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Chapter 39<br />

KIDNEY FOR SALE!<br />

Ross stood in his bedroom, his white sheets rumpled on the bed, as he buttoned his pink-andgreen-checkered<br />

shirt before heading out on another San Francisco adventure.<br />

Over the past few months he had explored every crevice of the Bay Area. On some days he had<br />

ventured south to Bernal, where he climbed to the peak of a hill. He took long walks past the piers<br />

with sunbathing sea lions. He had gone north with his roommate and best friend, René, over the<br />

Golden Gate Bridge to Marin, where they hiked the trails amid the redwood trees, clambering through<br />

the salty fog and stopping every few feet to marvel at thousand-year-old trees that seemed to almost<br />

touch the heavens. Between explorations Ross went on boating trips with friends through the choppy<br />

waters of the bay, brushing past Alcatraz, the notorious prison that had once been home to Al Capone,<br />

the American gangster who fought the U.S. government during Prohibition.<br />

But one of the more memorable experiences of his time in San Francisco happened on a<br />

Thursday afternoon in early December, when Ross and René happened upon the Contemporary<br />

Jewish Museum in the South of Market area of the city.<br />

Homeless people, mostly drug addicts who had fallen on hard times, lined the streets, pushing<br />

their lives in carts from one soup kitchen or rehab center to the next, past the big glass buildings<br />

where those billion-dollar start-ups grew larger and more powerful by the hour. It was chilly that day,<br />

and a light sprinkle of rain fell from the sky as the two friends walked inside the museum. They<br />

wandered around the brightly lit, cavernous rooms until they came upon a metal box the size of a shed<br />

on whose side the word sTORYcORPS was written in big bubbly red letters. Ross and his friend pulled<br />

open the door to the metal box and sat down in front of two microphones. A red light soon came on to<br />

indicate that what they were about to say to each other was going to be recorded.<br />

Ross began, introducing himself and noting, “I’m twenty-eight years old.” His voice was calm<br />

and crackly.<br />

The recording they were about to make was part of a National Public Radio experiment; the box<br />

they sat in would travel the country, enticing Americans to tell their stories for posterity, to try to<br />

capture the change the United States was going through at the time. Some of the recordings people had<br />

already done in other parts of America were sad, like the two parents who told the story of their<br />

young son who had died because he couldn’t get a bone marrow transplant for a fatal disease.

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