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Showtime<br />
23<br />
MONDAY, MAY <strong>15</strong>, <strong>2017</strong><br />
DT<br />
Ayub Bachchu’s<br />
instrumental concert in Chittagong<br />
• Showtime Desk<br />
After the success of the first solo<br />
guitar instrumental show of Ayub<br />
Baccchu, held in March in the<br />
capital, the legendary singermusician<br />
is all set to perform in<br />
another identical show at the<br />
Radisson Blu Chittagong on <strong>May</strong><br />
20.<br />
Presented by Robi, Airtel and<br />
Yonder Music, the instrumental<br />
show titled “Now And Then” is<br />
organised by AB Kitchen, DJ Pro<br />
and Wizard Showbiz.<br />
Details of the show came out in<br />
a press conference held at Channel<br />
i, where Ayub Bachchu, Faridur<br />
Reza Sagor, the managing director<br />
of Channel i, Mahbubul Alam<br />
Bhuiyan, vice president of Robi,<br />
and Imrul Karim Emil, the Shunno<br />
singer and the country director of<br />
Yonder Music Bangladesh were<br />
present.<br />
At the press conference, Ayub<br />
Bachchu said, “Keeping the<br />
requests of my fans in mind, I<br />
am going to perform in a guitar<br />
instrumental show for the first<br />
time, at my birthplace.”<br />
Sponsors of the event have<br />
organised a contest to win free<br />
tickets to the concert, and a rare<br />
opportunity to sing one of the<br />
most popular tracks of Ayub<br />
Bachchu “Cholo Bodley Jai” on<br />
stage along with him. Details of<br />
the contest can be found at the<br />
Facebook page of Yonder Music<br />
Bangladesh. Tickets are available<br />
at bdtickets.com. •<br />
Bangladesh filmmakers to<br />
participate in Cannes’ event<br />
A tribute to Mrinal Sen<br />
• Showtime Desk<br />
The International Emerging<br />
Film Talent Association (IEFTA),<br />
a Monaco-based non-profit,<br />
non-governmental organisation,<br />
has taken an initiative to foster<br />
Bangladeshi filmmakers by<br />
providing them an opportunity to<br />
participate in a workshop which<br />
is to be held at the Cannes Film<br />
Festival this year.<br />
The initiative<br />
is one of the four<br />
different initiatives<br />
organised by<br />
IEFTA at this year’s<br />
70th Cannes Film<br />
Festival, which<br />
will be held from<br />
<strong>May</strong> 17 to 28. The<br />
biennial event,<br />
“Dhaka to Cannes”<br />
is organised in<br />
co-operation with<br />
International<br />
Film Initiative<br />
of Bangladesh<br />
(IFIB) in support<br />
of local emerging<br />
filmmakers.<br />
In the last week<br />
of March, IEFTA<br />
revealed that<br />
three Bangladeshi<br />
filmmakers, Lubna<br />
Sharmin, Md Abid<br />
Mallick, and Kazi<br />
Mahadi Muntasir,<br />
have been selected<br />
by the international<br />
jury to be in the<br />
Producers Workshop at the<br />
Marché du Film.<br />
In this introducing event,<br />
selected participants will get<br />
an opportunity to fly to Cannes<br />
to take part in the Producers<br />
Workshop hosted by the Marche<br />
du Film, the business counterpart<br />
of the Cannes Film Festival and<br />
one of the largest film markets<br />
in the world. This unique event<br />
includes three days of intensive<br />
meetings with some of the<br />
world’s prominent filmmakers<br />
and film executives.<br />
In a similar initiative, Addis to<br />
Cannes was launched by IEFTA<br />
in 2010, in partnership with<br />
the Ethiopian Film Initiative<br />
to support young Ethiopian<br />
filmmakers through a careerdeveloping<br />
trip to Cannes. Past<br />
participants have gone on to have<br />
their films shown in international<br />
festivals such as<br />
Berlin, Toronto, and<br />
Venice, and sold<br />
to international<br />
markets.<br />
Through its<br />
mentorship<br />
initiative, IEFTA<br />
will also sponsor<br />
two filmmakers<br />
from Mongolia<br />
to the Producers<br />
Network.<br />
IEFTA will host<br />
a reception at the<br />
Plage Royal for<br />
Dhaka to Cannes:<br />
A Celebration<br />
of Talent. The<br />
event features<br />
participating<br />
Bangladeshi<br />
filmmakers from<br />
this year’s inaugural<br />
Dhaka to Cannes<br />
initiative, as well<br />
as the Mongolian<br />
filmmakers,<br />
and Watersprite<br />
participants. •<br />
• Showtime Desk<br />
On the occasion of revered film<br />
auteur Mrinal Sen’s 94th birthday,<br />
Chalachitram Film Society,<br />
Bangladesh National Museum<br />
and India-Bangladesh Foundation<br />
jointly organised a five day long<br />
film screening session, which<br />
began on <strong>May</strong> 13 at the main<br />
auditorium of Bangladesh National<br />
Museum.<br />
Prime minister’s foreign<br />
advisor, Gowher Rizvi inaugurated<br />
the program, while two eminent<br />
film makers, Tanvir Mokammel<br />
and Morshedul Islam spoke at<br />
the event. Director general of<br />
Bangladesh National Museum,<br />
Faizul Latif Chowdhury was also<br />
present at the event.<br />
Mrinal Sen’s Ek din Pratidin was<br />
screened after the commencement<br />
ceremony. The screening will<br />
continue till <strong>May</strong> 17 at the main<br />
auditorium of the museum. The<br />
event is open for all.<br />
Interview and Chorus is on the<br />
schedule of today’s screening,<br />
while Kharij, Ek din Achanak<br />
and Jayanta Bhattacharjee’s<br />
documentary Always Being<br />
Born are scheduled for <strong>May</strong> 16.<br />
Antareen, Amar Bhuban and<br />
Rajdeep Pal’s documentray Mrinal<br />
Sen: An Era in Cinema will be<br />
projected on the last day of the<br />
event.<br />
Born on <strong>May</strong> 14, 1923,<br />
Mrinal Sen is an Indian film<br />
maker based in Kolkata, who<br />
is often considered to be one<br />
of the greatest ambassadors<br />
of Indian parallel cinema on<br />
the global stage, along with his<br />
contemporaries Satyajit Ray and<br />
Ritwik Ghatak. His work is highly<br />
lauded for its artistic depiction of<br />
social reality. Although the three<br />
directors shared a healthy rivalry,<br />
they were ardent admirers of each<br />
other’s works, and in so doing,<br />
they charted the independent<br />
trajectory of parallel cinema, as a<br />
counterpoint to the mainstream<br />
fare of Hindi cinema in India. •