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The Stranger in the Woods_ The - Michael Finkel

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Christopher Knight was arrested, charged with burglary and <strong>the</strong>ft, and transported to <strong>the</strong> Kennebec<br />

County Correctional Facility, <strong>in</strong> <strong>the</strong> state capital of Augusta. For <strong>the</strong> first time <strong>in</strong> nearly ten thousand nights,<br />

he slept <strong>in</strong>doors.<br />

<strong>The</strong> Kennebec Journal broke <strong>the</strong> story, and <strong>the</strong> news elicited some strong and curious reactions. <strong>The</strong> jail<br />

was <strong>in</strong>undated with letters and phone calls and visitors; “a circus,” Chief Deputy Sheriff Ryan Reardon<br />

called it. A carpenter from Georgia volunteered to repair any cab<strong>in</strong> Knight had damaged. A woman wanted<br />

to propose marriage. One person offered Knight land to live on, rent-free, while ano<strong>the</strong>r pledged a room <strong>in</strong><br />

his house.<br />

People sent checks and cash. A poet sought biographical details. Accord<strong>in</strong>g to Chief Deputy Sheriff<br />

Reardon, two men, one from New York and ano<strong>the</strong>r from New Hampshire, arrived at <strong>the</strong> jail with $5,000<br />

<strong>in</strong> cash, Knight’s total bail. Knight was soon deemed a flight risk, and his bail was raised to $250,000.<br />

Five songs were recorded: “We Don’t Know <strong>the</strong> North Pond Hermit,” “<strong>The</strong> Hermit of North Pond,”<br />

“<strong>The</strong> North Pond Hermit,” “A Hermit’s Voice,” and “North Pond Hermit”—bluegrass, folk, alt-rock,<br />

dirge, ballad. Big G’s Deli, an iconic Ma<strong>in</strong>e eatery, offered a roast beef, pastrami, and onion r<strong>in</strong>g sandwich<br />

called <strong>the</strong> Hermit, advertised as conta<strong>in</strong><strong>in</strong>g “all locally stolen <strong>in</strong>gredients.” A Dutch artist created a series of<br />

oil pa<strong>in</strong>t<strong>in</strong>gs based on Knight’s story and showed <strong>the</strong>m <strong>in</strong> a gallery <strong>in</strong> Germany.<br />

Hundreds of journalists, across <strong>the</strong> United States and <strong>the</strong> world, attempted to contact him. <strong>The</strong> New York<br />

Times compared him to Boo Radley, <strong>the</strong> recluse <strong>in</strong> To Kill a Mock<strong>in</strong>gbird. TV talk shows solicited his<br />

presence. A documentary film team arrived <strong>in</strong> town.<br />

Every coffee shop and barroom <strong>in</strong> central Ma<strong>in</strong>e, it seemed, was host to a hermit debate. In many<br />

cultures hermits have long been considered founts of wisdom, explorers of life’s great mysteries. In o<strong>the</strong>rs<br />

<strong>the</strong>y’re seen as cursed by <strong>the</strong> devil. What did Knight wish to tell us? What secrets had he uncovered? Or was<br />

he just crazy? What punishment, if any, should he receive? How had he survived? Was his story even true?<br />

And if so, why would a man remove himself so profoundly from society? <strong>The</strong> Kennebec County district<br />

attorney, Maeghan Maloney, said that Knight, who apparently wished to spend his entire life anonymous,<br />

had become “<strong>the</strong> most famous person <strong>in</strong> <strong>the</strong> state of Ma<strong>in</strong>e.”<br />

Knight himself, <strong>the</strong> hub of <strong>the</strong> commotion, resumed his silence. He did not issue a s<strong>in</strong>gle word publicly.<br />

He accepted no offers—no bail, no wife, no poem, no cash. <strong>The</strong> five hundred or so dollars sent to him were<br />

placed <strong>in</strong> a restitution fund for victims of his <strong>the</strong>fts. Before his arrest <strong>the</strong> hermit had seemed completely<br />

<strong>in</strong>explicable, but to most people his capture only enhanced <strong>the</strong> puzzle. <strong>The</strong> truth felt stranger than <strong>the</strong> myth.

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