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A <strong>Photo</strong> <strong>Essay</strong><br />

Prepared by Renatha Vernon for the Academy of Art


Preface...............................................................<br />

3<br />

The Alhambra.....................................................<br />

4<br />

Parthenon...........................................................<br />

6<br />

Pantheon............................................................<br />

8<br />

Villa Savoye ..................................................... 10<br />

Guggenheim Museum......................................<br />

12<br />

The Colosseum ................................................ 14<br />

Il Duomo...........................................................<br />

16<br />

The Glass House ............................................. 18<br />

Fallingwater......................................................<br />

20


Preface<br />

This photo essay was created to fulfill the requisite for application to the online Masters of Architecture at<br />

Academy of Art in San Francisco. The essay is comprised of nine buildings chosen by me, the prospective<br />

student, according to the essay guidelines. The photographs used have been mostly purchased stock<br />

photography websites., some have captured in my personal travels. The cover photo is one of my own<br />

photographs. I have permission for using all photographs used..<br />

I personally wrote all essays and captions based on my own knowledge, personal experience with the buildings,<br />

and some light research to remind myself of what I had studied previously in my Bachelor’s of Interior Design. I<br />

have taken the liberty to write in a casual yet professional style found today in many travel blogs and magazines.<br />

I hope you will enjoy my essay, and I look forward to studying at the Academy.<br />

Sincerely,<br />

Renatha Vernon


Building One<br />

The Alhambra<br />

by emir Mohammed ben Al-Ahmar<br />

The air was crisp in the early morning, yet the sun; just above the horizon, promised to shine in all its glory ushering in<br />

Spring time. On one of the undulating Andalusian hills, there sat perched a mighty fortress overlooking the town of<br />

Granada. Strong. Imposing. Guarded. The Alhambra.


First built circa 889, it was a modest upgrade to Roman ruins found atop its hill. As with typical medieval towns, it<br />

was nothing more than a small fort protecting its residents from invaders. For a few centuries, it was the home of<br />

Muslim emirs during the Moorish reign in Spain, and at its golden age it was added on to become the palace of a<br />

sultan. But as the Christian armies recovered Spain to Christianity, it became the palace of the monarchy of<br />

Spain, who I dare say desecrated a flawless example of Moorish design and devotion by adding on Period<br />

architecture over the centuries to an already stunning structure. However, to be fair to all who have laid a stone,<br />

azulejo, or plaster on the Alhambra its intricateness makes it, to me, one of the most beautiful buildings in the<br />

world. It represents centuries of history, religion, religious wars, governmental revolutions, culture and<br />

architecture. Experts agree that it stands as one of the best examples of historical Muslim architecture in the<br />

world. It was here in this cool breezy palace, while meandering through its fragrant gardens that I realized how<br />

much I actually venerated history and moreover historical architecture. Where prior to this experience, I enjoyed<br />

studying the abridged history of architecture and design while in college, it was then that I truly fell in love with<br />

the richness of history. It was there that I realized a personal thirst and quest for knowledge of the intricate details<br />

of History, details especially pertaining to her most beautiful twin daughters: Art and Architecture.


Building Two<br />

Parthenon<br />

by Phidias et al.<br />

The day was looking ominous. There was a tinge of frost in the air. In preparation for the hike up the Acropolis, we chose<br />

to delve into the museum below the rock mesa, which offered warmth and a fountain of knowledge. Little did we know<br />

our children would have a museum adventure they would never forget.


Oh those Greeks, they were amazing. They could possibly be the most gifted civilization in the world, if one were<br />

to count all the ways the Greeks have influenced modern society. I won’t venture to do so, but I will share why I<br />

love the Parthenon. Truly, the Parthenon feels more like myth than fact as I write. Blame the world wars for that.<br />

The newer temple was built in later part of the Fourth Century B.C. to replace an older temple dedicated to<br />

Athena which was destroyed in, you guessed, a war. History has a tendency to repeat itself. Nevertheless, its<br />

splendor has been seared into the annals of history forever because of its simple design, perfect mathematical<br />

proportions and dimensions as well as its special visual effects. Parts of its pediments are found in the museum<br />

down the hill and tell beautiful tales of Greek mythology. The Romans who probably like to think they invented<br />

anything worthwhile in history, have even drummed up or drawn up and built many akin reiterations of those<br />

historical colonnades, entablatures, friezes and pediments. One example is coming up next. Today the<br />

Parthenon is unfortunately in shambles. The Greek state hopes to one day revitalize all of their nation's<br />

architectural relics, and boy do I hope they accomplish this fete. Perhaps if Greece succeeds in fixing their ruins,<br />

we will one day look back and think—with the same mind boggling wonder that we use to study the mathematical<br />

theories of the Parthenon—how were they able to pull off such an impossible task? Luckily for us there are<br />

wonderful and still mostly intact relics of the Greek golden age in other places and one of them is found south of<br />

Rome, Italy. Paestum, holds three temples of about the same size as the Parthenon right next to each other. If a<br />

trip to Italy is not feasible, there is always Nashville, Tennessee. A smaller replica of the Parthenon with the<br />

statue of the Athena Parthenos is found in the city of country music.


Building Three<br />

Pantheon<br />

by Hadrian<br />

September surprised us with a few rain showers. No matter, we were not the only tourists in Rome. Maybe we were the<br />

only lost ones amidst all the wet cobblestone streets. If you’ve never been to the Pantheon, you will find it where many<br />

narrow streets dead end from all directions onto a pleasant and food filled piazza.


Pantheon; Greek for ‘many gods’. The Romans borrowed a lot of from the Greeks. It wasn’t just architecture.<br />

They even worshipped the same gods, they just changed their names. The Pantheon is currently just another<br />

Christian cathedral in Rome. However, it was originally built as a temple to the ancient Roman Gods in a another<br />

location in Rome. It burned down, and the one we visit today was said to have been designed by Emperor<br />

Hadrian, although there have been many others who have left the touch in the building as parts of it were built<br />

along the ages. Hadrian was known to be have not only an interest in architecture but to also to have studied the<br />

Greeks. Maybe Hadrian was particularly credited for the Patheon’s façade. In my opinion, the most impressive<br />

aspect of the building is that it has withstood the test of time and wars, maybe some earthquakes , and that<br />

gigantic dome is still intact. The dome is built from extremely heavy materials, concrete and metal enforcements<br />

to be precise, so it is very surprising that it hasn’t been compromised. Furthermore, it stands as proof of how<br />

much Greek architecture influenced the grand Roman empire, and has continued to influence us to this day.


Building Four<br />

Villa Savoye<br />

by Le Corbusier<br />

In her dream, she lived in Villa Savoye on the outskirts of Paris. She drove a baby blue Cinquecento with a retractable<br />

roof. She calmly awaited Spring so she could plant her herbs and flowers on the second floor plants boxes, the smell of<br />

those plants mingling together in the heat of the summer sun as she lounged in her favorite Pony Chaise given to her by<br />

the famous architect who built the house for her, as house warming gift.


Picture a white hollow cube on stilts for a house. Maybe a beachside ultra modern home in Florida? Not quite. A<br />

1930’s ultra modern house in the country near Paris, France. The house, designed by Le Corbusier who was<br />

famous in the International style is a perfect example of said architectural movement. After centuries of fluff and<br />

embelishments, the International styled along with its predecessor the Bauhaus movement, brought a fresh look<br />

to art, architecture and design. Boy am I grateful for it! Perhaps inspired by the industrial revolution, it introduced<br />

clean, rectilinear design and simplicity that was long overdue. Besides the clean white canvas that the exterior<br />

represents, the open concept plan of Villa Savoye with all its natural light due to its long panes of glass, ushers in<br />

a new experience within living environments. It brought the outside, and simplified the living space and<br />

necessary objects and appliances. Furthermore, another key feature is the roof top garden and second story<br />

courtyard. This idea has no doubt been used as inspiration for modern homes and apartments of today where<br />

land is hard to find. The idea of a garden inside or above ground is ingenious. I hope to include a lot of these<br />

ideas in my future projects.


Building Five<br />

Guggenheim Museum<br />

by Frank Gehry<br />

As the story goes, Bilbao was a post industrial nightmare. Its main river polluted and lifeless, its streets dirty and<br />

corrupted. Someone must have a visionary dream to build a structure that could transform a dilapidated city into a fresh<br />

and clean new metropolis. This fairy tale in the end came true.


I will never forget sitting in History of Modern Design and Architecture when a slide of the Guggenheim Museum<br />

was put up on the screen. It was love at first sight. Never in my sweetest dreams had I seen such a beautiful<br />

structure; silvery, scaly, bold, fluid, sharp. What was I looking at? That was when I fell in love with Frank Gehry’s<br />

projects. The funny thing is, I didn’t quite care for Deconstructivism that much while studying design. For one<br />

reason or another, I didn’t connect Frank Gehry go the architectural style he belongs to. Yet, like a lover who is<br />

blind, there was nothing that Frank Gehry designed that I didn’t like. What I love about Bilbao’s Guggenheim is<br />

its changing chiaroscuro effect. The sun playfully casts light and shadows over its lines and curves throughout<br />

the entire day. Moreover, I had never considered such a shimmery material as titanium on a building. Looking<br />

back, I think the titanium was what I fell in love with. The materials like glass and stone were also used to<br />

complement the metal. But to me the beauty of the building is in the shape and material juxtaposed to the quiet<br />

river that runs in front of it. Turns out the fairy tale of Bilbao came alive, river included. The fairy tale was that<br />

Bilbao wasn’t prospering, its river was filthy with pollution, and the city desperately needed a pick me up. After<br />

Gehry’s Guggenheim, the city emerged, its people started to believe in it again, and even there river got cleaned<br />

up. And hopefully they are living happily ever after. Now I can’t wait for my dream to come true to go meet the<br />

Guggenheim in person soon.


Building Six<br />

The Colosseum<br />

by Emperor Vespasian<br />

Gouged and bloody, the gladiator managed to kill its last opponent. The populous Colosseum vibrates as the crowd<br />

cheers him on. Water fills the arena, time for an underwater show. Will he survive his new fighting challenge?


Our guide is a typical Italian Casanova. Donning jeans, a wool jacket and a scarf, he beckoned us to follow him<br />

into the Colosseum. To enter the Colosseum is to enter another world. A world not distant from our modern<br />

society. You see, it takes about 30 minutes to realize that the Romans had the same cultural wonders and<br />

pitfalls, the same social stratification, the same “Pay to play” politics that some in our society enjoys. It is noticed<br />

quickly once the tour guide points to the nose bleed seats. Perhaps we have only progressed a tiny bit as we no<br />

longer sit and watch real people be eaten live by wild animals. We now look for those films to hit the theater<br />

justifying that a movie is not real. The intriguing part of the colosseum are precisely how much the ancient giant<br />

resembles our modern football stadiums. The rich sat closer to the “stage”, the poor sat up in the high seats.<br />

Between the seating levels there were bathrooms, and concessions. And what of the arena? Oh, the arena. The<br />

stage topped with sand for the fights, unearthed for plays, filled with water for even more dramatic effect. Its<br />

basements held props, animals, slaves and gladiators. It sure reminds me of Broadway. The most interesting<br />

part of history to me is the influence of other periods in our own ‘modern' lives. We sure do thing highly of<br />

ourselves, but I do wonder if the Romans weren’t smarter than us these days.


Building Seven<br />

Il Duomo<br />

by Filippo Brunelleschi<br />

It was a hot day in Florence. A mother and her two children wander the streets from the Santa Maria Novella Station in<br />

search of their month long accommodations. One turn the right way, and they are faced with the green and white marble<br />

of Santa Maria Del Fiore cathedral and Brunelleschi’s Duomo. Tears of joy and gratitude filled her eyes. “Gelatto,<br />

children?”


From a top the many hills that sound Florence one can see Il Duomo floating above the cityscape. It’s been<br />

almost a year since my two oldest children and I embarked on a 6 week long trip to Italy to take Italian classes in<br />

Florence. I still get emotional thinking about that experience of walking the streets of the Renaissance city with<br />

my children. You see, I’m a person who likes to connect the dots. My name, a name with latin roots, shares the<br />

same root as the term Renaissance. Renata=Renainssance=Rebirth. I had been to Florence another three times<br />

before. But there was something about sharing that city and my love for all things “rebirth" for an entire month<br />

with my children that was priceless. In fact, the littles ones had been there before too, and we even took them up<br />

the 480+ steps to the catwalk around the dome. The dome is an architectural fete of its time, no doubt. It is the<br />

first herculean dome of its kind; built with wood beams and terra cotta tiles, instead of stone and concrete. Its<br />

interior frescoes are also a sight to behold and contemplate upon. And to think the Brunelleschi was competing<br />

against his life-time rival to build the dome is also part of the marvel of the dome. As the story goes, even though<br />

Brunelleschi won the commission, Giotto had to collaborate. Although there’s no real evidence, the Florentine<br />

say that Brunelleschi pulled a trick on Giotto, leaving Giotto temporarily in charge. However he was stuck and<br />

didn’t know how to proceed. Brunelleschi then came back to win the day and finish the construction of the dome<br />

without a collaborator to take part of the credit. To me, the Duomo has become a symbol of human’s ingenuity,<br />

creativity and perseverance in the face of the impossible. (<strong>Photo</strong> credit: Renatha Vernon 2016)


Building Eight<br />

The Glass House<br />

by Philip Johnson<br />

Seeing all seasons from all angles, watching the sun rise and the sun set from the same chair all day, smell in the foliage<br />

all around you, feel the chill of the crisp nights and early mornings. Those are the experiences one could have if one<br />

owned a glass house in the woods.


Philip Johnson has a great idea; to explore what an all glass house would be like. But for those not so<br />

comfortable with the idea, he built its opposite. The brick house providing the need for privacy is a few yards from<br />

it. What I absolutely love and have dreamed about the Glass House is how open to nature it is. I have never<br />

been there, but I can imagine watching the light dance through the glass making different shadows throughout<br />

the day. The clean lines, the earthy materials all prevent it from being stark, not to mention all the green<br />

surrounding it. Another feature I love about the house, is what is inside the house. Philip Johnson, the house’s<br />

architect, was a friend of my favorite other artist Mies Van Der Rohe, who designed the Barcelona chair, and the<br />

Daybed named after himsefl. It is my dream to one day furnish my own house with wonderful modern classics<br />

such as those. Lastly, another feature that is clearly displayed yet, subtly forgotten is how little is inside the Glass<br />

House. It is a minimalist haven! There’s something about living with as little as possible that draws me in. In fact<br />

in this day and age of materialism and consumerism, minimalism is a breath of fresh air and something I’m very<br />

interested in studying and designing for the masses.


Building Nine<br />

Fallingwater<br />

by Frank Lloyd Wright<br />

Oh to wake up to the soft rushing sound of water through your bedroom window. To feel secluded and drawn into the<br />

wild, to not notice days going by. That must be what if feels like to be at Falling Water.


Anyone who is studies architecture and design has heard of the Frank Lloyd Wright, and his stubborn ego.<br />

Thank goodness for that stubbornness! Look at what he has accomplished, designed and built. Fallingwater is<br />

a home like no other. Yes, there have been settling issues and what not, but the home has become a master<br />

piece of architectural design. It is warm and cozy, despite all that water flowing right through its basement.<br />

One of the features I love about Fallingwater is the use of horizontal lines that flow from the exterior into the<br />

interior. It gives us a sense of calm. In my opinion it ties the house to nature and yet serves as a contrast to all<br />

the tall trees outside. Another feature I appreciate is Wright’s use of built in furniture. At one point in my life, I<br />

lived in a house that had built in concrete benches in the foyer. I was little so I thought it was odd, and cold.<br />

However now, having moved so many times, I think the idea of built-in furniture is splendid. Wright, was right<br />

on point. Not all pieces created for Fallingwater are built-in, however this concept became one of his<br />

signatures. Really one buys furniture to complement a home, and when a move is in order, the furniture<br />

moved rarely fits the next abode as it should. Is there a niche in creating more homes with built-in furniture<br />

pieces for the minimalist or the pragmatic? I’d like start that conversation going.

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