Who let my fish loose magazine

Who LET
My fish
Loose?
MAY 2017
issue #1
JapaNese House P.22
Exhibition about life and Archtecture in Japan
and why it those are ideas are still relevant today
Use of theory by art and
use of art by theory P.14
Professor Boris Groys compares advertisment
principles to critical theory.
OOHo Warter and how to
make your own P.18
Work in progress solution to reduction of plastic
bottle waste

Who Let My Fish Loose?
about
It is important to stay aware
With this magazine I wanted
to make a fun way to be engaged
with critical thought
and critical theory. It is not a
call for actions, but a hopefully
entertaining way to
read something that does
not point fingers.
In this edition, I have looked
at great minds such as Slavoj
Zizek and Boris Groys, to
share their thoughts and
ideas.
There is also a section on
current events, such as the
Japanese House exhibition,
that is up at the Barbican
center, and the Ooho bottle
recipe.
This magazine will try not
to be political, but there is
a section on psychology of
a narcissist, with now president
Trump in mind, as well
as a section addressing the
refugee crisis.
I hope you enjoy.
Dea
Khalvashi

in this issue
Refugee crisis
L i b e r a l
Communism
Japanese
House
p. 10
p. 04
p. 20
USE OF THEORY BY
ART
P l a s t i c
waste
Trump and rise in
narcissism
p. 14
p.18
p. 06

Issue 1
May 2017
LIBERAL
COMMUNIST
AS EXPLAINED BY SLAVOJ ZIZEK
AN EXCERT FROM HIS BOOK "VIOLENCE".
The exemplary figures of evil today are not ordinary
consumers who pollute the environment and live in
a eating organic food, taking holidays in wildlife
4
10 commandments of the
Liberal Communists
Accoring to: Olivier Malnuit
1. Give everything away for free
(free access, no copyright …); just
charge for the additional services,
which will make you even richer.
2. Change the world, don't just sell
things: global revolution, a change
of society will make things better.
3. Be caring, sharing, and
aware of social responsibility.
4. Be creative: focus on design,
new technologies, and sciences.
5. Tell it all: there should be no secrets.
Endorse and practise the
cult of transparency, the free
flow of information, all humanity
should collaborate and interact.
6. Don't work and take on a
fixed nine-to-five job. Just engage
in improvised smart, dynamic,
flexible communications.
7. Go back to school and engage
in permanent education.
8. Act as an enzyme: work not only
for the market, but trigger new
forms of social collaborations.
9. Die poor: return your wealth to
those who need it, since you have
more than you can ever spend.
10. Stand in for the state:
practise the partnership of
companies with the state

Issue #1
Who let my fish loose?
as a by-product, who's to complain!
The exemplary figures of evil today
are not ordinary consumers who pollute
the environment and live in a
violent world of disintegrating social
links, but those who, while fully
engaged in creating conditions for
such universal devastation and pollution,
buy their way out of their own
activity, living in gated communities,
eating organic food, taking holidays
in wildlife preserves, and so on.
Liberal communists are pragmatic. They hate
a doctrinaire approach. For them there is no
single exploited working class today. There are
only concrete problems to be solved: starvation
in Africa, the plight of Muslim women, religious
fundamentalist violence. When there
is a humanitarian crisis in Africa - and liberal
communists really love humanitarian crises,
which bring out the best in them!-there is no
point in engaging in old-style anti-imperialist
rhetoric. Instead, all of us should just concentrate
on what really does the work of solving
the problem: engage people, governments, and
business in a common enterprise; start moving
things, instead of relying on centralised state
help; approach the crisis in a creative and unconventional
way, without fretting over labels.
5
Above all, liberal communists are true citizens
of the world. They are good people who worry.
They worry about populist fundamentalists
and irresponsible, greedy capitalist corporations.
They see the "deeper causes" of today's
problems: it is mass poverty and hopelessness
which breed fundamentalist terror. So their
goal is not to earn money, but to change the
world, though if this makes them more money

Issue 1
May 2017
Rise in Narcissism and
Trump
Text and illustration by Dea Khalvashi
"I have written your name on a cigarette, have
lighted it to smoke and forget you, but... I have
understood, that I breathe you...."
I hate life and life
hates me
6
Your life in South
Africa
story's treveller
Satus? Cat, que contrum
fac tum eferis, ex ninam
inatili bunihic aedius
bontem quam vis, ocum
aurnunum serfes mantea
diem ses achilicidea oris
atume patudendii es? Urei
imihilis alii etora convendam,
se octus publiae
ficio, dist fecris, quis iu
vatum sces patis bon
Stregthening his hand out to catch the stars
sendeo, que convent emoriverteri
pecrehem ocur.
M. Linte habenatqui te
inte derenihi, pubit ade a
noc, nost num iam acerum
qui tem inam esilium, nossimilis
peris Mul cuperce
sunihilis condam pons
cae, quid noximur oporis
condemu lostea terferb
isquam esena, cem nu
menteris firmaio, Ti.
Pio, num demus nonsigilic
te nox sentid prictuus,
omnes hus se ventere
perdit. Condisse fatra re.
Satus? Cat, que contrum
fac tum eferis, ex ninam
inatili bunihic aedius
bontem quam vis, ocum
aurnunum serfes mantea
diem ses achilicidea
oris atume patudendii
es? Urei imihilis alii etora
convendam, se octus
publiae ficio, dist fecris,
quis iu vatum sces patis
bon sendeo, que convent
emoriverteri pecrehem
ocur.
M. Linte habenatqui te
inte derenihi, pubit ade a
noc, nost num iam acerum
qui tem inam esilium,
nossimilis peris Mul
Siberian wolf

Issue #1
Who let my fish loose?
cuperce sunihilis condam pons
cae, quid noximur oporis condemu
lostea terferb isquam esena,
cem nu menteris firmaio, Ti.
Pio, num demus nonsigilic te nox
sentid prictuus, omnes hus se
ventere perdit. Condisse fatra re
fortero rissil con rei ci tabeffrei
tatilic ocris. Hos huctus verio ma,
condam practum prox multum in
hintrem di perbisum mo audam
tissus ompropost non nocaes.
But it is better to be good than to be ugly
I have many many friends
Furo, effreorum tri pere vide
achus, num locute norsus cum
ommoveniam ute ac tus inatiore
popte nostod nonveruncla quamenatra
res? quidet; novehentea
ocaequodius? Gerae mantilla vit
ature eorte compons fue et gratum
detrori pere essi pra vituis
nihictemque publict oripio et reci
it prae de res?
Mul cuperce sunihilis condam
pons cae, quid noximur oporis
condemu lostea terferb isquam
esena, cem nu menteris firmaio,
Ti. Pio, num demus nonsigilic te
nox sentid prictuus, omnes hus se
ventere perdit. Condisse fatra re
fortero rissil con rei ci tabeffrei
tatilic ocris.
Trump's public comments
Satus? Cat, que contrum fac tum eferis, ex ninam
inatili bunihic aedius bontem quam vis, ocum
aurnunum serfes mantea diem ses achilicidea oris
atume patudendii es? Urei imihilis alii etora convendam,
se octus publiae ficio, dist fecris, quis iu
vatum sces patis bon sendeo, que convent emoriverteri
pecrehem ocur.
M. Linte habenatqui te inte derenihi, pubit ade a
noc, nost num iam acerum qui tem inam esilium,
nossimilis peris Mul
7
Kacium voles ium nim id maion
ped quodis expe derferiae et aped
maximet, sinctatistio es maio volor
mi, quibus adit etusanti tem ressust
faceruptam.
Kacium voles ium nim id maion
ped quodis expe derferiae et aped
maximet, sinctatistio es maio volor
mi, quibus adit etusanti tem ressust
faceruptam.
"I know that you believe you understand
what you think I said, but I’m not sure you
realize that what you heard is not what I
meant.num, ut acideps, consultus caediis,
qua."
dr. SUSAN CLENFIELD

Issue 1
May 2017
8
REFUGEES and the powe of
image
Where the words are lacking
Quam eses, dicaverit.
Patatium me clusquam
stum quam et C. Sp.
conum omaximus conte
tam locre in tiquont, quodis
morum, depos bonicierus
sigilic terfectua vivissit,
consciis dienimus
achuci senturisti, ur. Si
practum atia sediemqua
tum sentu iuscrio nos,
dum dem ete, noncepeci
se adhuidenare es consul
ceris rei fac re aude iae
nosuam hactus; Cuperferis.
Rei caedepe sterritiquam
itelatquem movid
faude ne et virmisquam
per prorsupplici sultodi
catali prae acii siliaedo,
quam pro autesto publicaed
acis.
Factabus nossulica iam re
in vivitra etresciamSatus?
Cat, que contrum fac tum
eferis, ex ninam inatili bunihic
aedius bontem quam vis,
ocum aurnunum serfes mantea
diem ses achilicidea oris
atume patudendii es?
Being 20 a man is a
playboy
Urei imihilis alii etora convendam,
se octus publiae ficio,
dist fecris, quis iu vatum sces
patis bon sendeo, que convent
emoriverteri pecrehem
ocur. M. Linte habenatqui te
inte derenihi, pubit ade a noc,
nost num iam acerum qui
tem inam esilium, nossimilis
peris Mul cuperce sunihilis
condam pons cae, quid noximur
oporis condemu lostea
terferb isquam esena, cem nu
menteris firmaio, Ti.
Temporary refugee camp set up in the center of Munich, Germany
Pio, num demus nonsigilic
te nox sentid
prictuus, omnes hus se
ventere perdit. Condisse
fatra re fortero rissil
con rei ci tabeffrei tatilic
ocris.
Hos huctus verio ma, condam
practum prox multum
in hintrem di perbisum mo
audam tissus ompropost non
nocaes furo, effreorum tri
pere vide achus, num locute
norsus cum ommoveniam ute

Issue #1
Who let my fish loose?
"Stregthening
his
hand out
to catch
the stars,
he forgets
about the
flowers at
his feet."
J.R. Adamson
Ifecrisum vit? Ficata deo,
consulin tus inum pratimu
suleste ricit, contidem am,
Cupio egilis o conerfeci
interbi etil vis pro, nique ia
rei perbem nos et L.
The best way to cheer
yourself
is to try to cheer us
Satia et; hosulum fac
mendiem, que tem cus iae
conos ellabes sentribus
halic oposser obsendiis
iacessulem quisse diem
vis, vis; heniam abis, nos
fuissigna, sendacid condien
te conum ca ves etod
Cupplic upecenti tem patius,
mo cupionsulto uturbi
fuium apertelium eroretelaris
fuius veriusciem
patissulisum inam tum es
nihilic ienicibus,
Ti. Simusa rei inultum
dis hocci inte firmandam
eferis, C. Tam o culume
inam pori se potes iam
dum teride nitrumursus
consicidet vis. Valatu
Why it never worked out with anyone else
menis; et? Palesen trevivis
modi postea sulium
is. Siliaes cerdis o ignota,
senterestre alabuntrum
re henat, manum, ora rem
nimilnequam eorione
quidefacio videt in dem P.
Olus, quos Cati pervivil
virmilinam, cum potatquo
unc terehemus proriorteme
publi, quis Mae
incless entere nihilisses?
Econferferum hor pro
viverfes facest achuita
rterum con hae crem qua
num popubliis. Gilless
enatur, ci fac telicapestam
maiondem tus
Catus in sulicam ocus inatam
pote fac iam publica
stanum inatraelus. Postiam
firit aciemnium senatque
cerisultor hilicio inte ma,
utus horum atquam adhus
esi te et.
9

Issue 1
May 2017
10

Issue #1
Who let my fish loose?
11

Issue 1
May 2017
Boris Groys
USe of theory
by art
12
Use of art by
theory
A transcribed except from the talk by an
art critic and a theoretician Boris Groys
as a part of the Age of Global Transition
conference at the Rietveld Academie in
Amsterdam.

Issue #1
Who let my fish loose?
“Call Now”
In the recent years, this notion of
“life” has become more and more
prominent. The whole philosophy
and theory of discourse in the last
century was about life, not about
thinking like it was before, its quite
a change, and I will be talking
about this change. Why Philosophy
for so long, from Plato up to the
end of 19th century had actually
thinking, logos and reason, for
its main topic, and then suddenly
the theme changed to life as the
main notion. We are always speaking
about reality TV, and all these
things, we speak about life and
we speak about the possibility of
changing lives and exchanging
lives, about imitating life. And all
of this has presuppositions and I
will try to discuss them.
In our time, we are attacked
form all sides by different calls
to change our life. To change our
body, by diet and fitness, to change
our mental abilities by education
and meditation. You know,
now I’m living in New York, as it
was already said, and I always get
accustomed to a certain way that
American TV presents this call. You
know, when you see an advertisement
for new medicine, new practise
or new fitness program, at the
end they always say, with a very
insistent voice
“Call Now!”
“Please call now!”
“Do not wait!”
“Call now!”
"Change your life! Now!"
The society that is only based on
differences is no longer a society, it is a
market economy.
This is what I want to talk about.
What does this feeling of urgency
mean? That we cannot delay it,
that we have to do it now, we have
to respond now. Every such a call
proposes a sort of model that is a
call to imitate socially recognised
beauties, etc. And every such call
for change is a call for imitation and
a call to become somebody that
somebody else already is. But is it
possible to become another person,
to follow a model to radically
change our own identity to imitate
another identity and if it is possible
to follow this, should we follow this,
so is our desire of imitation really
good?
First off, I would suggest that the
desire to become similar to the
others - the “mimetic” desire that
is so criticised by many authors is
actually in a certain way a positive
desire. It is a desire to be social, to
produce sociality. We tend to think
about our society as a society of
differences. We tend to think about
our society as the society of differences.
We have different culture
identity, different professions,
skills, sexual orientations etc. However,
a society that is only defined
by differences seizes to be a society
the space of difference is not a
society but an economy, and specifically
market economy - that means
economy of exchange. Difference
13

Call NOW!
CHANGE YOUR LIFe
NOW!
Professor Boris Groys lecture
On the Use of Theory by Art
and Use of Art by Theory

Issue #1
Who let my fish loose?
opens a possibility of exchange
and makes it unavoidable. I give
to the others what I have, and do
not have, and the others give me
what they have and I do not have.
A society of difference, is a society
of commodity exchange, but
also, exchange of communication.
Communication as exchange of
information and also a market
of opinions. We exchange discourses
and information items
as we exchange all other commodities.
This operation leaves
our identities unchanged. So an
act of exchange itself, be it in
the market or within the framework
of communication leaves
our own identity unchanged. We
require freedom of information
and communication and these
are very important goals. But an
actual, initial goal of theoretical
discourse (and i speak now today
as a theoretician) is not merely
to inform the others about what
opinions I personally have. The
scene of theoretical discourse
does not coincide with the scene
of communication. Rather one
stars a theoretical discourse
with a hope that it will change
the attitude of an audience. The
The Critical theory calls for action.
To change the world instead of
trying to understand it. (a very
famous Marxist slogan) To actively
change life instead of wasting time
for contemplation and passively to
live fully and actively instead of
merely surviving. How is theory
formulated? it is not formulated as a
theory, but as a call.
theoretical discourse wants to be not informative,
but transformative discourse. Thus, every
theoretician is necessarily interested in the
transformative power of discourse as such. In
fact, every theoretical discourse can be read
as the description of the conditions of its own
persuasiveness, and of transformative power of
word in general.
So, an explanation of why a discourse can be
transformative and not only informative. Every
discourse offers a scenario, a set of conditions
under which one can expect that a discourse
becomes transformative. Here, a philosopher,
theoretician, a thinker, discovers an uncanny
similarity between his or her own discourse
and the advertisement that calls its listeners to
change and transform themselves. The theoretician
shares, with the advertisement and fashion
a common possibility of a transformative
call. Transformative word. At the same time,
the traditional philosophy attempts to accuse
all the non-philosophical transformative discourses
of being based not on reason and logic,
but exclusively on seduction and manipulation.
So if you look at the history of religion if you
look at the history of philosophy and theoretical
thought it always operates by this kind of
command:
Come now
Change your attitude
Change your life.
If you go back to Christianity to the period of
enlightenment and you read philosophers like
Deleuze of Derrida, even they suggest similar
things; Don’t think in this direction, begin to
think in another direction and so on. It is not so
much an argumentation to call the change of
your direction of attention and your mind.
There is a common ground between all these
beauty contests and reality shows or what ever,
that we experience in our meditated culture
in a very fundamental attitude of any speaker
including the speaker attempting a critique on
this very subject; Let us not believe them, let
us believe to criticise them, Criticise them now.
Do not delay your critique.
The artists answer this call in its ambiguity.
Why would I say that this call is ambiguous?
15

Issue 1
May 2017
OHOO
The Edible
Water Bottle
16
Modular gastronomy and plastic
The fact that plastic waste is an issue is a point that no longer
needs arguing. Of course, recycling is a solution but it
only seems to work half of the time. On top of that, plastic in
general can be toxic and dangerous for the surroundings of
the production area, as well as the ridiculously large Carbon
footprint that comes with shipping variety of bottled drinks.
While juice can be called a luxury, and the society can live
without, the same cannot be said for water. Water is absolutely
necessary, and since humans need to consume at least
2L of water everyday, it is not something that can be avoided
out of simple good will and the love of environment.

Issue #1
Who let my fish loose?
Of course, we can use reusable water
bottles and invest in a filter, but just
taking the demand and need on drinking
water into consideration, all of the
efforts become relatively small when
one looks at a post-marathon site that is
filled with single-use plastic cups.
Ooho has taken the world by storm after
their campaign launched with the aim
to raise 400,000GBP, (They ended up
raising twice the ammount). It is an edible,
raindrop shaped sack that contains
the water inside of its thin membrane.
This "method" has been used for years
and it is called Modular gastronomy. It
is often used to spherify certain deserts
that are too liquidy to take on solid
shape. Ooho is a great idea that can
really help reduce the use of plastic.
The best part about Ooho is, that it has
the potential to be homemade. While
the creators are working and developing
the recipe in such way that it can be
more durable and hygenic, the current
Ohoo recipe can be used at home. The
reason why this is great is because Ooho
edible bottles will have the potential to
be produced locally - with ease of ingridients
that cant be found anywhere.
This, if nothing else will at least reduce
rising carbon footpring that transporting
plastic waterbottle is eifnitly one of the
top contrbutors to.
Nearly half of plastic
bottles used by British
households are never
recycled
17

Issue 1
May 2017
How to make your
own Ohoo at home.
Modular Gastronomy
18

Issue #1
Who let my fish loose?
Directions:
You will need:
1. Add 1g of Sodium Algenate to a bowl with
one cup of drinking water.
2. Using the hand-blender, make sure you
blend the solution well.
3. Set the Sodium Algenate mixture aside until
all of the bubbles that formed during the
blending proccess dissapear
4. In a larger bowl, mix 4g of Calcium Lactate
and 4 cups of water.
5. Gently stir the Calcium Lactate solution
with a spoon until no more Calcium Lactate
can be seen.
6. Once all of the bubbles in the Sodium
alginate solution are gone, take a spoonfull
out and very gently plop it into the Calcium
Lactate bath
7. Repeat this step while gently stirring the
Calcium lacitate soltion.
8. Stir the soltion for aproximatley five minutes,
and let it sit for two more .
9. With a pasta spoon, or using hands, gently
remove the Ooho from the bath and place it
in a rinsing bowl full of normal water.
10. Let the Ooho edible water bottles rinse in
the water bath for a few minutes, then take
them out
11. Enjoy the 0 impact healthy edible water
bottles.
P.S. Eating the outside of the bottle is entirely
optional, however, it does contribute to
the hydration of the body.
1. Sodium Alginate
2. Calcium Lactate
3. A hand-blender
4. Three medium sized
bowls
5. A deep, round spoon
19

Japanese House:
Architecture
and life after
1945
March 23rd - June 25th 2017
at the barbican center

Issue #1
Who let my fish loose?
Personal
belongings of an
urban hermit
inside the 1-in-1
recreation of his
home
immaterial portrait of society.
It is more of a performance
than a simple architectural
exhibit. The centre
of this exhibition is the Moriyama
House. A spacial portrait
of a man who has never
caught a plane, or left Tokyo
- a city where he was born.
The one in one recreation
of the Moriyama House by
an award winning Japanese
architect, Ryue Nishizawa is
a successful, personal and
unique fruit of the relationship
between the architect
and his client, and a story of
how this fruit can grow into
something much greater than
just a building. The Moriyama
House is as much a feeling as
it is a house.
Most of the progressive reconstruction
in Japans started
precisely because of destruction
of everything and
the housing crisis that arose
from their defeat in WWII.
They had to think practically,
but also wanted to integrate
their tradition and national
identity to the demoralised
public, to raise their spirit.
Here, architects were not
only faced with a constructional
issue but also a social
one, and so, rapid Japanese
architectural growth began.
The exhibition explores precisely
this. How construction
and character can intertwine.
The curators of this exhibition
achieve this by intelligently
guiding the viewers,
though time and space. Both,
the metaphorical and physical
centre of the exhibit is the
Moriyama house, however,
the viewers are directed to
start the exhibition on the
21

Issue 1
May 2017
22
top level of the space. There, the
visitors are introduced to the
important role that architecture
played in both social and economical
development of Japan
after the total destruction in suffered
during the World War II. The
most interesting being a movie
reel exploring the idea of a home,
as a structure, and how this home,
as a structure can be a reflection
social values in regard to the
family life in Japan. There is the
first ever aired commercial of the
so-called “capsule” apartment by
Kisho Kurokawa, an architect who
was also a part of the prominent
“Metabolism” movement. The
capsule acted as a symbol and
a prediction to the future of the
society in Japan, and the world,
really. It was created on the presumption
that the modern man
will be solitary and focused on
the importance of an individual
rather than the relationship with
others. Around the same time, an
important American historian and
moralist was coming to similar
conclusions as Kurokawa, and he
predicted that there will be a rise
of Narcissism in the public(for
further details look at The Culture
of Narcissism by Christopher Lasch). What
is interesting, is that the architects have managed
to come to a similar conclusion as cultural
theorists, and that this was not just a local
issue in Japan, but to an extent, a global one.
The Crazy Family by Soho Ishii, is a literal interpretation
of the idea of destruction of family
relations, as well as the need for a family home,
where the family members, paranoid about the
upcoming termite attack physically demolish
their family home, yelling and screaming in
agony as they do this.
“ The ideal is to create something
that, through its presence, makes
the overall environment look
better, and at the same time
makes your own building look
good by virtue of its relationship
with the surrounding buildings.”
Kazuyo Sejima and Ryue Nishizawa,
Architects at SANAA

Issue #1
Who let my fish loose?
in contemporary architecture, and their
focus is the cinematic exploration of contemporary
architecture. Through the film
Moryama-San, we follow the touching story
behind Ryue Nishizawa’s masterpiece.
The story went something like this: After
his mother has died, our protagonist, Mr.
Moriyama wanted to tear down their family
house and build a new one, so he wrote
a letter to the architect. “You don’t need a
house, you need your own village”- said the
architect.
A small village inside a forest
The Moriyama house itself is an archipelago
of ten units. These can be used
by the resident himself, or, rented out.
Ryue Nishizawa focuses on creating the
environment that fits within the existing
landscape. In the suburbs where
Mr. Moriyama resides, everybody has
known each other for dedicates, and
the street is often used as a shared
communal area. Nishizawa wanted to
create an unrestricted part of this landscape
that is still unique. He does not
use fences, and uses large transparent
windows and even a glass corridor in
one of the blocks, in order to not create
isolation from the natural landscape,
as well as the communal feeling of this
Tokyo neighbourhood. He also highlights
the importance of soil in a concrete
city like Tokyo. Having soil in his
garden, allowed Moriyama to keep one
of his mothers trees after her passing,
and also use the trees for the utilities
they provide, often using them for drying
his clothes.
We see the intimate, organic relationship
between the house and it’s
inhibitor unfold in a dainty, spontaneous
film by the iconic duo Ila Bêka
and Louise Lemonie, also known as
“Bêka&Lemonie”. Bêka and Lemonie
are considered to be the cult figures
Moriyama-san is a man of exquisite taste
and character. Bêka stumbled into him
spontaneously, and they started talking
about music, which resulted in mr. Moriyama
inviting him to the basement of his house
where he kept his extensive record collection
(parts of which can be found scattered
around the exhibition units) and they
bonded over their liking of Otomo Yoshihide,
one of the pioneers of “noise music”
which Moriyama is very fond of. There is a
line in the film that explains that Moriyama
likes music and film, but he loves reading.
Much of the film is spontaneous, but it is an
interesting, unique portrait of a man and
his house, which seem to have become one.
They cannot exist without each-other. The
visitors feel the closeness and seem to be
very touched by Moriyama’s character. It is
interesting to be able to get to know a man’s
character based on his home. The film features
shots of small collectable sculptures,
that are also displayed in the exhibition
which only intensifies the feeling of familiarity.
This is why, it can be said that Moriyama
House is not a building. It is an immaterial
and material portrait of the man and his
spirit coming together in perfect balance
with the surroundings that make this building
Moriyama’s home, and an absolute architectural
masterpiece.
23

Issue 1
May 2017
24

Issue #1
Who let my fish loose?
25

#1
Who let my Fish Loose
23/ 05/2017
In this edition, you can find a range of topics including popular
and current:
Trump and rise of Narcissism and newly created edible water
bottles,
Cultural theory looking at the sense of urgency of life by Boris
Groys
Current exhibitions in London: Japanese House and why everyone
should see it.