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Issue #1<br />
Who let my fish loose?<br />
""Today's liberal tolerance<br />
towards others,<br />
the respect of otherness<br />
and openness towards<br />
it, is counterpointed by<br />
an obsessive fear of<br />
harassment. In short,<br />
the other is just fine,<br />
but in so far his precedes<br />
is not intrusive,<br />
insofar the other is not<br />
really other... "<br />
Slavoj Zizek<br />
Ifecrisum vit? Ficata deo,<br />
consulin tus inum pratimu<br />
suleste ricit, contidem am,<br />
Cupio egilis o conerfeci<br />
interbi etil vis pro, nique ia<br />
rei perbem nos et L.<br />
United Nations<br />
hires photographers<br />
dedicated to depicting<br />
the refugee crisis<br />
The news that thousands<br />
of refugees and economic<br />
migrants are arriving<br />
on the continent can be<br />
unsettling for a European<br />
public that is still dealing<br />
with the after-effects of<br />
a devastating economic<br />
crisis. “There’s a lot of talk<br />
and fear about refugees<br />
and so it’s critical that<br />
people can see for themselves<br />
what’s happening,”<br />
says Susan Hopper, UN-<br />
HCR's photo editor. “We<br />
choose photographers<br />
who can show that this<br />
refugee is a regular person<br />
who has run out of options<br />
Refugees arriving in Munich central train station<br />
and is being forced to do<br />
something desperate to<br />
protect his or her family.<br />
And when you see photos<br />
of these people’s faces<br />
when they arrive on the<br />
beach in Greece, it clicks.<br />
Seeing how traumatized<br />
and scared these people<br />
are generates empathy<br />
and understanding and<br />
changes attitudes and behaviors.<br />
That’s the connection<br />
we want to make.”<br />
So, going back to the original<br />
ideas by Julian Stallabrass,<br />
what exactly is the<br />
role of an image, and can<br />
these UN-hired photographers<br />
be considered to be<br />
"embaded" journalists of<br />
some sort.<br />
9