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g<br />

Jason Lytollis<br />

James Lloyd


‘g’<br />

The extra bight and bar above the door,<br />

supernumerary. A sign hidden<br />

in plain sight. Silent tell,<br />

its traces gnomic,<br />

an orthographic sleight.


God watches<br />

Nonconformists’ quiet plights, His sons<br />

and daughters huddled in the meeting<br />

house.


Stars’ nightly alignments are freighted with sighs;<br />

I hold a northern girl tight,<br />

we weigh together, buckling lightly.


In the peace garden<br />

remembering lives lost<br />

or blighted by fighting,<br />

snowdrops and trilliums push.


While words flex<br />

like a property of light,<br />

ghosting and gone,<br />

hold sounds in breath’s infold<br />

before their jump and flap and flight.


And a poet thinks<br />

of a vent act’s glut of velar stops,<br />

all geegee ‘gotalling’ together,<br />

has troubling dreams<br />

of futures resigned<br />

to shortening reigns and<br />

lengthening lines.

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