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R-i-i-i-p! I grit my teeth as Venia, a woman with aqua hair<br />

and gold tattoos above her eyebrows, yanks a strip of Fabric<br />

from my leg tearing out the hair beneath it. “Sorry!” she pipes<br />

in her silly Capitol accent. “You’re just so hairy!”<br />

Why do these people speak in such a high pitch? Why do<br />

their jaws barely open when they talk? Why do the ends of<br />

their sentences go up as if they’re asking a question? Odd vowels,<br />

clipped words, and always a hiss on the letter s . . . no<br />

wonder it’s impossible not to mimic them.<br />

Venia makes what’s supposed to be a sympathetic face.<br />

“Good news, though. This is the last one. Ready?” I get a grip<br />

on the edges of the table I’m seated on and nod. The final<br />

swathe of my leg hair is uprooted in a painful jerk.<br />

I’ve been in the Remake Center for more than three hours<br />

and I still haven’t met my stylist. Apparently he has no interest<br />

in seeing me until Venia and the other members of my prep<br />

team have addressed some obvious problems. This has included<br />

scrubbing down my body with a gritty loam that has<br />

removed not only dirt but at least three layers of skin, turning<br />

my nails into uniform shapes, and primarily, ridding my body<br />

of hair. My legs, arms, torso, underarms, and parts of my eyebrows<br />

have been stripped of the Muff, leaving me like a<br />

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