme anxiety causes the desire t
- Page 387 and 388: Clenching and gripping can have man
- Page 389 and 390: A hand-to-mouth gesture used to pla
- Page 391 and 392: Tugging at the ears helps distract
- Page 393 and 394: is also in effort to self sooth. Wi
- Page 395 and 396: indicate confrontation due to anger
- Page 397 and 398: as the fingers stroke the inside of
- Page 399 and 400: need to mouth it, and yet it, so as
- Page 401 and 402: When the mouth becomes inverted in
- Page 403 and 404: Pushing the tongue through compress
- Page 405 and 406: Sneering often happens as a microex
- Page 407 and 408: The ear grab refers to a subconscio
- Page 409 and 410: Chapter 11 - Emotional Body Languag
- Page 411 and 412: Chapter 11 - Emotional Body Languag
- Page 413 and 414: Chapter 11 - Emotional Body Languag
- Page 415 and 416: Itchy nose or does this mean someth
- Page 417 and 418: Chapter 11 - Emotional Body Languag
- Page 419 and 420: aggressive with their gestures and
- Page 421 and 422: These legs are interested - note ho
- Page 423 and 424: where the toe is facing down, but t
- Page 425: useful skill in reading people. Bei
- Page 429 and 430: __________ Ever thought about why o
- Page 431 and 432: Chapter 11 - Emotional Body Languag
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- Page 435 and 436: Chapter 11 - Emotional Body Languag
- Page 437 and 438: would identify the policemen as par
- Page 439 and 440: mimicry of postures, mannerisms, fa
- Page 441 and 442: [D] Keeping the legs uncrossed. [E]
- Page 443 and 444: an imagined negotiation scenario wh
- Page 445 and 446: loose situation where one person wi
- Page 447 and 448: dialect, speech rate or tempo, pitc
- Page 449 and 450: Chapter 12 - Mirroring And Building
- Page 451 and 452: undetected lest it cause irreversib
- Page 453 and 454: although it can be helpful to women
- Page 455 and 456: Some men are naturals - the rest of
- Page 457 and 458: ‘Accidental touching’ is a subt
- Page 459 and 460: Chapter 13 - Courtship Signals The
- Page 461 and 462: Chapter 13 - Courtship Signals She
- Page 463 and 464: The “hands on hips” or hands
- Page 465 and 466: Chapter 13 - Courtship Signals Tibi
- Page 467 and 468: The Forehead Bow, Smiling And Child
- Page 469 and 470: Tickling and other play related act
- Page 471 and 472: Shoulder shrugs make the outline of
- Page 473 and 474: parts aren’t inherently sexy on t
- Page 475 and 476: Hair tossing is done by women to sh
Anger<br />
Disgust.<br />
Some expressions are only seen very rarely, which is the case with the more extreme expressions<br />
making them difficult to study. <strong>The</strong>se facial expressions also happen very quickly, so it’s not always<br />
easy to spot them. Usually the expressions are encoded by the viewer in large part to the context in<br />
which we find them. For example, jumping out of the bushes and yelling at someone is bound to create<br />
a surprised look, but can you decide if a face absent of context shows fear or surprise, what about<br />
sadness? It’s not always that easy, but absent of slow motion photography and mind reading, the rules<br />
of thumb covered here can make the process simpler and more manageable.<br />
Chapter 11 - Emotional <strong>Body</strong> <strong>Language</strong><br />
Universal Facial Expressions<br />
As discussed in chapter 2, there are six main facial expressions that are found throughout the world.<br />
<strong>The</strong>y are happiness, sadness, surprise, fear, anger and disgust. Each expression involves three<br />
independent parts of the face, the forehead and eyebrows, the eyes, eyelids and upper part of the nose<br />
called the “root” and the lower part of the face including the lower part of the nose, cheeks, chin and<br />
mouth. Here is a breakdown of the six facial expressions:<br />
___________________________________________________________________________________<br />
__________