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Showtime<br />

23<br />

MONDAY, MAY <strong>15</strong>, <strong>2017</strong><br />

DT<br />

Ayub Bachchu’s<br />

instrumental concert in Chittagong<br />

• Showtime Desk<br />

After the success of the first solo<br />

guitar instrumental show of Ayub<br />

Baccchu, held in March in the<br />

capital, the legendary singermusician<br />

is all set to perform in<br />

another identical show at the<br />

Radisson Blu Chittagong on <strong>May</strong><br />

20.<br />

Presented by Robi, Airtel and<br />

Yonder Music, the instrumental<br />

show titled “Now And Then” is<br />

organised by AB Kitchen, DJ Pro<br />

and Wizard Showbiz.<br />

Details of the show came out in<br />

a press conference held at Channel<br />

i, where Ayub Bachchu, Faridur<br />

Reza Sagor, the managing director<br />

of Channel i, Mahbubul Alam<br />

Bhuiyan, vice president of Robi,<br />

and Imrul Karim Emil, the Shunno<br />

singer and the country director of<br />

Yonder Music Bangladesh were<br />

present.<br />

At the press conference, Ayub<br />

Bachchu said, “Keeping the<br />

requests of my fans in mind, I<br />

am going to perform in a guitar<br />

instrumental show for the first<br />

time, at my birthplace.”<br />

Sponsors of the event have<br />

organised a contest to win free<br />

tickets to the concert, and a rare<br />

opportunity to sing one of the<br />

most popular tracks of Ayub<br />

Bachchu “Cholo Bodley Jai” on<br />

stage along with him. Details of<br />

the contest can be found at the<br />

Facebook page of Yonder Music<br />

Bangladesh. Tickets are available<br />

at bdtickets.com. •<br />

Bangladesh filmmakers to<br />

participate in Cannes’ event<br />

A tribute to Mrinal Sen<br />

• Showtime Desk<br />

The International Emerging<br />

Film Talent Association (IEFTA),<br />

a Monaco-based non-profit,<br />

non-governmental organisation,<br />

has taken an initiative to foster<br />

Bangladeshi filmmakers by<br />

providing them an opportunity to<br />

participate in a workshop which<br />

is to be held at the Cannes Film<br />

Festival this year.<br />

The initiative<br />

is one of the four<br />

different initiatives<br />

organised by<br />

IEFTA at this year’s<br />

70th Cannes Film<br />

Festival, which<br />

will be held from<br />

<strong>May</strong> 17 to 28. The<br />

biennial event,<br />

“Dhaka to Cannes”<br />

is organised in<br />

co-operation with<br />

International<br />

Film Initiative<br />

of Bangladesh<br />

(IFIB) in support<br />

of local emerging<br />

filmmakers.<br />

In the last week<br />

of March, IEFTA<br />

revealed that<br />

three Bangladeshi<br />

filmmakers, Lubna<br />

Sharmin, Md Abid<br />

Mallick, and Kazi<br />

Mahadi Muntasir,<br />

have been selected<br />

by the international<br />

jury to be in the<br />

Producers Workshop at the<br />

Marché du Film.<br />

In this introducing event,<br />

selected participants will get<br />

an opportunity to fly to Cannes<br />

to take part in the Producers<br />

Workshop hosted by the Marche<br />

du Film, the business counterpart<br />

of the Cannes Film Festival and<br />

one of the largest film markets<br />

in the world. This unique event<br />

includes three days of intensive<br />

meetings with some of the<br />

world’s prominent filmmakers<br />

and film executives.<br />

In a similar initiative, Addis to<br />

Cannes was launched by IEFTA<br />

in 2010, in partnership with<br />

the Ethiopian Film Initiative<br />

to support young Ethiopian<br />

filmmakers through a careerdeveloping<br />

trip to Cannes. Past<br />

participants have gone on to have<br />

their films shown in international<br />

festivals such as<br />

Berlin, Toronto, and<br />

Venice, and sold<br />

to international<br />

markets.<br />

Through its<br />

mentorship<br />

initiative, IEFTA<br />

will also sponsor<br />

two filmmakers<br />

from Mongolia<br />

to the Producers<br />

Network.<br />

IEFTA will host<br />

a reception at the<br />

Plage Royal for<br />

Dhaka to Cannes:<br />

A Celebration<br />

of Talent. The<br />

event features<br />

participating<br />

Bangladeshi<br />

filmmakers from<br />

this year’s inaugural<br />

Dhaka to Cannes<br />

initiative, as well<br />

as the Mongolian<br />

filmmakers,<br />

and Watersprite<br />

participants. •<br />

• Showtime Desk<br />

On the occasion of revered film<br />

auteur Mrinal Sen’s 94th birthday,<br />

Chalachitram Film Society,<br />

Bangladesh National Museum<br />

and India-Bangladesh Foundation<br />

jointly organised a five day long<br />

film screening session, which<br />

began on <strong>May</strong> 13 at the main<br />

auditorium of Bangladesh National<br />

Museum.<br />

Prime minister’s foreign<br />

advisor, Gowher Rizvi inaugurated<br />

the program, while two eminent<br />

film makers, Tanvir Mokammel<br />

and Morshedul Islam spoke at<br />

the event. Director general of<br />

Bangladesh National Museum,<br />

Faizul Latif Chowdhury was also<br />

present at the event.<br />

Mrinal Sen’s Ek din Pratidin was<br />

screened after the commencement<br />

ceremony. The screening will<br />

continue till <strong>May</strong> 17 at the main<br />

auditorium of the museum. The<br />

event is open for all.<br />

Interview and Chorus is on the<br />

schedule of today’s screening,<br />

while Kharij, Ek din Achanak<br />

and Jayanta Bhattacharjee’s<br />

documentary Always Being<br />

Born are scheduled for <strong>May</strong> 16.<br />

Antareen, Amar Bhuban and<br />

Rajdeep Pal’s documentray Mrinal<br />

Sen: An Era in Cinema will be<br />

projected on the last day of the<br />

event.<br />

Born on <strong>May</strong> 14, 1923,<br />

Mrinal Sen is an Indian film<br />

maker based in Kolkata, who<br />

is often considered to be one<br />

of the greatest ambassadors<br />

of Indian parallel cinema on<br />

the global stage, along with his<br />

contemporaries Satyajit Ray and<br />

Ritwik Ghatak. His work is highly<br />

lauded for its artistic depiction of<br />

social reality. Although the three<br />

directors shared a healthy rivalry,<br />

they were ardent admirers of each<br />

other’s works, and in so doing,<br />

they charted the independent<br />

trajectory of parallel cinema, as a<br />

counterpoint to the mainstream<br />

fare of Hindi cinema in India. •

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