12.12.2012 Views

Acupuncture By Charlotte Reed - Get a Free Blog

Acupuncture By Charlotte Reed - Get a Free Blog

Acupuncture By Charlotte Reed - Get a Free Blog

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

magus<br />

Mabus


Milton Academy presents<br />

Magus Mabus<br />

Winter 2010<br />

Volume One


7<br />

8<br />

11<br />

12<br />

15<br />

19<br />

23<br />

25<br />

26<br />

29<br />

33<br />

38<br />

40<br />

45<br />

48<br />

50<br />

52<br />

53<br />

58<br />

59<br />

61<br />

words<br />

Savannah Heat<br />

Cripple<br />

Stalker<br />

Scarecrow<br />

Th e Art of Drowning<br />

I Know Why We No Longer Speak<br />

Absent Without Leave<br />

Cambio<br />

Flimsy<br />

Gorillas and Much More<br />

In Budapest<br />

Th e Hanging Tree<br />

Buoys<br />

Mulholland Drive<br />

Absolution<br />

Words Always Fail Me<br />

Rust Belt<br />

Romulus and Remus<br />

Ars Poetica<br />

War<br />

<strong>Acupuncture</strong><br />

magus ~ 1 ~ mabus<br />

Rebecca Deng (I)<br />

Mallika Iyer (III)<br />

Jack Mitchell (I)<br />

E.J. Bennett (II)<br />

Jaclyn Porfi lio (I)<br />

Jessica Blau (III)<br />

Sam Shleifer (I)<br />

<strong>Charlotte</strong> <strong>Reed</strong> (I)<br />

Nicole Acheampong (III)<br />

Tina Cho (II)<br />

Elias Dahger (I)<br />

Catherine Parker (III)<br />

Tina Cho (II)<br />

<strong>Charlotte</strong> <strong>Reed</strong> (I)<br />

Robin Chakrabarti (II)<br />

Jaclyn Porfi lio (I)<br />

Sam Shleifer (I)<br />

Charlie Malone (I)<br />

Jaclyn Porfi lio (I)<br />

Xiaoyin Qiao (I)<br />

<strong>Charlotte</strong> <strong>Reed</strong> (I)


65<br />

68<br />

70<br />

71<br />

72<br />

73<br />

75<br />

78<br />

79<br />

80<br />

82<br />

words<br />

Untying<br />

Eve’s Children<br />

Craniotomy<br />

High Tides<br />

Samskyeti<br />

Fift y Years<br />

Th e Metro<br />

I Don’t Have Nine Lives (Runaway)<br />

Dissatisfi ed<br />

Bang<br />

Blueberry Picking<br />

magus ~ 2 ~ mabus<br />

Jaclyn Porfi lio (I)<br />

Osaremen Okolo (III)<br />

Hannah Grace (II)<br />

Rebecca Deng (I)<br />

Robin Chakrabarti (II)<br />

Osaremen Okolo (III)<br />

Tina Cho (II)<br />

Mallika Iyer (III)<br />

Jay Sharma (II)<br />

Oliver Bok (III)<br />

Elias Dahger (I)


Cover<br />

5<br />

6<br />

9<br />

10<br />

13<br />

14<br />

17<br />

18<br />

20<br />

21<br />

22<br />

24<br />

27<br />

28<br />

31<br />

32<br />

35<br />

36<br />

37<br />

39<br />

images<br />

Stephanie Ng (II)<br />

Max Bennett (II)<br />

Carson Gaff ney (II)<br />

Kate Couturier (II)<br />

Erin Yang (II)<br />

Ashley Bae (II)<br />

McKean Tompkins (II)<br />

Jay Sharma (II)<br />

Jay Sharma (II)<br />

Ashley Bae (II)<br />

Ariana Lee (I)<br />

Nicole Acheampong (III)<br />

Genna deGroot (I)<br />

Sage Warner (III)<br />

Arielle Ticho (II)<br />

Sage Warner (III)<br />

Sara Pearce-Probst (III)<br />

Ndea Hallett (I)<br />

Shauna Yuan (II)<br />

Michael Berke (I)<br />

Danielle Cahoon (III)<br />

magus ~ 3 ~ mabus


43<br />

44<br />

47<br />

49<br />

51<br />

57<br />

60<br />

67<br />

69<br />

76<br />

77<br />

81<br />

images<br />

Kirby Feagan (III)<br />

Shannon Peters (III)<br />

Isabella Frontado (I)<br />

Rachel Black (I)<br />

Tina Cho (II)<br />

Sophie Janeway (II)<br />

Andy Zhang (II)<br />

Ndea Hallett (I)<br />

Stephanie Ng (II)<br />

Michaela Carey (II)<br />

Ashley Bae (II)<br />

Arielle Ticho (II)<br />

magus ~ 4 ~ mabus


magus ~ 5 ~ mabus<br />

Max Bennett


magus ~ 6 ~ mabus<br />

Carson Gaff ney


Savannah Heat<br />

<strong>By</strong> Rebecca Deng<br />

we sit in mondays rain<br />

the drops chase one another<br />

to the ground fl y through<br />

the porch screen soak my<br />

eyelashes into clumps<br />

georgia peaches fall and split<br />

the aroma embedded in his skin<br />

magus ~ 7 ~ mabus


Cripple<br />

<strong>By</strong> Mallika Iyer<br />

When<br />

he drags himself to us across petal-littered gravel,<br />

hardened yellow bits of milk crumbling in his mustache and<br />

ash-fl ecked, fl y-feasted skin tinged a watery saff ron<br />

from that morning’s prayer powders skimming down the gutters<br />

ee calls home;<br />

while he looks at me with eyes squinted over<br />

from the fl ailing dust of passing cars, I look, too<br />

at the city dirt collaged on his shirt,<br />

his withering fl esh cushioned by a puddle of sewage,<br />

before I lower my eyes to save him any<br />

dignity and the coin drops in his palm.<br />

as the auto horns bellow, wet laundry landing with<br />

a thud when it slaps the cement by the river,<br />

he crawls his way down the lane, a man<br />

on all soot-painted fours with<br />

a coin-clenching fi st and a pathway of<br />

stately banyans twisting to the sky,<br />

beckoning him forward.<br />

Th en I wonder:<br />

how many rupees, pennies<br />

in a collection box at the Y,<br />

can put the skip in your step, the jolt in your<br />

walk?<br />

magus ~ 8 ~ mabus


magus ~ 9 ~ mabus<br />

Kate Couturier


magus ~ 10 ~ mabus<br />

Erin Yang


Stalker<br />

<strong>By</strong> Jack Mitchell<br />

Her slender legs shaped like the smooth<br />

wooden curve of a canoe paddle dappled<br />

in sun.<br />

Her breaths sounds the silent swoosh of an<br />

owl as she sleeps, sleeps, unsuspecting<br />

of me.<br />

Shivering, disturbed by dreams, she pulls<br />

sheet over body like the robe of a<br />

goddess.<br />

I rely on distance because I cannot bear the<br />

ugly scar, the wart, the wrinkle on the brow<br />

the anti-Michelangelo, the scratch on her<br />

cool marble translucent skin—so pale.<br />

Without warning she wakes and jerks,<br />

rising to shut Venetian shades and block the<br />

mean sun.<br />

magus ~ 11 ~ mabus


Scarecrow<br />

<strong>By</strong> E.J. Bennett<br />

Today, the woman traveled<br />

the town, past homes pinned shut,<br />

lawnmowers still<br />

perched in the yards.<br />

Screens stapled over windows<br />

why-ing into the wind.<br />

Th e woman drove to the grocery, testing the weight of a can<br />

in her hand. Hearing the<br />

chigga-chigga-chigga<br />

as it spooled to the back of the cart.<br />

Th e woman surrendered to the car<br />

then the street, then the house.<br />

Hoisting paper bags upon her hips, she entered the kitchen<br />

where the man leaned into the table.<br />

(Aft er her wedding, a bride fl ung a fi stful of rice<br />

over her left shoulder, seed scattering<br />

in soil. Grandmother bowed<br />

collecting her luck grain by grain<br />

to boil for the family.)<br />

When the soup began to simmer,<br />

hiss behind microwave walls,<br />

the woman cupped the can like a candle<br />

then watched the broth tip and spill into bowls.<br />

magus ~ 12 ~ mabus


magus ~ 13 ~ mabus<br />

Ashley Bae


magus ~ 14 ~ mabus<br />

McKean Tompkins


Th e Art of Drowning<br />

<strong>By</strong> Jaclyn Porfi lio<br />

My cartoons swallow the heat,<br />

absorb a bit of the spills.<br />

I can conjure a laugh, secure a smile<br />

swing from the White Star Line,<br />

fi nd love at the bottom of the bottle.<br />

He used to fall through my drawings,<br />

lie crumpled in the waste bin.<br />

I wish I knew how to keep him<br />

inside my pen, removed from air,<br />

his neck within my fi ngers. Or<br />

I wish I knew how to draw him.<br />

Th e ship slides in, I’m told,<br />

and then it’s fl icked to full.<br />

I wish that’s how it worked<br />

with him, his outline black<br />

on white hid beneath the pages.<br />

magus ~ 15 ~ mabus


At some point he left me, the wreck,<br />

because women and children go fi rst.<br />

I let the clink of the ice, the rush<br />

of the Johnny Walker Blue<br />

ease me down, be my violins.<br />

I wanted a ship in a bottle.<br />

I can break apart,<br />

wait at Mistaken Point,<br />

sloshing in my drawings.<br />

Life looks good in boxes,<br />

when I form it without thinking.<br />

He twisted what I gave him,<br />

became a “mad man.”<br />

I live for the lines of the ship,<br />

tucked within their glass,<br />

the sail, the mast, the rush, the clink.<br />

My son was enough of a thrill.<br />

magus ~ 16 ~ mabus


Jay Sharma<br />

magus ~ 17 ~ mabus


magus ~ 18 ~ mabus<br />

Jay Sharma


I Remember Why We No Longer Speak<br />

<strong>By</strong> Jessica Blau<br />

On a Th ursday at dinner<br />

you told me I wasn’t quite good<br />

enough yet.<br />

I didn’t hate you then.<br />

But were you to be choking<br />

on a piece of my broccoli<br />

I would pretend<br />

not to know the Heimlich<br />

until the very last second.<br />

magus ~ 19 ~ mabus


magus ~ 20 ~ mabus<br />

Ashley Bae


magus ~ 21 ~ mabus<br />

Ariana Lee


magus ~ 22 ~ mabus<br />

Nicole Acheampong


Absent Without Leave<br />

<strong>By</strong> Sam Shleifer<br />

Before the blonde horseman rode into our village,<br />

Megan fi xed me scones<br />

London sent him North,<br />

to fi nd expired uniforms<br />

before business hours.<br />

Monday at 9, I gutted her husky.<br />

Th e pancreas popped methane,<br />

smelled wetter than licking<br />

or trading a trench at Verdon<br />

for a French jew’s tulip wagon.<br />

Th e third month of toast,<br />

I burlapped the vestiges,<br />

sulfur rottings prickling<br />

like nerve gas.<br />

Ever valiant master trailing,<br />

I tied my sack to his mount.<br />

Megan didn’t recognize the scent.<br />

magus ~ 23 ~ mabus


magus ~ 24 ~ mabus<br />

Genna deGroot


Cambio<br />

<strong>By</strong> <strong>Charlotte</strong> <strong>Reed</strong><br />

Who would have imagined<br />

that the Mexican girl on Pico,<br />

with the blue-black hair like crows’ feathers,<br />

and skin like cooked meat,<br />

would be selling fl ores<br />

on a Sunday aft ernoon?<br />

Who would have imagined<br />

that the Mexican girl on Pico,<br />

in the green and white dress,<br />

with the eyes like bent spoons,<br />

would be lying facedown in the street<br />

on a Sunday aft ernoon?<br />

magus ~ 25 ~ mabus


Flimsy<br />

<strong>By</strong> Nicole Acheampong<br />

Shift ing with the wind,<br />

thin stem precariously<br />

balanced within dirt—<br />

A fl ick to your stem<br />

would break you the same as one<br />

fi erce stamp to your head.<br />

magus ~ 26 ~ mabus


magus ~ 27 ~ mabus<br />

Sage Warner


magus ~ 28 ~ mabus<br />

Arielle Ticho


Gorillas and Much More<br />

<strong>By</strong> Tina Cho<br />

“Aft er this, are we going to the zoo?” she asks, her hand dipped in the pool as her brother cranks<br />

up the garden hose.<br />

“No, your friends are coming soon.” He points at the piñata. “You’re going to crack that thing<br />

open and all the candy’s going to fall out and your friends are going to scream their heads off .”<br />

“I don’t want them to scream at my party.”<br />

“It’s a scream of delight. You get to watch them drop to the ground and rake through the candy<br />

like they’re crazy.”<br />

Caddie takes her hand out of the water and walks toward the plastic table set with brownies,<br />

cream puff s, a pitcher of milk, and her favorite cake, red velvet with vanilla ruffl es. She looks down<br />

at her dress.<br />

“Do you have your new swimsuit on under that, Caddie?” he asks.<br />

She answers no.<br />

“Why not?”<br />

“I like my old one better.”<br />

“What?” He sounds harsher than he has intended. “Do you have any idea how long I had to<br />

walk around the mall by myself to fi nd that bikini? Do you think a junior in high school likes buying<br />

training bras? If it wasn’t for Mom, I would’ve tied that eye mask around you and shoved your face<br />

down the pool half an hour ago. Besides, I bet all your friends have passed that one-piece stage.”<br />

“Why don’t you go put it on?” She plops onto one of the chairs.<br />

“Caddie, why are you shitting on your own party?”<br />

“I don’t want a party. I don’t like my friends.” She pauses. “But don’t tell me that I should pretend<br />

to like them, because I know your scheme. You just want to leave me and go off with Anna.”<br />

“Anna moved to fucking Texas,” he says, squinting at the sun, “you know that. But I guess your<br />

only friend is that girl from church, the fat, metal-teethed virg—”<br />

Caddie picks up a cream puff and crushes it in her palm. Th e white cream oozes down her<br />

wrist. “You think this is not a big deal. You think this is funny. But I know your secret. You actually<br />

like taping ‘Caddie’s ninth birthday’ kind of crap. Mom asked you to order my cake but you couldn’t<br />

resist, you had to bake it.” She looks at the brownies, the piñata, her brother. “You like doing this,<br />

don’t you?” He searches for a good comeback but fi nds none. She walks toward him and washes her<br />

magus ~ 29 ~ mabus


hand from the tip of the rubber hose. Th e cream puff from her wrist drops by his feet and clings to<br />

the grass. She reaches over and turns the tap until the water droops from the hose and shuts off . “Are<br />

you looking for an excuse? I have one. Just say you like watching my nine-year-old friends splash<br />

around in their bikinis. Admit it.”<br />

He loses it. He chucks the hose at the ground. He walks to the table and grabs the baseball bat<br />

from under one of the chairs. He runs to the piñata. He whacks the frilly animal.<br />

“You know what, Caddie? I hope you heard yourself just now because you talk just like me.<br />

And you know what I’m doing now? I’m resolving this situation, baby. I’m gonna beat the shit out of<br />

this fucking rainbow horse, and you’re going to cry and run into the house. But guess what, I’m going<br />

back in there, too.” Th e horse’s cardboard throat cracks open. “You aren’t going anywhere. I can<br />

chase you down as long as we both live in that house. And oh wait, you want to go to the zoo? We<br />

are at the zoo. I am the fucking gorilla.”<br />

Caddie breaks into tears and runs into the house. Her brother fi nishes the horse. Its body rests<br />

on the freshly watered grass like a pile of skinned bunnies with metallic slivers of wrapped candy.<br />

He puts the baseball bat down, puts his hands on his waist, and looks around. In front of the fences<br />

a zebra by the tree rubs the side of its grimy face against the rough bark. He sighs and returns to the<br />

house.<br />

magus ~ 30 ~ mabus


magus ~ 31 ~ mabus<br />

Sage Warner


magus ~ 32 ~ mabus<br />

Sara Pearce-Probst


In Budapest<br />

<strong>By</strong> Elias Dahger<br />

Hungary: Toxic red sludge has reached the Danube<br />

-Headline for an Associated Press article by Pablo Garondi, October 7th, 2010<br />

For the one who knows this is hers.<br />

In Budapest, that River<br />

runs with the blood<br />

of lovers and haters,<br />

of war-wagers and the desperate<br />

lights, castles, cathedrals,<br />

and the thorny shadows of long-abandoned barracks.<br />

Th ese watery phantom-choirs<br />

scintillate there,<br />

in grotesque symphony<br />

Once, we anointed her undulating skin<br />

with foaming champagne<br />

and sweet kisses<br />

and the fi erce sweat,<br />

the wax of those undying candles<br />

shimmering like stars<br />

among the crumbling statues<br />

magus ~ 33 ~ mabus


Th ey stood sentinel<br />

on the hills<br />

watching us and yearning<br />

yearning for death,<br />

for fl esh<br />

But now, my priestess,<br />

my champagne-pourer,<br />

my blushing serpent,<br />

your scales have hardened.<br />

even statues weep wax for you,<br />

you unfeeling, you stony—<br />

from your cold skin tears rebound<br />

they fl ow acidic, staining<br />

our once pure ablution<br />

Oh champagne! Oh kisses!—<br />

my double Eucharist:<br />

you smolder in those icy waters,<br />

you burn up and freeze in<br />

deathly prison<br />

And gypsy light-prisms shatter<br />

under the thick weight<br />

of medieval blood<br />

magus ~ 34 ~ mabus


magus ~ 35 ~ mabus<br />

Ndea Hallett


magus ~ 36 ~ mabus<br />

Shauna Yuan


magus ~ 37 ~ mabus<br />

Michael Berke


Th e Hanging Tree<br />

<strong>By</strong> Catherine Parker<br />

We hung a great wood swing<br />

from ancient oak outside<br />

Too small, you put me on your lap<br />

to take me for a ride<br />

You taught me as I grew<br />

to swing all by myself<br />

’til I could fl y up down up down<br />

up down without your help<br />

Th en you started sleeping late<br />

never smiled or played<br />

told me everything was great<br />

not to be afraid<br />

One day I went to swing<br />

but you had beat me there<br />

just swinging from that self-same oak<br />

neck broke beyond repair<br />

I tried to close my eyes<br />

but bloated face remained<br />

somehow it came as no surprise<br />

to fi nd I’d gone insane<br />

magus ~ 38 ~ mabus


magus ~ 39 ~ mabus<br />

Danielle Cahoon


Buoys<br />

<strong>By</strong> Tina Cho<br />

Aaron was watching his father sleep when a bird swept in from the window. His father turned<br />

in his bed, but the sound of the sheets was muffl ed by the twitching of the black feathers as the creature<br />

settled onto the water pipe. Aaron was observing the neck of the bird turn when Mark muttered,<br />

“You are a little late.”<br />

Aaron apologized.<br />

“Or early now, I guess. Th e sun woke me up,” Mark said. He motioned his son to prop up the<br />

bed. Aaron arched his body over the old man and turned the handle counterclockwise until the bed<br />

sat up at a right angle. “Was there an emergency?”<br />

“Sort of.” A woman had fallen into a lake.<br />

Mark smiled. “Well, you can tell me all about it while I take my bath.” Aaron closed the window<br />

and fl icked on the television. He went to the bathroom, squat by the tap while his hand cut through<br />

the column of hot water. From the sound of the water Aaron thought he heard his father hum to the<br />

national anthem.<br />

“Look,” Mark said, pointing at the screen. Aaron returned to his father’s bed. “It’s the lake. Th at<br />

was years ago, wasn’t it? When we drove south for four hours for some lame water because your<br />

mother got ideas in her head from some sailing magazine?”<br />

“Th e boat was fun.”<br />

“We shouldn’t have let you drive, you almost fl ipped us over. But you and your sister had a hard<br />

time getting off in the end, didn’t you?” Aaron answered yes. “And your mother—where was she?”<br />

“She was sitting next to you.”<br />

“No, she was by the bank. I remember she was standing on that grass, waving her arms like<br />

crazy. It was so windy, she was scared.” He paused. “When did she say that she’d visit?”<br />

“Tomorrow,” Aaron answered. Mark turned back to the television. Th e weight seemed to be<br />

leaving his body as his face dissolved into a blank stare. Aaron looked up to check on the bird. Th e<br />

bat sat crumbled in the corner of the ceiling, fl inching.<br />

“What are you looking at?” Mark asked. Mark never liked birds, detested their shrieks and redeyed<br />

glares. Aaron hated being the only one to remember Mark explode then leak, so Aaron kept the<br />

bird to himself. Instead, he swiveled his father’s legs around like a niece in a sundress and carried the<br />

hairless body to the bathroom. Both men looked away as Aaron unbuttoned and slid the garment<br />

magus ~ 40 ~ mabus


down his father’s back. Leg by leg he pulled down the sweat-stained bottoms. Neither of them spoke.<br />

Holding his breath, Aaron stood still with Mark’s arms around his shoulders as Mark dipped his<br />

knees into the water. For a moment, Aaron thought they were dancing.<br />

“Look at me, I’m a peeled potato,” Mark chuckled, looking at his bare torso. “I thought it was<br />

the disease, but I realized that there is no problem. It’s the age.”<br />

“Th ere really is no problem.” Aaron answered quietly.<br />

“Really? Ha, look at your hairline. I thought it was the recession, but you’re aging, too, just like<br />

me.” Aaron watched Mark’s narrow feet swell in the water. “I remember you as a baby. Right aft er you<br />

were born, though, I was pretty sure you weren’t my child. Your mother and I both had this thick,<br />

black horsetail hair, and we thought you’d come out looking like Elvis.” He paused. “You know, that<br />

day your mother and I fought so much I wished her dead. But we never fought, never again. I loved<br />

her too much. Even when Cecilia came out with hair like yours, I said nothing.” He closed his eyes<br />

and rubbed the balls of his hands down his cheeks, sunken and bruised as his dented buttocks. “We<br />

should go back to the lake sometime.”<br />

“When the water’s not too cold.”<br />

“We can get that small boat again. Just you, me, your mother, and your sister. Soon it’ll be warm<br />

enough so you can teach your mother how to swim.”<br />

“Just you, me, and Cecilia.”<br />

“I can steer the boat this time. I would let you, but remember the last time we went there, when<br />

your mother was on the bank waving her arms like crazy, and you couldn’t stop—”<br />

“You, me, and Cecilia is enough.” Aaron rested his head on the wall.<br />

“Aaron,” Mark smiled, “it’s not embarrassing that you’re bad at driving.”<br />

Aaron wrapped his hands around his face like a cornhusk. “Mom can’t be there.”<br />

“I mean, look at you. You’re going to be a doctor. Th at’s enough.”<br />

“I never drove that boat. You didn’t let me.”<br />

“Why don’t you meet some of Cecilia’s friends?”<br />

“You never let me drive. It was an accident, Dad. Mom didn’t know how to swim.”<br />

Silence hit the water. Mark slowly lift ed his chin, letting his ears sink and his toes slit open the<br />

surface. His fi ngers let go of the tub and he swelled along the green waves like a buoy.<br />

Aaron left the bathroom and lied down on the crinkled sheets. He found the bird hunched over<br />

on the water pipe. Aaron never liked birds, either. On the day when the wind knocked the ribcage<br />

out of his father’s boat and his mother sank like an oilcloth, a fi eld of blackbirds had scattered into<br />

magus ~ 41 ~ mabus


the sky like his mother’s hair when her body was returned home.<br />

Th e creature’s eyes met Aaron’s, and the bird stretched, unfolding its limbs as if it had woken<br />

up from a dream. Aaron watched as the bird tiptoed along the concrete pipe and plopped onto the<br />

windowsill. He looked at his watch. It was time, and like the spark of a television fl icked on, Aaron<br />

sensed Mark’s eyelids reopen.<br />

“Aaron, is that you?” asked Mark.<br />

Aaron answered yes.<br />

“What time is it?”<br />

He told his father the time.<br />

“You’re late. An emergency?”<br />

“Yes. An old man drowned,” Aaron said, as he watched the bird spring from its feet and fl y out<br />

the window.<br />

magus ~ 42 ~ mabus


magus ~ 43 ~ mabus<br />

Kirby Feagan


magus ~ 44 ~ mabus<br />

Shannon Peters


Mulholland Drive<br />

<strong>By</strong> <strong>Charlotte</strong> <strong>Reed</strong><br />

“Th ere it is, take it.”<br />

—William Mulholland<br />

Marilyn Monroe is twenty miles long,<br />

lying naked on her side.<br />

She is the desert, golden earth<br />

melting into the Pacifi c.<br />

Her anklebones, stacked,<br />

are cut by the river,<br />

and those silvery shins<br />

become thighs, sliding west<br />

with sunsets till murky dawns.<br />

You drive up her hipbone, the 101,<br />

and boulevards below<br />

are strings of stolen jewels.<br />

Along her waistline, you’ll fi nd God<br />

and Warren Beatty—<br />

her breasts read Hollywood,<br />

and underneath is the reservoir,<br />

its sharkskin surface and barbed wire fences<br />

gleaming in the glare of a dusty sun.<br />

magus ~ 45 ~ mabus


At the nape of her neck,<br />

the hillsides burn black,<br />

and, in the distance,<br />

the glint of downtown<br />

is like knives sticking straight<br />

up from dirt.<br />

Her platinum locks are the sea,<br />

her ivory face regal ruins,<br />

her lips the slow curve that meets the bluff s:<br />

she is rotting into the swell,<br />

the swell of angels.<br />

magus ~ 46 ~ mabus


magus ~ 47 ~ mabus<br />

Isabella Frontado


Absolution<br />

<strong>By</strong> Robin Chakrabarti<br />

Lost in the current,<br />

gushing<br />

as the breath of a ghost.<br />

I’m a swallowing fl ower,<br />

sucking in the specks of black pollen.<br />

Th is road has lost us.<br />

Emotions have washed over the<br />

memories written in the sand.<br />

I will chase the words; I will follow the sounds;<br />

though it won’t be found.<br />

magus ~ 48 ~ mabus


magus ~ 49 ~ mabus<br />

Rachel Black


Words Always Fail Me<br />

<strong>By</strong> Jaclyn Porfi lio<br />

“It’s the words that are supposed to do the dancing,”<br />

he once told me.<br />

And I pictured my rhythmic gymnasts<br />

tangling themselves in ribbon as I talked,<br />

planting batons in all the wrong places.<br />

“You’re not the one who should be doing the work.”<br />

And I saw my little soldiers,<br />

holding tails and marching,<br />

caught in a dynamic form of attention.<br />

His army was stronger.<br />

Th ey had cannons in their back pockets<br />

and a battle cry I couldn’t pin down.<br />

“No one needs to know you if they know your words.”<br />

And I watched our executives crowd a conference room,<br />

point at charts they didn’t create,<br />

chuckle at jokes no one understood,<br />

and refuse handshakes I willed them to embrace.<br />

“Just write. Give yourself to the language.”<br />

And I witnessed his security guards<br />

knock mine into the hydrangeas,<br />

back him out of our house, my house,<br />

down to the street and the waiting car,<br />

aft er dripping black ink on my doorstep.<br />

magus ~ 50 ~ mabus


magus ~ 51 ~ mabus<br />

Tina Cho


Rust Belt<br />

<strong>By</strong> Sam Shleifer<br />

Grumbling of chest pain<br />

he sits at six thirty four,<br />

pretending to pray.<br />

Th ree bites deep<br />

“the sweetest girl in Cleveland,”<br />

Grandpa used to whisper,<br />

sips something amber<br />

and kisses the shoulder<br />

of the Tinkerbelle costume<br />

she pleaded to wear<br />

at dinner,<br />

eyes shining back like wet stones<br />

that see mom crumple<br />

Arbys’ wax paper, greasy<br />

white like pigeon shit.<br />

magus ~ 52 ~ mabus


Romulus and Remus<br />

<strong>By</strong> Charlie Malone<br />

Filthy with river water and vernix,<br />

brothers bobbed away from a trembling man<br />

of twenty-eight, for the fi rst time in his life<br />

ignoring orders, unable to send those<br />

plump round faces into the brown water<br />

to meet Hades before their skin ever felt the sun.<br />

Th eir mother, a doe-eyed virgin spoiled<br />

and left underground to suff ocate, would never<br />

know they had survived, and when she died<br />

she thought of seeing them again, and so it was<br />

willingly that she left that room where her fi ngernails<br />

were still stuck in the walls.<br />

But the boys lived.<br />

Naked and squalling, they washed onto<br />

a faraway shore where they lay, helpless and gasping,<br />

dying as surely as if they’d needed the water<br />

to breathe. A childless mother of a dirty<br />

dog untouched by the gods’ unending rape<br />

of mankind scooped them from the river bank,<br />

licking nature’s grime from their half-god<br />

bodies, and they grew with her, never knowing<br />

there were other pale and hairless wolves<br />

magus ~ 53 ~ mabus


just beyond the trees, never thinking themselves<br />

the children of heroes or gods. Th ey taught<br />

each other to talk, but never asked<br />

why their mother never could.<br />

Th e boys lived.<br />

Th ey tumbled around the forest as their limbs<br />

grew and in time they found they would prefer<br />

to walk upright, their backs straight and their jaws<br />

set. Th ey played human war and never knew the diff erence.<br />

As all children do, they left their mother one day.<br />

Th ey found a human city and the nameless, matted<br />

she-wolf died above ground. She had no concept<br />

of an aft erlife, only a warm beam of unseasonable<br />

sun that buoyed her away from the only earth<br />

she’d ever known. Her children, twice motherless,<br />

became shepherds, discovered themselves heirs,<br />

royalty, and learned how human men play war.<br />

When he awoke to fi nd his brother missing,<br />

taken into the hands of rival shepherds<br />

he should never have been so cocky with,<br />

the slimmer and the scrawnier tore off into the dawn,<br />

shouting for his taller, handsomer brother,<br />

and when his head had stopped pounding<br />

he gathered every sympathetic man he saw<br />

and charged to Amulius. He could never remember<br />

magus ~ 54 ~ mabus


clearly how he came to free his brother,<br />

but Romulus remembered Remus’s roar<br />

of delighted shock, remembered their ragged<br />

grip on the other’s shoulders as they refused<br />

their grandfather’s crown and put an end<br />

to the war games. Remus had lived.<br />

A city was to be built.<br />

Each brother selected a hill and waited,<br />

unaware their gods were to make chess pieces<br />

of them yet again, and when Romulus counted<br />

double the vultures sent to circle Remus’s hilltop,<br />

something broke between the brothers.<br />

Th ey bickered, they brawled, and Romulus set<br />

to building his city, to appease the gods and leave<br />

behind the tense hours on the hilltops. Th e wolf<br />

in Remus came out then, and he snarled at his brother,<br />

growled at the workers, destroyed meaninglessly,<br />

and when his twin asked why they could not<br />

make a city together, Remus snapped his jaw<br />

as if to bite, and the smaller and skinnier man<br />

backed away. Th at night, Remus leapt over his brother’s<br />

wall, and Romulus forgot all but his city,<br />

and killed the traitor with whom he’d shared an<br />

embryo, a womb, a river, a wolf, a fl ock, a war.<br />

magus ~ 55 ~ mabus


Rome’s history had begun in blood,<br />

Romulus on his knees, his brother’s heavy head<br />

in his hands, trying to understand, to undo,<br />

all that his new city, his supreme tribute to the gods<br />

and to human glory, had seen. Rome had its fi rst<br />

funeral, and Remus was buried with honor,<br />

his brother’s back turned,<br />

while eighteen vultures—twelve for Romulus,<br />

six for Remus—watched from above,<br />

too hungry and pure to comprehend how the<br />

human boys lived.<br />

magus ~ 56 ~ mabus


magus ~ 57 ~ mabus<br />

Sophie Janeway


Ars Poetica<br />

<strong>By</strong> Jaclyn Porfi lio<br />

I have a silver carp in my back pocket,<br />

carried close from China,<br />

begging for a chance to craft its mark.<br />

I have Momma giving the same slap<br />

to the man with a name in the stars.<br />

I have alliteration soft ening the blow<br />

of the fi sh-shaped bruises<br />

and the parodied Volans.<br />

I have my potential predators,<br />

the boat and the darkness,<br />

the deep and the needle.<br />

I have the truth<br />

that top-feeding fi sh<br />

are the only ones who smile.<br />

I’m asking for your breath.<br />

magus ~ 58 ~ mabus


War<br />

<strong>By</strong> Xiaoyin Qiao<br />

red vista<br />

blue expanse<br />

faces upward gazed and dazed<br />

tangerine dirt<br />

invades distant stretches<br />

stains steel spirits<br />

snapshot of a rousing sun under midnight<br />

ascending shades to royal to cyan<br />

mint paste chances pastel mist<br />

fades lighter from midway up<br />

dark dust and bittersweet salmon<br />

meeting for the very fi rst time<br />

cantaloupe<br />

whiff s of musk<br />

of rust and dry<br />

hollows of terrain<br />

rise toward the white of day<br />

the frontier pushes high dunes low<br />

and buff ers parched lungs below<br />

with breaths of breadths of air above<br />

red and blue fall in love<br />

magus ~ 59 ~ mabus


magus ~ 60 ~ mabus<br />

Andy Zhang


<strong>Acupuncture</strong><br />

<strong>By</strong> <strong>Charlotte</strong> <strong>Reed</strong><br />

You told me about herbs.<br />

Ones made from honey, goji and ginseng,<br />

bitter ones, ones that stuck<br />

to the back of your throat even<br />

aft er a glass of water.<br />

I used to touch<br />

your splintery, calloused hands<br />

with the bumps on the tips of your fi ngers<br />

from years of pressing too hard<br />

on needles and guitar strings.<br />

We hid under the blankets<br />

of your bed, in the guest bedroom downstairs<br />

that you never shared with her.<br />

Underneath sheets, you held me<br />

like a child, shadows in the half-light<br />

catching gold in your green eyes,<br />

and your hands grasped my thin wrists, whole:<br />

I was the child.<br />

magus ~ 61 ~ mabus


You told me stories.<br />

We pretended, and you were the captain<br />

of submarines in your bed.<br />

We saw fi sh in the contours<br />

and colors of the quilt we propped<br />

up over our heads—drift ing,<br />

sapphires and rubies<br />

in our dark sea. Th ere,<br />

the black played with your jaw,<br />

and your beard was only<br />

shadows. I knew you’d<br />

warn me about sharks<br />

in the distance.<br />

Inside your offi ce on Sunset<br />

that smelled like ginger<br />

and hardwood fl oors,<br />

there was the mannequin<br />

in the window, painted white<br />

with the blood-blue<br />

and red veins stretched, spreading nerves,<br />

like city streets, subway maps.<br />

With your fi nger,<br />

you traced the ones<br />

that lead to the heart.<br />

magus ~ 62 ~ mabus


Th en, I was too afraid<br />

to try the needles. I imagined<br />

safety pins, broken glass, thumbtacks.<br />

You shook your head and frowned.<br />

Th ey’re too thin to hurt you, you said.<br />

Th ey don’t go deep enough.<br />

I wondered how<br />

a prick near the right nerve<br />

could give a man the strength<br />

to walk again. Or could suck<br />

the cancer out of someone’s grandpa.<br />

Or could stir the belly<br />

of a tired woman, just enough<br />

for a baby to grow.<br />

I wondered how,<br />

aft er years of your telling me<br />

it would never happen,<br />

it would never come to divorce,<br />

the words still came, sinking out of her mouth,<br />

landing on the fl oor.<br />

I watched you bite<br />

your cheeks.<br />

magus ~ 63 ~ mabus


And, that day,<br />

the moving truck still came,<br />

fi lled with your guitars—<br />

Gibsons she never made<br />

room for, your rugs, your quilt,<br />

your journals and Chinese Medicine books,<br />

and your fragile, too-thin needles<br />

that never pricked<br />

deep enough.<br />

magus ~ 64 ~ mabus


Untying<br />

<strong>By</strong> Jaclyn Porfi lio<br />

He hugs me taut,<br />

wraps my pinky fi nger<br />

to swear he’ll let me crumble<br />

one misstep at a time<br />

into the crown molding.<br />

He kisses me pale,<br />

frays my sleeve<br />

to promise he’ll keep me whole<br />

each day he braids me<br />

into the threads.<br />

He lets the oil drip into the basin<br />

he’ll never fi ll with water<br />

or stain. He sees the glass<br />

ripple my face<br />

from across the porch.<br />

He cries himself<br />

to war. I can<br />

hum goodbye,<br />

magus ~ 65 ~ mabus


wiggle my fi nger away,<br />

swivel out my hair,<br />

twist water<br />

until it stacks in my palm.<br />

I can stop time.<br />

I can die.<br />

He can live.<br />

magus ~ 66 ~ mabus


magus ~ 67 ~ mabus<br />

Ndea Hallett


Eve’s Children<br />

<strong>By</strong> Osaremen Okolo<br />

Still, we are watched,<br />

from Occident to Orient,<br />

in feudal villages<br />

and bustling metropolises.<br />

A mirage from inside out,<br />

opaque has never been so clear.<br />

An Earth built on soft curves<br />

and delicate, intricate boundaries,<br />

forgets its strength and soul.<br />

World waiting for the glass ceiling to crack—<br />

we’re already shattered.<br />

See the shards sparkle mercilessly<br />

in the feminine sun.<br />

magus ~ 68 ~ mabus


magus ~ 69 ~ mabus<br />

Stephanie Ng


Craniotomy<br />

<strong>By</strong> Hannah Grace<br />

I see them—blue caps like sterility,<br />

needles wide as her pupils—holding razors<br />

that grind their teeth. Wisps of blonde,<br />

barely gravitational, kiss tile fl oor<br />

and I try to remember where<br />

I was when she was born, where<br />

else there was to be before a daughter.<br />

Th ick black lines draw in marker on her head<br />

swelling with blood and car exhaust—I feel<br />

my hands clenched over the steering wheel,<br />

invisible fi shhooks tugging my eyelids.<br />

Th ey push her past me and I imagine<br />

scalpels and ten blades; they say<br />

they’ll relieve the pressure building<br />

deep in her brain. Fix her and maybe<br />

part of me with titanium, or something<br />

else I won’t be able to see. I try to remember<br />

what they said, but her anesthesia<br />

numbs my mind as lights overhead<br />

expose brain the color of newborn skin.<br />

magus ~ 70 ~ mabus


High Tides<br />

<strong>By</strong> Rebecca Deng<br />

two deep seas<br />

rest in the belly of the basin<br />

divided by a noble mountain<br />

soft soil to dig toes in<br />

on a well sculpted plain<br />

he oft en times brings<br />

inclement weather<br />

upon us<br />

the tides rise<br />

my tears roll<br />

my salty lips<br />

dry quick and crack<br />

in the summer sun<br />

magus ~ 71 ~ mabus


Samskyeti<br />

<strong>By</strong> Robin Chakrabarti<br />

I’m out in the rain,<br />

drowning in the sky’s weight—<br />

awake in a relapse<br />

and afraid of self-correction.<br />

She has me locked in the twirl of her hair.<br />

Her fi ngers,<br />

gliding through brownsoaked rays of light,<br />

arrest me.<br />

In the dark, I have nothing left to do<br />

but swim in memories of her psychedelic eyes.<br />

magus ~ 72 ~ mabus


Fift y Years<br />

<strong>By</strong> Osaremen Okolo<br />

Okada motorbikes rumble down the path of red to black,<br />

carrying lives, minds salivating for change.<br />

Aft er arrival, out of fuel:<br />

Restock and fi nally return?<br />

Or crash a while, and burn?<br />

Th e December sun fi ercely burning brown to black.<br />

“Exotic, tropical locale” is just another Harmattan.<br />

Red, red, litters the forgotten roads,<br />

a haze of imperturbable dust enveloping, leaving its memory.<br />

Pure, white cotton stained by this dirtying, burnt orange,<br />

the blemish scrubbed away by knuckled fi sts over tired palms<br />

until the garment fl ies against wavering, warping hemp – cleaned and baking.<br />

Folktales heard under a sweet, warm moon,<br />

enrapturing elders twisting tales from their prime;<br />

the marvels of a night lit by candlelight.<br />

magus ~ 73 ~ mabus


Turn around<br />

to paved, tarred glory<br />

glistening under the same December sun,<br />

shadowed by a façade of manmade luster.<br />

Cheating men in power proudly pound their lizarded loafers,<br />

snatching Naira from the machete-wielding sugar cane farmer for<br />

the second wife at home, waiting to whiten her skin.<br />

Blood oil stains all this modernity, seeping,<br />

covering lies, deceit, all incapability<br />

in thick, black, grime.<br />

Half century.<br />

Perhaps it’s time to return, reconsider.<br />

Or maybe,<br />

we’ll wait for the next tomorrow.<br />

Dare to leave the old for new?<br />

magus ~ 74 ~ mabus


Th e Metro<br />

<strong>By</strong> Tina Cho<br />

Boy rips girl.<br />

White light combs through<br />

the gnarled roots of her heart<br />

as her leather face irons<br />

fl at like the patches of mice<br />

at the blackened heels of the train,<br />

sheets and sheets of red paper<br />

strewn over her blessed, hard skull.<br />

magus ~ 75 ~ mabus


magus ~ 76 ~ mabus<br />

Michaela Carey


magus ~ 77 ~ mabus<br />

Ashley Bae


I Don’t Have Nine Lives (Runaway)<br />

<strong>By</strong> Mallika Iyer<br />

One night I dreamt the world, whole world<br />

was at my window. It smelt like liberation;<br />

the puddles called to me like a teasing playmate,<br />

the leaves lift ed me to the sky and sang that<br />

they’d never know I was gone.<br />

Th e moon illuminated my mud-streaked face,<br />

Soft fi elds of dandelions awaited my fall.<br />

the air was cold, the night was young<br />

the brook and trees and bats above all knew<br />

I was not another rich child smile pinned to a billboard,<br />

waiting to be dragged home.<br />

Tonight, I am the dream, a hazy female fi gure<br />

disappearing behind buildings for an extra dollar,<br />

illuminated by the gaslights, immortalized by strangers;<br />

still thinking up excuses for my unfi nished homework<br />

and wet earth in my hair,<br />

exhaling snakes of smoke and the breath of each bait,<br />

I am a princess.<br />

magus ~ 78 ~ mabus


Dissatisfi ed<br />

<strong>By</strong> Jay Sharma<br />

Th e ground, yeah it goes deep.<br />

Layers and layers on top of me.<br />

It’s hard to remember, to know,<br />

we’re in the middle of it all.<br />

If everything’s so simple sided<br />

why’s my mind so mesmerized?<br />

Went to look out my window,<br />

saw nothing but colorful snow.<br />

In dead-dirt summer heat<br />

nothing sweeps me off my feet.<br />

It’s quite far from a dream.<br />

My skin’s not blue and my eyes aren’t green.<br />

Where’s all that goddamn land?<br />

I used to have it in my hand.<br />

But land’s nonexistent<br />

’cause they think it has no business<br />

hangin’ around.<br />

magus ~ 79 ~ mabus


Bang<br />

<strong>By</strong> Oliver Bok<br />

spaghetti western values<br />

raid my refugee mind<br />

looking for scalps.<br />

living on the Lamb, the fat of farmers<br />

high caliber lifestyle<br />

toddlers get pistol whipped<br />

draw trumps law.<br />

careening covered wagon trains<br />

others jump, I shoot<br />

axle unhinged<br />

spokes stab rubbernecks<br />

brown cloud caboose.<br />

dust this grimy never settles<br />

got into the yellowed iris of my eye<br />

made me blind.<br />

“yo dude what’s good”<br />

Bang.<br />

i won my duel at high noon<br />

no joke fl ag, no shadows<br />

just acrid smell<br />

and the friendly metallic click of a revolution.<br />

magus ~ 80 ~ mabus


magus ~ 81 ~ mabus<br />

Arielle Ticho


Blueberry Picking<br />

<strong>By</strong> Elias Dahger<br />

Th e August heat oppress’d us into sloth,<br />

We two, the only pickers in the grove<br />

of countless butterfl ies, those greater moths<br />

who fl utter in an out of fruity love<br />

A single bramble lent us shade to rest<br />

her leafy caverns pregnant with her fruit<br />

I laid my head upon your rip’ning breast,<br />

your skin far sweeter than our berry-loot<br />

But twice or thrice a sour pod I taste<br />

’Tis yet too young, that fruit, too immature<br />

’tis as a moth, whose spring is still incased—<br />

not yet a butterfl y of deep tincture<br />

From me you fl y, to foreign fl ow’rs you leave<br />

but I, in groves await you, slender Eve<br />

magus ~ 82 ~ mabus


art editor<br />

Caroline Owens<br />

literary editors<br />

<strong>Charlotte</strong> <strong>Reed</strong> & Jaclyn Porfi lio<br />

art staff<br />

Ashley Bae<br />

Michaela Carey<br />

Carson Gaffney<br />

Jasmine Gale<br />

Hannah Mason<br />

Stephanie Ng<br />

Alexandra Stratouly<br />

Erin Yang<br />

Shauna Yuan<br />

Caleb Warren<br />

Skyler Williams<br />

board<br />

editor-in-chief<br />

Isabella Frontado<br />

layout editor<br />

Mariko Azis<br />

staff<br />

copy editor<br />

Charlie Malone<br />

associate editors<br />

Vincent Kennedy & Stephanie Ng<br />

literary staff<br />

Elizabeth Bennett<br />

Nicolette Gendron<br />

Hannah Grace<br />

Mallika Iyer<br />

Vincent Kennedy<br />

Elisabeth Makishima<br />

<strong>Charlotte</strong> Malone<br />

Chloe Michaelidis<br />

Charles Perkins<br />

Sidartha Raju<br />

Nicole Rufus<br />

Madeline Thayer


milton academy<br />

winter 2010<br />

volume one

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!