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Tokyo Weekender - March 2016

Techno Legend Jeff Mills Goes Orchestral. 3/11 five years of recovering and rebuilding. Plus: Celebrating hanami with a touch of class, Yoshikazu Fujita gets ready for rugby in Rio, movies, events, and much more

Techno Legend Jeff Mills Goes Orchestral. 3/11 five years of recovering and
rebuilding. Plus: Celebrating hanami with a touch of class, Yoshikazu Fujita gets ready for rugby in Rio, movies, events, and much more

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MARCH <strong>2016</strong><br />

Japan’s number one English language magazine<br />

3/11<br />

Five Years of<br />

Recovering and<br />

Rebuilding<br />

OMOTENASHI<br />

SELECTION<br />

Products From Every<br />

Corner of the Country<br />

MAESTRO ON THE DECKS<br />

Techno Legend Jeff Mills Goes Orchestral<br />

ALSO: Celebrating Hanami with a Touch of Class, Yoshikazu Fujita Gets Ready for Rugby in Rio, Movies, Events,<br />

www.tokyoweekender.com<br />

and Much More<br />

MARCH <strong>2016</strong>


MARCH <strong>2016</strong> www.tokyoweekender.com


MARCH <strong>2016</strong><br />

CONTENTS<br />

24<br />

12 18<br />

22<br />

JEFF MILLS<br />

The grandfather of techno teams up with the<br />

<strong>Tokyo</strong> Philharmonic Orchestra<br />

OMOTENASHI SELECTION<br />

Combing the length and breadth of Japan<br />

to find items of unique beauty and charm<br />

FURUSATO NOZEI<br />

Give, and ye shall receive—a surprising<br />

array of gifts from around the country<br />

ROAD TO RIO<br />

Rugby man Yoshikazu Fujita gets ready for<br />

the Olympic pitch<br />

6 The Guide<br />

A few suggestions for classy springtime<br />

looks—and a perfect hanami drink<br />

8 Gallery Guide<br />

Three exhibitions featuring a trio of Italian<br />

masters: Caravaggio, Botticelli, da Vinci<br />

10 Hanami Guide<br />

Bye-bye, blue tarp and plastic cups: here’s<br />

to hanami with a touch of class<br />

20 3/11<br />

Looking back at five years of recovering<br />

and rebuilding since the triple disaster<br />

23 Ayako Ichinose<br />

The lesbian actress speaks about coming<br />

out and the state of LGBT rights in Japan<br />

26 People, Parties, Places<br />

Yoko Ono comes to town and Bill drops in<br />

at parties for Italy and Qatar<br />

30 Movies<br />

Superman and Batman come to blows and<br />

Sherlock Holmes battles old age<br />

32 Agenda<br />

Cirque du Soleil comes to town, art takes<br />

over a <strong>Tokyo</strong> hotel, and plenty more<br />

34 Back in the Day<br />

The tale of an evening spent at a<br />

mysterious palace of pleasure<br />

www.tokyoweekender.com MARCH <strong>2016</strong>


THIS MONTH IN THE WEEKENDER<br />

Cover Photo: Jacob Khrist©©<br />

MARCH <strong>2016</strong><br />

Publisher<br />

Executive Producer<br />

Editor<br />

Art Director<br />

Account Executives<br />

Media Consultants<br />

Marketing<br />

Society<br />

Lead Writer<br />

Editorial Associates<br />

Film<br />

IT Manager<br />

ENGAWA Co., Ltd.<br />

Asi Rinestine<br />

Alec Jordan<br />

Liam Ramshaw<br />

Nobu (Nick) Nakazawa<br />

Mary Rudow<br />

Chris Zajko<br />

Yumi Idomoto<br />

Bill Hersey<br />

Matthew Hernon<br />

Natalie Jacobsen<br />

Vivian Morelli<br />

Luca Eandi<br />

Kyle Mullin<br />

Christopher O’Keeffe<br />

Nick Adams<br />

EST. Corky Alexander, 1970<br />

Published monthly at JPR Sendagaya Building 8F<br />

4-23-5 Sendagaya, Shibuya-ku, <strong>Tokyo</strong> 151-0051<br />

(03) 6863-3096 / (03) 5413-3050 (fax)<br />

editor@tokyoweekender.com<br />

Japan’s number one English language magazine<br />

3/11<br />

Five Years of<br />

Recovering and<br />

Rebuilding<br />

OMOTENASHI<br />

SELECTION<br />

Products From Every<br />

Corner of the Country<br />

MAESTRO ON THE DECKS<br />

Techno Legend Jeff Mills Goes Orchestral<br />

MARCH <strong>2016</strong><br />

ALSO: Celebrating Hanami with a Touch of Class, Yoshikazu Fujita Gets Ready for Rugby in Rio, Movies, Events,<br />

www.tokyoweekender.com<br />

and Much More<br />

MARCH <strong>2016</strong><br />

hrugging off our overcoats<br />

S<br />

and taking in spring as it<br />

comes to blossom on the<br />

trees around us, we’re also<br />

reminded of the shock the country felt<br />

five years back, when the earthquake<br />

and tsunami of <strong>March</strong> 11 hit the Tohoku<br />

coastline. As our conversation with two<br />

people who have dedicated themselves to<br />

reconstruction efforts shows, much has<br />

been achieved, but much yet remains to<br />

be done, and needs have changed.<br />

At the same time, the slow turn<br />

of the seasons brings plenty with it to<br />

lighten our hearts. Towards the end of the<br />

month, we can expect the yearly show of<br />

the sakura’s bloom to briefly color the<br />

city’s streets, parks, and waterways with<br />

a range of pinks. To help you make the<br />

most of your hanami experience, we’ve<br />

put together a guide to taking in the cherry<br />

blossoms in a more elegant fashion than<br />

the standard blue tarps and plastic cups.<br />

This issue, we also have the chance<br />

to sample Japan through the crafts and<br />

products that spring from every prefecture.<br />

One way to experience these various items<br />

is through an unconventional way: tax<br />

deductions. The Furusato Nozei program,<br />

which has been rising in popularity over<br />

the eight years since it was launched,<br />

allows participants to make donations<br />

to cities and towns around the country,<br />

and in turn receive gifts in the form of<br />

products from those regions.<br />

Another way to enjoy the unique<br />

varieties of artisanal Japan is through the<br />

items assembled by the OMOTENASHI<br />

Selection, a project that was introduced<br />

last year with the aim of sharing the<br />

country’s unique products and services<br />

with an international audience. We’ve<br />

picked a few of our favorites, and you can<br />

check some of them out until <strong>March</strong> 8 at<br />

Takashimaya Nihonbashi.<br />

Finally we’d like to announce the<br />

launch of <strong>Tokyo</strong> <strong>Weekender</strong>’s new parent<br />

company, ENGAWA. Together, we’re<br />

looking forward to continuing to serve as<br />

a resource for the expat community, while<br />

also reaching people who are just getting<br />

to know the country. Stay tuned.<br />

Editor<br />

To subscribe to the <strong>Tokyo</strong> <strong>Weekender</strong>, please call<br />

(03) 6863-3096 or email:<br />

customer-support@tokyoweekender.com<br />

For ad sales inquiries, please call<br />

(03) 6863-3096 or email:<br />

sales@tokyoweekender.com<br />

広 告 に 関 するお 問 い 合 わせ 先<br />

電 話 :(03)6863-3096<br />

メール:sales@tokyoweekender.com<br />

www.tokyoweekender.com<br />

Opinions expressed by <strong>Weekender</strong> contributors<br />

are not necessarily those of the publisher<br />

WRITERS WANTED<br />

<strong>Tokyo</strong> <strong>Weekender</strong> is looking for a few good writers. If<br />

you’ve got a travel story you want to share, a gift for the<br />

written word, or have a unique take on life in <strong>Tokyo</strong>, we’d<br />

like to hear from you. To join our team of freelancers,<br />

please send us an email at<br />

editor@tokyoweekender.com<br />

Published by<br />

ENGAWA Co., Ltd.<br />

MARCH <strong>2016</strong> www.tokyoweekender.com


Join the Conversation, Join the Club<br />

JOIN TOKYO WEEKENDER’S INSIDERS CLUB TO FIND OUT ABOUT LIMITED OFFERS THROUGHOUT TOKYO, ATTEND<br />

EXCLUSIVE EVENTS, GET THE LATEST INFORMATION ABOUT PRODUCTS BEFORE THEY LAUNCH, AND LET YOUR<br />

VOICE BE HEARD. THIS MONTH, EIGHT INSIDER MEMBERS WILL BE SELECTED TO RECEIVE A FAUCHON CUBE<br />

HANAMI KIT (SEE NEXT PAGE FOR DETAILS).<br />

NOT A MEMBER YET? CHECK OUT WWW.TOKYOWEEKENDER.COM/WEEKENDERINSIDERS FOR MORE DETAILS.


the guide<br />

ETRO SILK SCARF<br />

While spring officially kicks off in<br />

<strong>March</strong>, the temperatures are still<br />

a little chilly, but we’re also ready<br />

to get rid of our heavy winter<br />

coats and fleece-lined layers. A<br />

light scarf from Italian fashion<br />

house Etro is the ideal item to<br />

slowly transition your wardrobe<br />

from winter to spring. Crafted<br />

from silk-twill and designed with<br />

an intricate paisley motif, this<br />

accessory is incredibly versatile:<br />

tie it around your neck to liven up<br />

a monochrome outfit, or wear it<br />

as a headband for a chic and easy<br />

look that channels springtime.<br />

etro.com<br />

FENDI PRINTED LEGGINGS<br />

So, apparently “athleisure” is really happening—that<br />

is, clothes that are equally appropriate<br />

for athletic or leisure pursuits. In other words,<br />

wearing your gym clothes out to brunch is now<br />

deemed acceptable. Although not every style<br />

maven is a fan of this trend, the recent designs to<br />

make an appearance on runways are difficult to<br />

resist, and we’re giving in to designer leggings.<br />

This pair from Italian designer Fendi mixes colorful<br />

apples and lightbulbs (why not), printed on<br />

supportive stretch-jersey material. Pair it with the<br />

matching top for a flamboyant look at the gym,<br />

and add a black cashmere cardigan to go on with<br />

your day post-workout. fendi.com<br />

SAINT LAURENT ENVELOPE SHOULDER BAG<br />

A designer handbag is a long-term investment, so it’s always best to pick a classic that<br />

will age flawlessly with the years. This “Envelope” bag is the perfect example of timeless<br />

sophistication and practicality. Part of the iconic “Monogramme” family, this bag is made<br />

from soft and durable leather and is embellished with the signature YSL plaque. The<br />

interior is pocketed and features card slots and a separate compartment to keep all your<br />

essentials on hand for a night out. Wear it cross-body during daytime using the chaintrimmed<br />

strap. ysl.com<br />

FAUCHON CUBE HANAMI<br />

Celebrate cherry blossom season with a French touch! Fauchon,<br />

the purveyor of all things gourmet, has put together a delectable<br />

assortment of morsels that will add a little Continental flair<br />

to any hanami party. The “Fauchon Cube Hanami” features three<br />

varieties of their bread cubes—croissant, brioche, and olive—along<br />

with three flavored spreads: fines herbes, cream cheese and paprika,<br />

and whipped butter and mustard. Also included are four glass markers,<br />

a set of utensils, and what may be the kit’s pièce de résistance: a<br />

pink picnic mat. Say au revoir to that blue tarp...<br />

How much: On sale at Takashimaya stores in Nihonbashi, Shinjuku,<br />

and Yokohama. Eight lucky Insider Club members will receive a<br />

Fauchon Cube Hanami for free: see page 5 for more details.<br />

MARCH <strong>2016</strong> www.tokyoweekender.com


Something for the weekend...A<br />

cocktail guide for the most<br />

discerning of drinkers<br />

SMYTHSON TRAVEL SET<br />

For the globetrotter and business traveller, this chic travel set from British luxury<br />

leather brand Smythson will make those long hours spent at the airport a bit more<br />

bearable. Not only does it make it easy to stay organized while on the road, but it also<br />

lets you travel in style. The textured-leather set includes a wallet to stow all your tickets,<br />

complete with an easy-access boarding pass compartment on the side. The separate,<br />

matching passport holder will protect your most important document, and if you don’t<br />

buy it for yourself, it makes for a thoughtful gift for a jet-setting friend. smythson.com<br />

JUNYA WATANABE SOCKS<br />

A protégé of iconic designer Rei Kawakubo,<br />

Junya Watanabe has been at<br />

the head of his own men’s line since the<br />

early 2000s, while remaining part of the<br />

quintessential Japanese brand Comme<br />

des Garçons. Just like his mentor, Mr.<br />

Watanabe is renowned for his cutting-edge<br />

designs and deconstructive approach.<br />

While socks are not the ultimate<br />

fashion statement, these red cotton ones<br />

add a playful touch to any look. It’s woven<br />

with red, navy and yellow thread, and<br />

closely knitted for long-term wear, we<br />

think every man needs this essential item<br />

in their sock drawer.<br />

comme-des-garcons.com<br />

MACKINTOSH RAINCOAT<br />

Get an early start on the rainy season by<br />

sporting this hard-bonde cotton raincoat<br />

from Scottish brand Mackintosh. Aside<br />

from being waterproof, this jacket has a<br />

trim fit and a sleek appearance, so you<br />

might actually look forward to drizzly<br />

days. And since both the hood and the<br />

lining can be detached according to the<br />

weather forecast, you will be able to wear<br />

it throughout the seasons and for any<br />

occasion—it looks equally appropriate<br />

over office attire or covering weekend<br />

sportswear. mrporter.com<br />

There’s no denying it, a quick look out<br />

of the window will confirm that Spring<br />

is upon us once more. The weather<br />

is getting warmer, skirt lengths are<br />

getting shorter and winter layers are being shed<br />

all over in town in favour of altogether cooler<br />

attire. The first buds of sakura are sprouting and<br />

hanami season is officially under way.<br />

“So what is the most appropriate tipple<br />

for the season?” I hear you ask. It can be<br />

quite tiresome to bring a shaker, muddler and<br />

appropriate glassware to every picnic you go<br />

to. Neither is it desirable to be sitting on a blue<br />

tarp drinking lukewarm beer out of a can. This<br />

situation calls for a drink easy to make—and<br />

easier to serve—something you can whip up<br />

before you go out and pop into a hamper.<br />

Step forward Pimms No. 1, the official<br />

summer drink of the English middle classes.<br />

For those not familiar, Pimms is a mixed fruit<br />

liqueur that’s been around since the 1860s.<br />

Usually served over fresh chopped fruit<br />

and topped up with a mixer of your choice.<br />

Ginger ale or lemonade if you’re traditional,<br />

Champagne or Prosecco if you mean business.<br />

So pack up your hamper and throw away<br />

that blue tarp. Invest in a decent picnic rug,<br />

gather a group of like-minded souls and enjoy<br />

the fruits of Spring. Bottoms up chaps!<br />

Method:<br />

Chop up a handful of strawberries, a couple of<br />

cucumbers, one lemon and one decent-sized orange.<br />

Mix all the fruit in a bowl and a few sprigs<br />

of chopped mint. When ready to serve, add a<br />

spoonful of the mixed fruit into a tall glass, a<br />

few ice cubes, a generous splash of Pimms, and<br />

the mixer of your choice.<br />

Ingredients:<br />

–Spoonful of “Pimms Fruit” (strawberries,<br />

cucumber, orange, lemon and mint)<br />

–50ml Pimms No. 1<br />

–100ml mixer (lemonade, ginger ale,<br />

Champagne)<br />

www.tokyoweekender.com MARCH <strong>2016</strong>


GALLERY GUIDE<br />

TOKYO GALLERY GUIDE<br />

OUR PICKS FROM THE EXHIBITIONS AROUND TOWN<br />

CARAVAGGIO AND HIS TIME: Friends, Rivals and Enemies<br />

by Luca Eandi<br />

Like Leonardo and Botticelli,<br />

Caravaggio was<br />

a brilliantly talented<br />

Italian painter renowned<br />

today as one of the great<br />

masters in Western art history.<br />

Caravaggio’s dramatic use of<br />

light and shadow puts his figures<br />

in sharp relief, and his plain<br />

realism exemplifies the Baroque.<br />

His painting style was carried on<br />

by painters not only in Italy, but<br />

throughout Europe, influencing<br />

major figures like Rembrandt<br />

and Rubens.<br />

This exhibition features<br />

roughly 50 paintings by Caravaggio,<br />

along with works by<br />

important painters that bear<br />

his influence. Original archival<br />

documents that characterize the<br />

artist’s strife-torn biography will<br />

also be on display, highlighting<br />

Caravaggio’s markedly turbulent<br />

personal life. His tumultuous<br />

run culminates with him<br />

killing a man during a quarrel<br />

and possibly being murdered<br />

himself a short time later while<br />

traveling from Naples to Rome.<br />

Notably, a long-lost Caravaggio<br />

painting is scheduled to make<br />

its world debut at the exhibition.<br />

“Mary Magdalene in Ecstasy”<br />

was discovered in 2014<br />

after its whereabouts were<br />

unknown for more than 400<br />

years. Historical documents indicate<br />

the painting was created<br />

in 1606 by Caravaggio, who at<br />

the time was on the run—after<br />

committing said murder! The<br />

exhibition’s opening coincides<br />

with the owner’s permission to<br />

publicly exhibit the painting,<br />

so Japan has the honor to be<br />

the first place in the world to<br />

display the work.<br />

Simon Vouet, The Pickpocket, 1618–20, oil on canvas, 97.5 x 134.5 cm, Firenze Pitti Palace<br />

Valentina Museum, Gabinetto Fotografico del Polo Museale Regionale della Toscana<br />

The National Museum of Western Art, <strong>Tokyo</strong><br />

Dates: <strong>March</strong> 1–June 12, <strong>2016</strong><br />

Open: 9:30 am–5:30 pm, 9:30 am–8:00 pm on Fridays, last admission 30<br />

minutes before closing, closed Mondays (except <strong>March</strong> 21, 28 and May 2)<br />

and <strong>March</strong> 22 | Web: caravaggio.jp/english.html<br />

BOTTICELLI E IL SUO TEMPO<br />

Calumny of Apelles, Sandro Botticelli, Firenze Uffizi Museum, Gabinetto Fotografico del Polo<br />

Museale Regionale della Toscana<br />

<strong>Tokyo</strong> Metropolitan Art Museum<br />

Dates: January 16–April 3, <strong>2016</strong> | Open: 9:30 am–5:30 pm, 9:30 am–8:00<br />

pm on Fridays, last admission 30 minutes before closing, closed Mondays<br />

(except <strong>March</strong> 21, 28) and <strong>March</strong> 22<br />

Web: botticelli.jp/english<br />

Early Renaissance painter<br />

Sandro Botticelli is the<br />

subject of this large-scale<br />

exhibition featuring<br />

more than twenty works tracing<br />

his artistic lineage through the<br />

15th century. Botticelli’s art is<br />

well-appreciated in Japan, largely<br />

due to scholar Yukio Yashiro’s<br />

published critique of Botticelli’s<br />

work that served as Japan’s introduction<br />

to the painter in 1925.<br />

Although contemporaries<br />

turned to naturalistic expression<br />

employing command of perspectival<br />

space and chiaroscuro,<br />

Botticelli never deviated from<br />

decorative symbolism reminiscent<br />

of medieval art and created<br />

his own timeless style. He was<br />

one of the most authentic interpreters<br />

of the culture of his time<br />

and masterfully reflected onto his<br />

art the societal changes through<br />

which he lived.<br />

While the iconic “Virgin<br />

and Child (Madonna of the<br />

Book)” is the jewel of the<br />

exhibition, visitors should take<br />

note of “La Bella Simonetta,” a<br />

portrait of Simonetta Vespucci,<br />

noted beauty of her time,<br />

which is on loan from a private<br />

collection and therefore rarely<br />

seen by the public. Botticelli<br />

masterpieces “The Birth Of<br />

Venus” and “Allegory of Spring”<br />

are noticeably missing, but<br />

“Calumny of Apelles” is present<br />

from the Uffizi Gallery, as is<br />

Palazzo Cini’s “Judgement of<br />

Paris.” Paintings by both Botticelli’s<br />

master, Filippo Lippi, and<br />

pupil, Filippino Lippi, bookend<br />

the exhibition, providing some<br />

context of the artist’s legacy.<br />

MARCH <strong>2016</strong> www.tokyoweekender.com


GALLERY GUIDE | WEEKENDER | 9<br />

LEONARDO DA VINCI - Beyond The Visible<br />

In conjunction with Botticelli at the Metropolitan Art Museum<br />

and part of the commemoration of 150 years of diplomatic<br />

relations between Italy and Japan, the Edo-<strong>Tokyo</strong><br />

Museum is holding a special presentation of works never<br />

before seen in Japan by Leonardo da Vinci in an exhibition<br />

titled “Beyond The Visible.” The highlight of the show, “Madonna<br />

of the Yarnwinder”—an oil painting from Leonardo’s golden<br />

age in 1501—is one of only 15 paintings attributed to the quintessential<br />

Renaissance man, who was also a noted inventor,<br />

architect, sculptor and scientist, among several other fields.<br />

Alessandro Vezzosi, director of the Museo Ideale Leonardo<br />

da Vinci, is supervising the exhibition. He explains that since<br />

the “Madonna of the Yarnwinder” is privately-owned by Scotland’s<br />

Duke of Buccleuch, the painting is not as widely known<br />

as the “Mona Lisa,” although it is a comparable masterpiece<br />

exhibiting great skill and beauty.<br />

Leonardo’s original “Codex on the Flight of Birds,” comprised<br />

of 18 folios exploring the flight behavior of birds and<br />

presenting mechanisms for flight, will also be shown. These<br />

works will join seven original drawings, along with 70 prints<br />

depicting the life of Leonardo, offering the audience a chance<br />

to examine the challenges of this universal genius through<br />

models faithfully reproduced from his original plans.<br />

Edo-<strong>Tokyo</strong> Museum<br />

Dates: January 16–April 10, <strong>2016</strong><br />

Open: 9:30 am–5:30 pm, 9:30am–7:30pm on Saturdays, closed Mondays<br />

(except <strong>March</strong> 21, 28) and Tuesday, <strong>March</strong> 22<br />

Web: www.edo-tokyo-museum.or.jp/en/s-exhibition/<br />

「untitled」<strong>2016</strong> acrylic, watercolor pencils, dermatograph, brief 85×35cm<br />

Ryosuke Kawahira<br />

Midnight Boy<br />

Saturday 12th <strong>March</strong> - Sunday 27th <strong>March</strong><br />

Opening Hours: 12:00 - 19:00 | Closed: Mondays<br />

Opening Reception: Friday <strong>March</strong> 11th from 18:00 onwards<br />

Leonardo da Vinci, Madonna of the Yarnwinder, circa 1501, ©The Buccleuch Living<br />

Heritage Trust<br />

www.tokyoweekender.com MARCH <strong>2016</strong>


Cherry Blossom<br />

Dining<br />

While most tend to think of hanami<br />

as a do-it-yourself, BYOB affair, there<br />

are plenty of places where you can<br />

dine and drink with a view of the pink<br />

petals. These are three of our favorites:<br />

Drop by the Palace Hotel <strong>Tokyo</strong>, and spend<br />

an elegant afternoon sipping on tea and<br />

feasting on a selection of sweets and bitesized<br />

creations, just steps away from the<br />

gorgeous sea of pink surrounding the<br />

Imperial Palace. The afternoon tea menu at<br />

the recently revamped Palace Hotel features<br />

a Japanese twist on the usual “scones<br />

and sandwiches” concept, with wagashi<br />

(traditional Japanese sweets) and matcha<br />

(green tea made from powdered leaves).<br />

palacehoteltokyo.com<br />

From <strong>March</strong> 18 to April 17, take a stroll<br />

around the gardens surrounding the popular<br />

complex. A total of 150 cherry trees await<br />

you, and they look especially magical while<br />

illuminated at nighttime. Have a glass of<br />

bubbly or another sakura-themed cocktail<br />

at the Martini Blossom open-air lounge,<br />

along with a selection of seasonal food.<br />

tokyo-midtown.com<br />

by Vivian Morelli<br />

Ditch the blue tarp mats and<br />

plastic cups and celebrate<br />

the fleeting flowers in style<br />

Nirvana New York, located in <strong>Tokyo</strong> Midtown,<br />

offers some of the best seats in the city to<br />

view the blooming buds. Not only is the<br />

modern fusion Indian food delectable and<br />

affordable, but the outdoor terrace is one of<br />

the highlights of the eatery, with plush sofas<br />

and a spectacular view of Hinoki Machi Park.<br />

nirvana-newyork-tokyo.com<br />

Making your own<br />

Hanami Bento<br />

A<br />

hanami session isn’t complete without a<br />

bento box, and while it’s easy to just pick<br />

up one at the nearby convenience store,<br />

you can add a touch of elegance by whipping<br />

up your own creation. For a true hanami<br />

taste, we suggest sticking to a classic version:<br />

chirashi sushi (rice topped with seafood), inari<br />

rolls (tofu pockets filled with rice), Japanese<br />

fried chicken, spinach and sesame salad, and<br />

fresh fruit and sweet red bean filled mochi.<br />

Have a browse on cookpad.com to find a selection<br />

of recipes, and arrange it all meticulously<br />

in a traditional lacquered box. Check out one<br />

of our favorite recipes above.<br />

cookpad.com


Recipe:<br />

Vegetable<br />

Maki<br />

Easy to make, easy<br />

to pack and pretty to<br />

look at:<br />

Cook some rice, then<br />

add a dash of vinegar, a<br />

pinch of salt and sugar<br />

and mix well. Simmer some<br />

carrots and cucumbers (or any<br />

vegetables you like) in a skillet<br />

with a bit of mirin (sweet rice<br />

wine) and soy sauce. Place<br />

one seaweed sheet on a bamboo<br />

rolling mat or wax paper.<br />

Spread rice evenly, leaving<br />

a few centimeters at the top<br />

edge. Arrange vegetables<br />

and add some daikon radish<br />

sprouts. Dampen the top edge<br />

of the seaweed with water and<br />

roll up from the bottom. Seal<br />

with the top edge, and then cut<br />

evenly into rolls. Enjoy!<br />

Rent a Kimono<br />

Gazing at the cherry blossoms while elegantly<br />

dressed in traditional wear: it doesn’t get more<br />

Japanese than this. Although the art of putting<br />

on a kimono requires a lot of time, several layers,<br />

about twenty different ties in total for it to stay put,<br />

and a professional to help you out, for a small fee<br />

you can get the full experience. You can even add<br />

hair, makeup, and a photo shoot, and strut around<br />

Meiji Shrine and the sakura trees of Yoyogi Park for<br />

a few hours.<br />

kimono-sakaeya.com<br />

Along Meguro River<br />

With approximately 800 cherry trees lining this river, it’s no surprise<br />

Meguro River attracts hordes of visitors during hanami season. Get<br />

ready to brave the crowds while you promenade along the threekilometer<br />

stretch and delight in the sights. Daytime features endless waves of<br />

pale pink, but night time is equally beautiful with the lanterns and illuminations.<br />

Local vendors sell sakura-themed cocktails, glasses of wine and street food you<br />

can enjoy along the way, in addition to all the trendy boutiques on your path.<br />

Nearest station: Nakameguro<br />

Tea Ceremony at Imperial<br />

Hotel <strong>Tokyo</strong><br />

T<br />

he<br />

Japanese tea ceremony involves a few more<br />

steps that go beyond the usual boiling, steeping<br />

and sipping. Every movement and gesture has<br />

a meaning, down to the placement of tea utensils and<br />

pairing of the bitter matcha with a sweet to achieve<br />

the perfect balance. The Imperial Hotel in <strong>Tokyo</strong>,<br />

which offers a gorgeous view of the Imperial Palace<br />

grounds and an assortment of cherry trees, regularly<br />

holds a tea ceremony experience for visitors. Make<br />

yourself comfortable, carefully watch every step, and<br />

enjoy this peaceful ritual with a gorgeous backdrop.<br />

imperialhotel.co.jp


The Japanese term omotenashi is often defined as a kind of hospitality<br />

that seeks to anticipate another’s needs, even before they are<br />

expressed. And while most of us would find it strange to think of a<br />

product as being “hospitable,” many of the items that we use on a daily<br />

basis are connected to the thought and consideration of the product<br />

designers, farmers, or artisans who helped to bring them into being.<br />

It could an item of clothing made with extraordinary<br />

attention to the materials involved, a food product made in a<br />

traditional, time-honored method, or just a small household<br />

piece that brings a smile to your face when you see it.<br />

These are the kinds of products that have been curated by the<br />

OMOTENASHI Selection, a project that brings together fine goods from<br />

around Japan and shares them with international audiences. Ninety<br />

items, drawn from thirty of the country’s prefectures, have been chosen<br />

and grouped under five categories, each representing a different facet<br />

of omotenashi, and each marked with a different icon: high-quality<br />

craftsmanship, local tradition and culture, exquisite materials, products<br />

made with a sense of humor, and items that show the unique beauty<br />

of Japan. From this group, twenty-three items were recognized for<br />

their excellence with a Gold Award. Here are a few of our favorites.<br />

Cha cha cha<br />

Uogashi-Meicha Co., Ltd.<br />

Prepared using a traditional method known as<br />

kaori mushi, these tea leaves yield a delightfully<br />

bitter brew that is yellow-gold in color, not green.<br />

Each one of these colorful triangle packages<br />

contains five little bags: three bags of “green”<br />

leaf tea, a bag of roasted tea, and a special<br />

leaf known as “Kama Iri Cha,” which has a<br />

uniquely smoky flavor.<br />

Kiseki no Ringo Karinto<br />

Hirosaki Cuisine Ltd.<br />

Karinto are crunchy snacks made with flour and<br />

tofu products, and have been beloved in Japan<br />

for centuries. Hirosaki Cuisine is putting a flavorful<br />

twist on the traditional treat, using the famous<br />

“Kisekino Ringo” from Aomori Prefecture.<br />

These apples are grown without any artificial<br />

chemicals, and impart a unique taste to<br />

these tempting morsels<br />

Wagashi Artisan’s Juice<br />

(The Fruits of Shikoku)<br />

Akanean<br />

These artisanal juices are made from three<br />

of Shikoku Island’s best known fruits: yuzu<br />

from Kochi Prefecture, and from Tokushima<br />

Prefecture, sudachi and yamamomo. The<br />

concentrated formula makes them an ideal<br />

base for hot or cold drinks, a mixer for<br />

alcoholic beverages, or as a subtle<br />

flavor for your favorite<br />

recipes.<br />

MARCH <strong>2016</strong> www.tokyoweekender.com


TRART Mizuhiki<br />

Accessories<br />

knot standard Co., Ltd.<br />

Just because these unique accessories are<br />

made from paper, don’t think that they<br />

won’t hold up to daily wear and tear. These<br />

seemingly delicate pieces have been treated<br />

with a hypoallergenic coating made<br />

from stones that makes them water<br />

resistant, as well as an ideal accent<br />

for work days or nights out.<br />

Kouji Hada Cream<br />

ROHTO Pharmaceutical Co., Ltd.<br />

As it turns out, kouji, one of the primary<br />

ingredients of sake, has remarkable benefits for<br />

the skin. ROHTO Pharmaceutical and Furumachi<br />

Kouji Manufacturing have collaborated to<br />

create a kouji-based, moisturizing skin cream,<br />

which is light to the touch and has just the<br />

slightest smell of its spirited origins.<br />

a wa glass<br />

Sugahara Glassworks Inc.<br />

Although they’re designed for champagne,<br />

even plain water is given an unforgettable<br />

appearance in these exquisite glasses. They<br />

have been specially created by Sugahara<br />

Glassworks’ expert glass blowers to<br />

contain a scattering of bubbles, using a<br />

technique that brings out the beauty<br />

of the material, and anything<br />

the vessels contain.<br />

Vermicular Oven Pot<br />

Aichi Dobby LTD.<br />

A carefully handmade enameled cast-iron pot<br />

that cooks just as well as it looks. Thanks to the<br />

steam convection generated by its extremely<br />

air-tight design, it brings out the original flavors<br />

of your food. Included with each purchase is a<br />

recipe book and Japanese-style, courteous<br />

aftercare service.<br />

OMOTENASHI’S<br />

Local Charm<br />

OMOTENASHI and the<br />

Unique Beauty of Japan<br />

OMOTENASHI Made<br />

From the Very Finest<br />

Light Hearted<br />

OMOTENASHI<br />

The OMOTENASHI of<br />

Japanese Craftsmanship<br />

www.tokyoweekender.com MARCH <strong>2016</strong>


1<br />

2<br />

3<br />

5<br />

4<br />

1 KAGO-Square<br />

NOUSAKU Corporation<br />

Tin is a highly malleable metal, and the KAGO tin basket makes<br />

ideal use of this quality, with a product that can be transformed into<br />

as many shapes as you can imagine. This flexible piece is made in<br />

Toyama Prefecture’s Takaoka city, a region where metalworking has<br />

been practiced for centuries.<br />

3 T-5<br />

goromaruya Co., Ltd.<br />

Frequently served alongside green tea, usugoori has an appealing<br />

balance of sweetness and a soft consistency. T-Go is a colorful and<br />

stylishly designed take on this tea house favorite. Each hand-made<br />

piece in the set of five—sakura, green tea, yuzu, wasanbon (refined<br />

sugar), and sesame—has its own flavorful appeal.<br />

2 VEGETARE Tomato Crystal<br />

Suggescom, Inc.<br />

Forget what you know about old-fashioned tomato juice. VEGETARE<br />

Tomato Crystal offers a distilled version of the beverage, made<br />

using a method from the world of traditional sake. It takes about 10<br />

organically grown Echizen tomatoes to make one bottle of the clear,<br />

light juice, which has no additives or preservatives.<br />

4 Paperglass<br />

Nishimura Precision Co., Ltd.<br />

More than 100 steps go into the manufacture of these incredibly<br />

slim spectacles. Thanks to a patent-pending design approach that<br />

mounts the temples 20 degrees lower than normal, these reading<br />

glasses can fit perfectly on the curve of the face and fold closed to a<br />

width of 2 millimeters.<br />

5 Hito-Nomi Sake (Single-Portion Sake)<br />

TAKARAYAMA Brewing Co., Ltd.<br />

These small bottles of single-serving sake are studies in petite elegance.<br />

An award-winning sake tradition goes into each one of the 200ml<br />

vessels, but the design of the bottles have a modern appeal that make<br />

for perfect gifts or for taking out on your next hanami session.<br />

To find out more about any of the featured products please visit the official OMOTENASHI Selection website: omotenashinippon.jp/<br />

MARCH prize. <strong>2016</strong> In www.tokyoweekender.com<br />

addition, some of the items will be on sale at Takashimaya Nihonbashi’s 1st and 8th floors, from <strong>March</strong> 2 to <strong>March</strong> 8.


A GENTLE<br />

TOUCH<br />

THE INSPIRATION BEHIND MARMAILLE’S LINE OF 100% ORGANIC COTTON BABY<br />

CLOTHES? IT’S ONLY NATURAL FOR PARENTS TO WANT THE BEST FOR THEIR KIDS<br />

1<br />

1. Long-sleeve pullover<br />

(two sizes: 60–70 cm, 80–90 cm)<br />

2<br />

2. Short sleeve romper<br />

(two sizes: 60–70 cm, 80–90 cm)<br />

Baby underwear shop MARMAILLE / Bisen Co., ltd<br />

For children with extremely sensitive skin,<br />

clothes made with synthetic fabrics or dyed<br />

with harsh chemicals can be uncomfortable,<br />

or even painful to wear. Keeping their<br />

littlest customers in mind, Marmaille makes<br />

undergarments for infants, toddlers, and children, with<br />

natural comfort sewn into the smallest stitch.<br />

It begins with the thread, which is made from special<br />

100% organic extra fine cotton that has been imported<br />

from Switzerland and woven according to strict<br />

standards in the company’s factory in Nagasaki.<br />

Not satisfied with just making the main part of their<br />

garments from organic material, Marmaille ensures that<br />

even the labels and strings used for their clothes are<br />

100% organic. Finally, the garments are stitched flat,<br />

which further reduces the potential for skin irritation.<br />

Marmaille’s clothes have been chosen by the Japanese<br />

Atopic Dermatitis Association, Nippon Select, and<br />

the Nagasaki Design Award Grand Prix. They have<br />

also been recognized with a Kids Design Award. But<br />

most important for the firm is the peace of mind that<br />

families have when buying Marmaille’s 100% Organic<br />

Baby and Kids Underwear for their children.<br />

www.tokyoweekender.com MARCH <strong>2016</strong>


AN ORGANIC<br />

TWIST<br />

THE NATURAL CONTOURS OF WOOD WERE JUST A PART OF THE INSPIRATION<br />

BEHIND THE SHAPE OF THIS CAREFULLY FASHIONED COMB<br />

Art Forme Co., Ltd.<br />

According to Hiroyuki Hashino, owner<br />

and founder of Akita Artforme,<br />

products that are made with careful<br />

consideration for their material,<br />

shape, and function produce a more<br />

beautiful and timeless result.<br />

Artforme has long been striving to create<br />

exquisitely handcrafted wooden products that<br />

reflect the long tradition of craftsmanship in<br />

Akita, yet they are always searching for new<br />

design inspiration to create truly innovative<br />

forms. One of the company’s most popular<br />

items is the Twist Hair Brush, which is both<br />

organic in form and unique in conception.<br />

MARCH <strong>2016</strong> www.tokyoweekender.com<br />

Twist Hair Brush<br />

This artfully shaped wooden comb won a<br />

Good Design Award in 2013 and a Tohoku<br />

Invention Award. It’s easy to see why,<br />

with its user-friendly shape and striking,<br />

unconventional appeal. The comb’s shape<br />

is known as hineri kamisuki and features a<br />

unique, three-dimensional curve—a world<br />

first, and one that produces an invigorating<br />

massage effect on the user’s scalp. It is made<br />

from a special Japanese wood called ono-orekanbo.<br />

According to legend, the wood from<br />

this 600-year-old tree is so hard that an axe<br />

would break if taken to its trunk. Of course,<br />

the Twist Hair Brush will be much gentler on<br />

your head.


EXPAT LIFE | WEEKENDER | 17<br />

Carbon Steel—<br />

Set of 2<br />

This pair of expertly crafted<br />

carbon steel blades provides<br />

you with the perfect kitchen<br />

combination: an all-purpose knife<br />

for meat and fish, and a small<br />

vegetable knife. (¥23,300)<br />

Hammered Damascus<br />

Steel—Set of 2 or 3<br />

Damascus steel knives have a unique<br />

appearance that is immediately recognizable.<br />

Available in a set of two or three,<br />

these knives come with a hard case for<br />

easy storage or transportation.<br />

(set of 2: ¥17,400, set of 3: ¥27,800)<br />

Carbon Steel<br />

wa-santoku<br />

With edges sharp and delicate enough to<br />

shave wafer-thin slices from a piece of<br />

meat or fish, Kamata Hakensha’s carbon<br />

steel knives are a perfect example of Japanese<br />

style and craftsmanship. (¥8,800)<br />

Damascus Steel with<br />

Flower Pattern<br />

The stainless, cobalt-alloy Damascus<br />

steel blade is easy to maintain and<br />

keep sharp, while the floral motif<br />

etched onto the side and the wooden,<br />

Japanese-style handle transform this<br />

practical meat and fish knife into a<br />

work of art. (¥26,800–35,800)<br />

www.tokyoweekender.com MARCH <strong>2016</strong>


TAX BREAKS<br />

WITH BENEFITS<br />

by Louise George Kittaka<br />

Getting a tax deduction is nice, but getting an entire<br />

tuna to go with that deduction is even better<br />

If someone told you that you could get<br />

two steaks to go with a tax break, you’d<br />

probably be a bit suspicious. But that’s<br />

one of the possible benefits to be garnered<br />

from Japan’s Furusato Nozei program.<br />

Literally translated, furusato<br />

nozei means “hometown<br />

tax,” so you wouldn’t be<br />

blamed for assuming that<br />

the program didn’t apply to<br />

foreign nationals. But in fact,<br />

the program behind Furasato<br />

Nozei has little to do with a<br />

person’s hometown and isn’t a<br />

type of tax at all. What’s more,<br />

foreign residents of Japan who<br />

work and pay taxes here are<br />

just as entitled to participate as<br />

the Japanese.<br />

The program was launched<br />

in 2008 as a way for a person to make a charitable<br />

donation to a municipality or prefecture of their<br />

choice—whether or not it was their hometown.<br />

Donors can even specify the purpose for<br />

which they want the money to be<br />

used: educational projects and helping the elderly<br />

are two examples. Beyond the feel-good aspect,<br />

though, there are two benefits that make donating<br />

all the sweeter.<br />

A WIN-WIN SITUATION<br />

The first of these is that donations<br />

are tax deductible: depending on<br />

how much you donate and your<br />

household’s income, you can claim<br />

back almost the entire donation. In<br />

general, the more tax you pay, the<br />

more you can claim back under<br />

donations to the Furusato Nozei<br />

program.<br />

The other benefit wasn’t<br />

originally intended to be the main<br />

incentive for donations, but over the<br />

years it may have eclipsed the tax<br />

deduction aspect in the eye of the<br />

public: The municipalities and prefectures often<br />

send back “thank you” gifts to donors, typically in<br />

the form of local products and specialties. A tax<br />

break and return goodies into the bargain—what’s<br />

not to like?<br />

MARCH <strong>2016</strong> www.tokyoweekender.com


Critics of the system say that the<br />

thank you gifts mean that many people<br />

are donating for the wrong reasons, thus<br />

taking away from the original spirit of<br />

the program. In fact, some municipalities<br />

make a point of refusing to send out return<br />

goods, and simply thank donors with a<br />

letter.<br />

Regardless of what the critics say,<br />

the Furusato Nozei program continues to<br />

grow. Total donations in 2012 reached ¥13<br />

billion—more than double the amount in<br />

2008, when the program began. Another<br />

thing to note is that the system helps, to<br />

some extent, to distribute wealth from the<br />

populous larger cities to more rural areas.<br />

So how can you participate? For<br />

starters, you are going to need to be<br />

fairly comfortable reading Japanese, or<br />

have a friend or family member who can<br />

help you navigate your way around the<br />

website devoted to the program, “Furusato<br />

Choice”: www.furusato-tax.jp.<br />

From here you can choose how to<br />

donate your money, based on the area, the<br />

kind of project you want to support or the<br />

type of return gift you want. There is also<br />

a special section for donations to areas hit<br />

by natural disasters and in urgent need of<br />

support. (At the time of writing, there was<br />

a call for donations to places in Ibaraki<br />

Prefecture recently hit by heavy flooding.)<br />

THE FINE PRINT<br />

Making the donations is only part of the<br />

process. In order to get a portion of your<br />

donation refunded, you will need to follow<br />

the appropriate steps. From this year, one<br />

of these includes giving information on<br />

My Number and other ID, so be prepared.<br />

There are two ways to file for your<br />

refund. For people whose taxes are filed<br />

for them by their companies, or those who<br />

Carnivores rejoice: Two kilos of sirloin steak from<br />

Mogami, Yamagata Prefecture, are yours to sink<br />

your teeth into for ¥10,000<br />

don’t need to submit paperwork to claim<br />

back money for large medical payments<br />

or house loans, the newly established<br />

“One Stop Tokurei Shinsei” option allows<br />

for donations to be credited against<br />

future residential tax payments for the<br />

following year. There are a few catches,<br />

including the fact that you can only<br />

donate to up to five different places in<br />

one calendar year, but you can give as<br />

much as you like—and as many times as<br />

you like—to each of those five locations.<br />

For the rest of us, the process of<br />

A tax break and return goodies into<br />

the bargain—what’s not to like?<br />

claiming back donations via the annual<br />

tax return is relatively simple. Donations<br />

can be noted as deductions on your<br />

return, and claimed against tax paid.<br />

One change from April last year is<br />

that the percentage of residential tax<br />

that can be claimed back was raised<br />

from 10% to 20%. According to an<br />

official at the Ministry of Internal Affairs<br />

and Communications, simply put, this<br />

means if you pay ¥100,000 annually<br />

in residential tax, you can claim back<br />

up to ¥20,000 via donations. However,<br />

he noted that the amount that can be<br />

claimed will vary according to income,<br />

your spouse’s income and the number<br />

of people in your household. (There are<br />

examples on the website of how much<br />

you can donate and how much you can<br />

expect back based on various income<br />

and household scenarios.)<br />

In order to claim any deductions,<br />

your total annual donations must total<br />

at least ¥2,000. But considering the<br />

variety of return gifts on offer, we don’t<br />

think that it will be difficult to go over<br />

that amount ... So, here’s to your new<br />

“hometowns,” and happy deducting!<br />

A GIFT THAT<br />

KEEPS ON GIVING<br />

From food to unique experiences, there<br />

are plenty of gifts on offer through the<br />

Furusato Nozei program. Here are<br />

some of the ones that caught our fancy:<br />

Mogami, Yamagata (¥10,000)<br />

2 kg sirloin steak<br />

Kitakami, Iwate (¥5,000 or more)<br />

Snow (!) from the ski fields<br />

Yaotsu, Gifu (¥500,000)<br />

Guided matsutake (gourmet<br />

mushroom) picking trip<br />

Tsubame, Niigata (¥100,000)<br />

Pair of gold tumblers<br />

Bizen, Okayama (¥30,000)<br />

Nescafé Gold Blend Barista<br />

Ogaki, Gifu (¥40,000)<br />

Paraglider excursion for one<br />

Numata, Hokkaido (¥50,000)<br />

A night for two at Horoshin<br />

Onsen Ryokan<br />

Yaizu, Shizuoka (¥500,000)<br />

An entire tuna<br />

Iga, Mie (¥50,000)<br />

Ninja outfit<br />

Fukuyama, Hiroshima (¥10,000)<br />

Bouquet of roses<br />

Suzaka, Nagano (¥20,000)<br />

Three-bottle wine set<br />

Ogimi, Okinawa (¥30,000)<br />

Hand-made shisa<br />

(lion dog) statue<br />

www.furusato-tax.jp<br />

In Fukuyama, Hiroshima Prefecture, a ¥10,000<br />

donation will net you a bouquet of roses<br />

www.tokyoweekender.com MARCH <strong>2016</strong>


y Matthew Hernon<br />

It’s hard to believe that almost five years have passed since the Tohoku region was hit with<br />

the largest earthquake in Japan’s recorded history. The tsunami that it triggered reached<br />

heights of over 40 meters, destroying northeastern coastal communities and killing nearly<br />

16,000, with more than 2,500 still unaccounted for. Following the disaster, humanitarian aid<br />

and assistance came from all corners of the globe. Today there are still many organizations<br />

and individuals doing their best to help areas that were affected, yet much still needs to be<br />

done. <strong>Weekender</strong> recently spoke to Amya Miller, the global public relations director for the<br />

town of Rikuzentakata in Iwate Prefecture, and The Nippon Foundation Senior Program<br />

Director Mitsuaki Aoyagi to hear about what they have been doing since 2011 and what they<br />

feel needs to be done in the future.<br />

Amya Miller grew up<br />

and went to school in<br />

Japan, living here until<br />

1985. She returned<br />

just over a quarter of a century<br />

later to work as an interpreter<br />

for volunteer organizations<br />

in Southern<br />

Iwate<br />

following the<br />

earthquake. Noticing the good work<br />

the American was doing and the impact<br />

she could have internationally,<br />

Rikuzentakata mayor Futoshi Toba<br />

appointed her as the global public<br />

relations director for the town which<br />

had been devastated by the tsunami.<br />

In addition to Miller’s volunteer<br />

work, she speaks at global forums,<br />

helps to promote tourism in the<br />

area, and has recently coauthored<br />

the book “Kamome: The Boat of Hope,” which tells the<br />

story of a small vessel that made its way from Tohoku<br />

to Northern California.<br />

“At the time of the earthquake I was in Boston, Massachusetts<br />

and was sound asleep. I woke up to that sense of<br />

being stared at. A friend was staying with us, and I slowly<br />

Foreigners are<br />

still a rarity in<br />

Tohoku so for many<br />

locals seeing an<br />

outsider gives them<br />

that feeling that they<br />

are not forgotten<br />

realized there was someone at the foot of my bed. She held<br />

out her cell phone sobbing, saying, ‘read this.’ I couldn’t<br />

focus, [and] was groggy and cranky, so I pushed her and<br />

the phone away.<br />

“When she finally got me awake, my response was,<br />

‘It’s not like there’s anything I can do’ and rolled over and<br />

went back to sleep. When I finally woke up, the guilt over<br />

those words was overwhelming. I’m<br />

fully bilingual, was raised here, am as<br />

bi-cultural as they come and knew I<br />

could be of help, and to have said that<br />

left me with an awful feeling. Oddly<br />

enough, it fueled me to act. I knew I<br />

could do something. I just had to figure<br />

out what it was. Although I’m American,<br />

I was born in Japan. In many ways<br />

Japan is my home. At least an adopted<br />

home. I’m emotionally connected to<br />

this place. My childhood memories are<br />

here. I knew I could be of assistance.<br />

“Initially, it was about goods and<br />

funds. There was such a huge need for people to be able to<br />

simply survive and the needs were overwhelming. Over<br />

time, it became less about goods and funds and more about<br />

mental health, policy, listening, and simply being present.<br />

Foreigners are still a rarity in Tohoku, so for many locals<br />

seeing an outsider—someone who clearly looks different—<br />

gives them that feeling that they are not forgotten. The fact<br />

MARCH <strong>2016</strong> www.tokyoweekender.com


3/11 | FEATURE | 21<br />

Building: Rikuzentakata’s City Hall, shortly after 3/11 (Courtesy Amya Miller)<br />

that people have come from afar to help (or in<br />

my case to stay) shows locals that they really<br />

do matter.<br />

“Rikuzentakata has initiated a real push<br />

towards having foreigners visit. The city’s<br />

tourism division is serious about attracting<br />

people from abroad to the city, both as a place<br />

of learning—what to do, not to do in a disaster,<br />

how to recover—but also a place where there<br />

can be meaningful volunteer opportunities.<br />

To connect with locals through work as well<br />

as play is also an important message we’re<br />

putting out as a city. Yes, of course the money<br />

spent in the city is vital, but so are the connections<br />

made. The tourism department is pushing<br />

hard to make the city’s restaurants and<br />

lodging facilities as welcoming and receptive<br />

as possible. Foreign language signage is going<br />

up all over the city.<br />

“Visits to the region really matter to the<br />

locals. A new face, especially a foreign one,<br />

shows that someone took the time and spent<br />

the money because they wanted to see and<br />

meet locals and learn about the place. If your<br />

company has large sums of money that’s always<br />

welcome, but it’s now less about needing<br />

funds and more about needing people. Finding<br />

ways to make meaningful connections via<br />

travel is significant in the message conveyed<br />

as well as the memories it leaves behind.”<br />

(Interviewed by Alec Jordan)<br />

Established<br />

by Ryoichi<br />

Sasakawa<br />

in 1962,<br />

The Nippon Foundation<br />

is a wellknown<br />

non-profit<br />

grant-making organization<br />

that uses revenue<br />

gained from boat<br />

racing to pursue global maritime development<br />

and to fund philanthropic activities<br />

both domestically and globally. Since 2011<br />

they have provided much financial aid to<br />

victims of the earthquake and tsunami,<br />

as well as taking the lead in a number of<br />

projects aimed at improving living conditions<br />

in affected areas. Senior Program<br />

Director of the organization, Mitsuaki<br />

Aoyagi was one of the leaders of the relief<br />

team after the Great Hanshin Earthquake<br />

in 1995 and is now the chief manager for<br />

the relief effort in Tohoku.<br />

“On the day of the disaster I was off work<br />

because of a health check. After picking<br />

up my eldest child from elementary school<br />

and checking my family were all OK, I<br />

watched the horrifying images on TV thinking<br />

about what our organization could do.<br />

Simply providing<br />

money isn’t enough and I<br />

think more and more<br />

companies are beginning<br />

to realize this.<br />

Following the Great Hanshin Earthquake<br />

The Nippon Foundation provided a lot of<br />

support from a logistical perspective, but<br />

that wouldn’t be nearly enough this time.<br />

The next day we had a meeting to discuss<br />

our plan of action.”<br />

The Nippon Foundation’s early initiatives<br />

included giving cash (¥50,000) to<br />

anyone who lost a family member. Experts<br />

were sent to evacuation shelters to analyze<br />

what kind of aid was required. In some cases<br />

there was a lack of toilets, so prefabricated<br />

ones were sent from <strong>Tokyo</strong>. Pregnant<br />

ladies weren’t being sufficiently provided<br />

for, so 2,000 of them were driven to the<br />

capital where they could give birth in a<br />

safe environment. Camps were also built<br />

for families with special needs children as<br />

they were concerned about what others<br />

might think if their child became agitated<br />

during the night.<br />

“In the first two years after the<br />

tragedy, our main focus was to support<br />

organizations and individuals helping<br />

the revival in affected areas. Since 2013,<br />

however, we have worked more closely<br />

with the victims themselves, assisting<br />

them directly as they try to rebuild their<br />

lives. The fishing industry, for instance,<br />

has suffered greatly since the disaster. We<br />

convey our know how and knowledge to<br />

fishermen, not just in terms of production,<br />

but also processing, circulation and<br />

sales. It’s about developing leaders who<br />

can stand on their own two feet and make<br />

a profit.<br />

“We have also collaborated with a<br />

number of companies such as Kirin, Johnson<br />

& Johnson and Daimler. These corporations<br />

have made huge contributions to<br />

the affected areas, helping to revive both<br />

industries in the area and communities as<br />

a whole. Johnson & Johnson, for example,<br />

trained mental health care workers who<br />

had been hired by local administrations,<br />

despite, in most cases, having little or<br />

no experience. They created a structure<br />

where the workers could visualize the<br />

psychological damage that living in temporary<br />

accommodation for a long period<br />

can have on individuals.<br />

“While great progress has been made<br />

over the past five years, many tough<br />

challenges lie ahead. Rural depopulation,<br />

already an issue before 2011, has been<br />

greatly exacerbated since the earthquake<br />

and tsunami. With other districts in Japan<br />

expected to face similar troubles over the<br />

next few decades, the Tohoku region can<br />

lead the way in showing how best to deal<br />

with this kind of problem. In order for<br />

that to happen it needs the effort of NGOs,<br />

big corporations, regional offices, and the<br />

spirit of local people all pulling together<br />

in the same direction. Simply providing<br />

money isn’t enough and I think more and<br />

more companies are beginning to realize<br />

this. The direction has changed over<br />

time. In year one it was all about relief, in<br />

year two reconstruction—now it is about<br />

rebuilding communities.”<br />

Rikuzentakata’s “Miracle Pine” (Wikimedia)<br />

www.tokyoweekender.com MARCH <strong>2016</strong>


22 | SPORT | ROAD TO RIO<br />

FUJITA<br />

EXPRESS<br />

by Sam De Roeck<br />

The youngest member of the Japanese Olympic rugby<br />

side looks ahead to a strong showing in Rio<br />

Participating in the Olympics is a<br />

dream for many, but for Yoshikazu<br />

Fujita it is soon to be a reality.<br />

His sport is rugby sevens, which is<br />

returning to the Olympics after a ninety-two<br />

year absence.<br />

The Waseda University flier is the<br />

youngest person to be chosen for Japan’s<br />

fifteen-a-side and sevens teams. He was told<br />

of his inclusion in a typically understated<br />

manner, through a note written by his club<br />

coach and handed to him during a meeting.<br />

He laughs when asked who he told first, “I<br />

told my family through LINE and called my<br />

mom; I spoke to her first. My dad found<br />

out through Facebook.” Both his mother<br />

and father are respected athletes in their<br />

own right. His mother played basketball in<br />

high school and his father currently runs<br />

a rugby academy, having played for a top<br />

eight team in high school. His inclusion<br />

to the Brave Blossoms is as important to<br />

his family as it is to him, explaining that<br />

“mom always wanted to raise an Olympian,<br />

regardless of the sport.”<br />

With such high expectations it was a<br />

relief when sevens was reintroduced, but<br />

Rugby requires team<br />

effort and communication;<br />

it represents the true<br />

spirit of sportsmanship.<br />

There is camaraderie<br />

from both sides.<br />

rugby was not his first sport. “I actually<br />

tried out for baseball when a friend invited<br />

me to go try out in exchange for a hamburger,<br />

but I decided to switch to rugby<br />

since my dad played rugby in high<br />

school.” Luckily for Japan he prizes<br />

winning over fast food, something<br />

that motivates him even now as<br />

he has lost four kilograms to slim<br />

down for the faster format.<br />

It is this dedication to speed<br />

and fitness that Japanese players<br />

are often praised for, but Fujita<br />

recognizes there is more to the<br />

sport than fast feet and quick<br />

hands. Defense has been of particular<br />

interest for coaches Wataru<br />

Murata and Kensuke Iwabuchi<br />

since February 15, when the<br />

extended squad begin training together.<br />

But their exacting preparation also<br />

comes with a sense of uncertainty. The rugby<br />

venue has been moved several times, from<br />

Estádio São Januário to the Olympic Stadium<br />

and now to the Deodoro Zone, a park that<br />

will host other events including the modern<br />

pentathlon. With a new venue and an untested<br />

ground, Fujita is minding the details.<br />

“[The ground] might be muddy and slippy<br />

compared to fields in Japan where it tends to<br />

be firm. It will be harder to get a good grip.”<br />

In the meantime he is working hard to get<br />

the best out of his body, waking up early for<br />

fitness and weight training—a tough threehour<br />

workout—before moving on to the rest<br />

of his day.<br />

Expectations for the Olympics will be<br />

high after the recent success in rugby’s biggest<br />

tournament. It is pressure he is acutely<br />

aware of. “We need to build up momentum<br />

toward the 2019 Rugby World Cup and 2020<br />

Olympics,” he says.<br />

Both are being held in Japan and with<br />

the increasing profile of the World Sevens<br />

Series it is a great time for Japanese kids to<br />

start playing the sport, which he is keen to<br />

encourage. “Rugby requires team effort and<br />

communication; it represents the true spirit<br />

of sportsmanship. There is camaraderie from<br />

both sides.”<br />

It is this teamwork that secured Japan<br />

a memorable first win over South Africa<br />

during their World Cup campaign. It was<br />

an important victory, one that continues to<br />

motivate them, and when asked about the<br />

possibility of medals he is optimistic. “No<br />

one expected Japan to be able to beat South<br />

Africa but we did. Japan can overcome the<br />

obstacles and achieve the unthinkable.” It<br />

remains to be seen whether the sevens team<br />

can replicate the success of their peers, but<br />

with some luck Fujita can help his team to a<br />

historic medal and inspire those looking to<br />

compete for Japan in four years’ time.<br />

MARCH <strong>2016</strong> www.tokyoweekender.com<br />

Photos courtesy of Waseda University Rugby Football Club


A LOVE<br />

AYAKA ICHINOSE | INTERVIEW | 23<br />

OF EQUALITY<br />

Tuning into the state of same-sex rights with model turned LGBT commentator Ayaka Ichinose<br />

A<br />

year ago this month <strong>Tokyo</strong>’s<br />

Shibuya Ward became the<br />

first municipality to recognize<br />

same-sex marriage<br />

in Japan. Setagaya District<br />

soon followed suit and in the near future,<br />

the cities of Iga in Mie and Takarazuka<br />

in Hyogo will also be issuing partnership<br />

certificates for gay couples.<br />

It’s a step in the right direction as far<br />

as the LGBT community is concerned, but<br />

how much of an impact will these measures<br />

actually make? <strong>Weekender</strong> recently<br />

spoke to social commentator and former<br />

gravure idol Ayaka Ichinose to hear her<br />

opinion. Last April she unofficially married<br />

actress Akane Sugimori in Shinjuku.<br />

“People often ask us why we don’t we<br />

move to Shibuya or Setagaya, but the fact<br />

is last year’s ruling holds little weight,”<br />

she says. “Certificate or not, gay couples<br />

still have no rights when it comes to key<br />

issues like adoption or a partner’s inheritance.<br />

Therefore, from a legal perspective<br />

nothing has really changed.<br />

“That’s not to say there aren’t positives.<br />

It’s a form of recognition and couples with<br />

these certificates—we are led to believe—<br />

will not be discriminated against when it<br />

comes to property rentals or hospital visits.<br />

In my opinion, though, the best thing about<br />

it is that it’s got people talking. You’re hearing<br />

more about it on the news, TV shows<br />

and even in parliament. Hopefully it’ll lead<br />

to further reforms and eventually same-sex<br />

marriages being legalized here.”<br />

It could be a long process. While Article<br />

14 of the constitution states that “All of the<br />

people are equal under the law,” Article<br />

24 stipulates that “Marriage shall be based<br />

only on the mutual consent of both sexes.”<br />

Last year Prime Minister Shinzo Abe, who’s<br />

made no secret of his desire to revise the<br />

Certificate or not gay<br />

couples still have no rights<br />

when it comes to key<br />

issues. Therefore, from a<br />

legal perspective nothing<br />

has really changed.<br />

pacifist constitution, said altering the<br />

charter to allow same-sex marriages would<br />

require extremely cautious consideration<br />

because it “concerns the foundations of<br />

how families in our country should be.”<br />

Compared to many European nations,<br />

public support in Japan remains low, but<br />

appears to be growing. A poll taken by research<br />

agency IPSOS in 2013 revealed that<br />

out of over 1,000 respondents 24% were in<br />

favor of same-sex marriages with a further<br />

27% favoring some form of legal recognition.<br />

Two years later those numbers rose to<br />

30% and 28% respectively. Not a huge rise,<br />

but an increase nonetheless.<br />

A similar survey taken last year by the<br />

National Institute of Population and Social<br />

Security revealed that 51.1% supported gay<br />

marriage. However, more than half of the<br />

respondents also said they wouldn’t be supportive<br />

of a friend if they found out that<br />

he or she were homosexual. Ichinose’s<br />

not surprised by the results. “Japan is<br />

a very safe and polite country on the<br />

surface, but behind that there’s a darker<br />

side,” she says. “There are prejudices<br />

here and that’s one of the reasons why<br />

the suicide rate is high.”<br />

The 35-year-old entertainer, who last<br />

year interviewed lesbian actress Ellen<br />

Page, told us she’s received a mixture of<br />

positive and discriminatory comments<br />

since coming out publicly in 2009, but has<br />

no regrets whatsoever about the decision.<br />

“I was a gravure idol so my agent thought<br />

I’d lose work. While that has turned out to<br />

be true it wasn’t going to stop me. It was<br />

such a relief when I came out. I’ve met<br />

many people in (Shinjuku’s famed gay<br />

district) Ni-chōme, including celebrities,<br />

who’ve hidden their sexuality and you can<br />

see the frustration it causes.”<br />

It was in Ni-chōme where Ichinose met<br />

musical star Akane Suginori. Following a<br />

whirlwind romance the couple decided<br />

to tie the knot in a lavish ceremony in<br />

the spring of 2015 and are hoping that<br />

someday their marriage will be legally<br />

recognized. “The law changed in America<br />

last year and we’re usually 20-30 years<br />

behind them on issues like this so it might<br />

take that long,” Ichinose says. “It’s a tough<br />

battle, but we’ll keep on fighting.”<br />

Ichonose’s book, “ビアン 婚 Bian Kon, (Lesbian<br />

Wedding),” just came out last month.<br />

by Matthew Hernon<br />

www.tokyoweekender.com MARCH <strong>2016</strong>


T<br />

by Kyle Mullin<br />

After decades of pioneering work at the<br />

forefront of electronic music, the legendary<br />

Jeff Mills comes to <strong>Tokyo</strong> to perform<br />

alongside a symphonic orchestra<br />

he conductor’s baton bobs back and forth, while<br />

the cellists draw their bows across their strings,<br />

playing in perfect rhythm with the underlying …<br />

techno beat?<br />

That’s right: pioneering DJ Jeff Mills has masterfully<br />

teamed the seemingly disparate worlds of electronic and classical<br />

music, performing his 2013 album “Where Light Ends”<br />

with various orchestras around the world, the next being<br />

<strong>Tokyo</strong>’s Philharmonic. It’s the latest feat in an already storied<br />

career. Techno fans consider him a grandfather of the genre,<br />

thanks to his cofounding of the steadfastly antiestablishment<br />

Underground Resistance DJ tribe in the late 80s, the unvarnished<br />

industrial-esque sound that he and his peers perfected,<br />

scoring and starring in French filmmaker Jacqueline Caux’s<br />

experimental film “Man From Tomorrow,” and more. And<br />

while some might assume that his ongoing orchestral project<br />

might be his greatest challenge yet, the Detroit turntable<br />

virtuoso insists that it’s actually quite easy to perform.<br />

“You literally have a stage full of masterful musicians,<br />

along with you and a conductor and an arranger. So making<br />

it work structurally isn’t a problem,” Mills tells <strong>Weekender</strong><br />

ahead of his <strong>March</strong> 21 performance with the <strong>Tokyo</strong> Philharmonic<br />

Orchestra at Bunkamura Orchard Hall, which marks<br />

his debut orchestral collaboration in Japan. Mills says his<br />

true struggle during these performances is “the acoustics between<br />

electronic music, which fully fills the stereo field from<br />

left to right, and an orchestra of 80 musicians that are using<br />

that air to create sound. We are very careful to not have the<br />

electronic music drown out the orchestra, but finding that<br />

balance is quite difficult.”<br />

Below, Mills tells us about the potential solution to that issue,<br />

the common misconceptions about his early DJing days in<br />

Detroit, and how even dance floor masters like himself have a<br />

deep respect for their Japanese audiences.<br />

Jacob.Khrist©<br />

SO HOW DO YOU FIX THESE ACOUSTIC ISSUES?<br />

We’re very careful to work on the acoustics of the venue,<br />

and we have found quite a bit of success with keeping the<br />

balance. But it’s still difficult. I’m working on other solutions.<br />

One might be to not mic the orchestra, and make my setup<br />

self-contained. That means the sound from my machines<br />

MARCH <strong>2016</strong> www.tokyoweekender.com


People are giving up<br />

on this idea that music<br />

should be a particular<br />

way, and they have<br />

patience to hear<br />

something new<br />

would come from speakers that are near me,<br />

but not near the harp or the piano or things<br />

like that. We still have some work to do to<br />

make this process easier.<br />

IS THAT THE BIGGEST ADJUSTMENT<br />

TO MAKE?<br />

Well, another things stems from the fact<br />

that I wrote the music. So when you hear<br />

the cello play a line, it’s what I wrote. And<br />

that’s so different from playing as a DJ for<br />

an audience. When I’m up there with the<br />

orchestra, I’m really inside the music, surrounded<br />

by musicians, and I can hear the<br />

double bass play his part right next to me;<br />

the cello too.<br />

And being up on the stage is very<br />

different from being in the audience. The<br />

audience hears the orchestra as a whole.<br />

But I can’t hear the violins on the other side<br />

as well as you can. There are other instruments<br />

that I don’t hear at all, and every<br />

orchestral player is in the same situation.<br />

We’re really like a machine working together,<br />

so that the audience gets what it should.<br />

STILL, IT WOULDN’T OCCUR TO MOST<br />

ARTISTS TO MIX CLASSICAL AND TECH-<br />

NO. WHAT GAVE YOU THE IDEA?<br />

It was an idea a lot of us had, that went back<br />

to the mid-80s. I remember talking with lots<br />

of other DJs about how some electronic compositions<br />

would be perfect for an orchestra.<br />

And I remember [Derrick May’s] “Strings<br />

of Life” was always one that people would<br />

refer to as an obvious good fit. I didn’t see<br />

João Messias©<br />

any real possibility to do<br />

it until much later.<br />

In my circle, we were<br />

always on the lookout<br />

for signs of where this<br />

genre could be going.<br />

In the earlier days of<br />

techno and rave, the<br />

late 80s to mid 90s,<br />

anything beyond large<br />

gatherings and music<br />

was rarely discussed.<br />

But I know Mike Banks<br />

[a fellow techno producer<br />

with whom Mills founded the<br />

Underground Resistance music<br />

label] and we always discussed<br />

new sounds and new directions. We’d<br />

always experiment.<br />

ONE OF YOUR MOST INTERESTING EX-<br />

PERIMENTS OCCURRED DURING YOUR<br />

FAMOUS RESIDENCY AT THE NECTO,<br />

WHEN YOU PERFORMED IN THE CROWD<br />

INSTEAD OF UP ON A STAGE.<br />

That’s a bit of a misconception. It was<br />

actually more for practical reasons. The<br />

venue felt like it was three stories high,<br />

and they had put the DJ booth almost two<br />

stories above the audience. So I suggested<br />

that we try to make something to help me<br />

be downstairs, with the people. After that<br />

I could reinforce the music, depending on<br />

what I wore or what setup I had.<br />

It was a quite an interesting time. I<br />

was very young, and I played 3-4 days a<br />

week, and had to think of new things to do<br />

all the time. The labels didn’t have a sense<br />

of what DJs would need, because they<br />

were still making music for radio, so it was<br />

really rare to find extended mixes, and<br />

even rarer to find straight beats and percussion.<br />

You had to make it up yourself,<br />

and that made each DJ very different from<br />

one another.<br />

ARE YOU NOSTALGIC FOR<br />

THOSE DAYS?<br />

No, but I can sense there are a lot of<br />

similarities between now and then. Like<br />

then, there is a certain amount of the<br />

public that is quite willing to accept new<br />

things. I and many other DJs can feel that<br />

too. It could be that after so many years<br />

of hearing so much music, people are<br />

giving up on this idea that music<br />

should be a particular way,<br />

and they have patience to<br />

hear something new.<br />

ARE THERE OTHER<br />

ADVANTAGES TO<br />

THIS ERA? HAVE<br />

EQUIPMENT<br />

AND GEAR<br />

EVOLVED<br />

ENOUGH TO<br />

MAKE IT<br />

EASIER FOR<br />

YOU TO EX-<br />

PERIMENT?<br />

Not really.<br />

JEFF MILLS | FEATURE | 25<br />

I use two Roland TR-909s during these<br />

orchestral performances, and that’s basically<br />

it. One is for playing manually, and the other<br />

has patterns that need to be tied to the tempo<br />

and the BPM. So I have two separate ways<br />

to play two different sounds from the same<br />

machines. That lets me give the impression<br />

that the drum pattern fractured and came<br />

apart, then I can play it manually and have it<br />

come back together again. You can’t program<br />

that on a single machine.<br />

But I have yet to find a machine that<br />

would allow me to play, other than a 909.<br />

So about two years ago, I decided to make a<br />

machine especially to play and not program,<br />

not with buttons and knobs but something<br />

that I could hit or play. I worked with an<br />

industrialist named Yuri Suzuki. He’s a very<br />

well known Japanese instrument maker who<br />

lives in London. He and I have only tested<br />

the machine once, but we’re hoping to use it<br />

for some projects this year.<br />

ASIDE FROM SUZUKI, WHO DO YOU<br />

ADMIRE IN JAPAN’S MUSIC COMMU-<br />

NITY? DO YOU HAVE ANY FAVORITE<br />

TOKYO DJS?<br />

I won’t name any names. But the Japanese<br />

scene, in general, is actually one that many<br />

Western DJs have always watched. It was<br />

always one that we understood as being<br />

uncompromising, and closer to the truth<br />

than anywhere else. If a Japanese audience<br />

asked you to come, it’s probably because<br />

they have studied and listened closely to<br />

what you do, and they think you can<br />

do something special. A lot of us<br />

still see that as a very special<br />

measurement.<br />

Jeff Mills X <strong>Tokyo</strong> Philharmonic<br />

Orchestra will be<br />

performing at Bunkamura<br />

Orchard Hall on<br />

Monday, <strong>March</strong> 21, at<br />

4:30 pm.<br />

João Messias©<br />

www.tokyoweekender.com MARCH <strong>2016</strong>


Yoko Ono and the State Minister<br />

of Foreign Affairs, Yuji Muto<br />

<strong>Tokyo</strong>’s Longest Running<br />

My sincerest thanks to a very kind and giving friend,<br />

Lilo Maruyama. She’s often traveling, and one of the<br />

busiest ladies I know. Even so, she didn’t forget our talk<br />

about visiting another very special lady, Grace Saito.<br />

Grace, who’s 83 now, is in a retirement home here in <strong>Tokyo</strong> and<br />

unfortunately isn’t able to get out and about very much. I’ve had the<br />

privilege of knowing her for many years, and have helped whenever<br />

I could on her many charity projects. She’s also helped me with<br />

many of my charity projects, including several that I work with in the<br />

Philippines. Many of you know Grace through her years of sponsoring<br />

classical music concerts in beautiful venues in many of our top<br />

hotels as well as other prestigious venues. Grace’s love of classical<br />

music and charming personality helped her get many of Japan’s most<br />

famous musicians and opera singers to volunteer to participate in the<br />

concerts. The venues were always full of music lovers, who included<br />

royalty, diplomats and their wives, and the cream of both Japanese<br />

and international society.<br />

Grace has two light and bright rooms on the sixth floor of the ultra<br />

modern Orix retirement home in Shibaura. Her apartment, which<br />

has a view of <strong>Tokyo</strong> Bay, was full of flowers, stuffed animals and other<br />

gifts her many friends had sent or brought when they visited. Her<br />

residence is located on Shibaura Island and the telephone number is<br />

03-3798-4401.<br />

I had another unexpected reunion with two friends I hadn’t seen<br />

for a long time. That same day, Lilo had been to a ladies’ lunch that<br />

day, and met Okuda-san, the widow of my doctor for my first ten<br />

years in Japan. Dr. Okuda ran the clinic in the Imperial Hotel. He had<br />

a very international mindset and had a great personality.<br />

This was the ladies’ first meeting and Lilo had invited her to have<br />

coffee at the Grand Hyatt. We had the table near the entrance to the<br />

Society Page with Bill Hersey<br />

hotel’s popular Fiorentina restaurant/café, and in came Japan’s<br />

legendary fashion designer, Hanae Mori. I hadn’t seen her since the<br />

Bastille Day reception at the French Embassy last year. Our table with<br />

three of <strong>Tokyo</strong>’s chicest women really attracted a lot of attention and<br />

most of us like that once in a while.<br />

YOKO ONO AT THE LOPEZ HOME<br />

Philippines Ambassador Manuel Lopez and his wife Maria Teresa just<br />

never slow down, and always come up with new interesting happenings.<br />

The most recent took place one evening at their beautiful official residence,<br />

the Kudan, an art-filled home near Yasukuni Shrine.<br />

The house—originally designed by an eccentric architect—is one of<br />

the few remaining examples of early 20th century Iberian architecture<br />

in its original forms. It was originally owned by the Yasuda family and<br />

was the official accommodation for many ambassadors during their<br />

posting in Japan. The reception at the house was to celebrate the launching<br />

of the beautiful book, “History and Heritage of the Kudan.” The book<br />

was designed and produced by Artpostasia, and is cover-to-cover full of<br />

history and great photos.<br />

As always Manuel and Maria Teresa’s timing was perfect. Yoko Ono,<br />

who spent much of her childhood with members of the Yasuda family in<br />

the Kudan, was in Japan for an exhibition of her work titled “From My<br />

Window” at the Museum of Contemporary Art <strong>Tokyo</strong>. Yoko made a short<br />

and very meaningful speech, emphasizing that it is important that we<br />

pursue what makes us happy and that we show kindness to others. She<br />

also talked a lot about world peace and the problems of the world today.<br />

I’ve known Yoko for years and always liked her. I actually met her<br />

many years ago in London when some fashion biz friends there took me<br />

to her exhibition of “toilet seat art” and have spent some time with her<br />

over the years. The most memorable was many years ago when I spotted<br />

MARCH <strong>2016</strong> www.tokyoweekender.com


PEOPLE, PARTIES, PLACES | SOCIETY | 27<br />

Qatar Amb. Yousef Mohamed Bilal, his staff, and some of<br />

the many international children there that evening<br />

Dewi Sukarno, guest, actress/dancer Hattori Mako, and her mother Takeko<br />

Jamilah Khamis (Yemen), Jamila Bilal (Qatar), Shafik<br />

Haddad (Jordan)<br />

Qatar National<br />

Day Reception<br />

Dominican Republic Amb. Hector Paulino Dominguez,<br />

his wife Andrea<br />

Dewi Sukarno and Japanese pop singer Youki Shimaji<br />

Yoko Ono<br />

at the Philippines<br />

Embassy<br />

Kuwaiti Amb. Abdul-Rahman Al-Otaibi, his wife Jamilah,<br />

Maria Teresa Lopez, Lilo Maruyama, her son Helge<br />

Maria Teresa Lopez, Yoko Ono<br />

Katsunobu Kato, Yoko Ono, Amb. Lopez, Mme. Lopez, and<br />

Yoji Muto<br />

Jan Mariano, Tourism attaché Gwendolyn Garcif,<br />

Philippines Chief of Mission Gilberto Asugue<br />

Jamaican Amb. Clement Allicock, staff members of the Philippines Embassy, Yoko Ono<br />

www.tokyoweekender.com MARCH <strong>2016</strong>


28 | SOCIETY | PEOPLE, PARTIES, PLACES<br />

Top Japanese chef Yuki Hattori, Maki Yamamoto<br />

Walter Scott, Duke of Dalkeith; his wife; Scottish Duke of Buccleuch Richard Walter John Douglas Scott<br />

Italian Amb. Domenico Giorgi with special advisor to the<br />

Imperial family, Nobutake Odano and his wife Tamayo<br />

Institute of Culture and Diplomacy president Seiichi and<br />

Mrs. Kondo<br />

Richardo Riccioni (San Marino), Instituto di Cultura Italia’s Giorgio<br />

Armitrano, Kyoko Spector, San Marino Amb. Manilio Cadeto<br />

The Giorgis’<br />

Cultural Evening<br />

Former Japanese Amb. to Italy Masaharu and Mrs.<br />

Kohno<br />

In & Around<br />

Brazil Amb. Andre Aranha and Mrs. Corres do Lago with<br />

Rita Giorgi (Italy)<br />

Dewi and Ela Bielecki<br />

Former South African Amb. Mohau N. Pheko at Nat’l Azabu<br />

Get your free hugs at Shibuya Crossing<br />

MARCH <strong>2016</strong> www.tokyoweekender.com


PEOPLE, PARTIES, PLACES | SOCIETY | 29<br />

her at a table in the lobby coffee shop of what was then the <strong>Tokyo</strong><br />

Hilton (now Capitol <strong>Tokyo</strong>). I went over and said, “Hi—and what are<br />

you doing here?” She remembered me from London, and said “John’s<br />

over at reception, trying to get us a room, but they don’t seem to want<br />

us here.” Next thing I know John Lennon came to our table, shook<br />

hands with me and told Yoko, “They don’t want us.” He was really cool<br />

and when I offered to try and help, he thanked me and said, “Thanks<br />

so much but no thanks. If they don’t want us we can stay at the Okura,”<br />

and that’s what they did for several weeks.<br />

She’s always been cool—and a truly interesting woman. If you<br />

have the chance, pick up the Pirelli Calendar and check her out. Annie<br />

Leibovitz did the photos and Yoko’s wearing a lot of sequins and<br />

really short shorts. She’s in her early 80s and has legs like a Broadway<br />

dancer in her prime. I also recommend you pick up a copy of “History<br />

and Heritage of the Kudan.” It really is a very special book. Congratulations<br />

to all our friends from the Philippines on the 60th anniversary<br />

of diplomatic relations between their country and Japan.<br />

THE GIORGIS’ SUPER CULTURAL RECEPTION<br />

It was really a very special evening in every way at Italian Ambassador<br />

Domenico Giorgi and his wife Rita’s beautiful and beautifully<br />

decorated home. The design of the residence, the luxurious and<br />

so comfortable Italian furniture, and the two great wood burning<br />

fireplaces, along with one of our city’s most beautiful gardens add up<br />

to one of <strong>Tokyo</strong>’s finest. Rita, the epitome of chic fashion looked great<br />

in a classy Italian-Japanese ensemble (Issey Miyake), and Domenico<br />

was, as always, an uomo classico.<br />

This year Italy and Japan celebrate 150 years of diplomatic relations.<br />

The party that evening was to celebrate one of the most prestigious<br />

and popular events for the celebration—the opening of two exhibitions—one<br />

of paintings by Botticelli at the Edo-<strong>Tokyo</strong> Museum, and<br />

the other by Leonardo da Vinci at the <strong>Tokyo</strong> Metropolitan Museum in<br />

Ueno. The guests that evening were an interesting mix of government<br />

officials, diplomats and cultural leaders, especially those who really<br />

know Italian art. I really enjoyed meeting and chatting with former<br />

Japanese Ambassador to Italy Masaharu and Mrs. Kohno, who I discovered<br />

are my neighbors. The Scottish Duke, who’s the owner of the<br />

Leonardo painting, was fun and easy to talk to. I told him how much<br />

I enjoyed the AXN historical Scottish TV series “Outlanders,” and he<br />

told me they were going to be shooting at one of his properties—The<br />

Pink Castle—in a few weeks. The world gets smaller.<br />

The buffet of Italian favorites was excellent, and the ambiance was<br />

warm and relaxed. Many of the guests, including me, stayed well past<br />

the time it was scheduled to end. It was a great evening in every way.<br />

QATAR NATIONAL DAY PARTY—THE IMPERIAL HOTEL<br />

On the occasion of the national day for the accession of Sheikh<br />

Jassim Bin Mohamed Bin Thani, the founder of the state of Qatar, to<br />

the rule of the country, Qatar Ambassador Yousef M. Bilal<br />

and his wife Jamila hosted a glittering reception at the<br />

Imperial Hotel.<br />

The huge venue was wall-to-wall people with long<br />

tables everywhere groaning under trays of a variety of<br />

Arab, Japanese and Western dishes. The crowd was many nationalities,<br />

and all ages. They included a large group of beautiful kids from<br />

many countries.<br />

The program included a welcome speech by the Ambassador,<br />

and a congratulatory speech by a Japanese dignitary. The entertainment<br />

during the party was an excellent program of Japanese<br />

and international music. I was happy to see long-time friend, the<br />

actress/dancer Hattori Mako, whom I first got to know when she<br />

was shooting a film called “Ghost in Kyoto.” Mako also studied traditional<br />

Japanese dance and performed that evening. In talking with<br />

her after her show, I heard that her daughter, Emma, who’s a real<br />

beauty and went to hotel school in Vegas, had married a football<br />

player from Arizona State University and they were now living in<br />

Toronto where he was coaching. Emma used to hang out at a disco I<br />

ran in Roppongi for 30 years. She always livened things up.<br />

The evening had a dynamic ending when a group of Arab students<br />

all in national costume got on stage and did their traditional<br />

dances. It was a great evening. I, by the way, thanks to a little girl in<br />

a kimono, pulled my name card out of a box we were asked to put<br />

our cards in at the entrance. Dewi Sukarno had told me to do that,<br />

and what a great surprise it was when I won a roundtrip Narita–<br />

Osaka–Doha flight on Qatar Airlines. Talk about being lucky!<br />

ANOTHER GREAT EVENING AT OAKWOOD<br />

Dropped by Oakwood Premier in Midtown on one of their recent<br />

Thursday “Wine Nights.” I don’t drink, but I was sure there would<br />

be friends there, and something interesting would be going on. I<br />

was right as Konishiki, his gorgeous wife Chie, and other interesting<br />

people were there. On the cultural side, a group of costumed<br />

Japanese men wandered around the lounge and performed the<br />

traditional Shinshimai which is sometimes called the Lion Dance. It<br />

was, as always, a colorful fun event at Oakwood.<br />

Our congratulations to Oakwood on the opening of their beautiful<br />

new Oakwood Premier <strong>Tokyo</strong> near <strong>Tokyo</strong> Station. We’ll have<br />

photos of their super-chic opening next column.<br />

THINGS TO DO<br />

If you or any of your friends (girls only) have thought about being<br />

in a beauty contest, this may be your chance. My good friend Steven<br />

Haynes just became the National Director for the Miss Supranational<br />

Japan Contest which will be held in Sonic City in Omiya here in<br />

Japan on May 5. In addition to being what many consider the most<br />

talented (and nicest) gaijin here in Japan, Steve is also one of the<br />

busiest—and he really knows what he’s doing. If you feel you’re<br />

ready for your chance at fame, or at least an interesting experience,<br />

call Steven at 03-3410-6615 or 090-1730-7212.<br />

I’ve always been a fan of the band Coldplay, and even partied<br />

with them here in <strong>Tokyo</strong> a few times, good guys all—and good<br />

sounds as well. I love their latest music video “Adventures<br />

of a Lifetime” (Warner Bros. Music) where they’re all<br />

dressed up in “Planet of the Apes” drag and really<br />

enjoying themselves. Check it out and you’ll see what<br />

I mean.<br />

Hiro, Daisuke and Mari at Shibuya<br />

Segafredo<br />

Konishiki, his wife Chie and Father Grimm<br />

at Oakwood Premier Midtown<br />

Italian Friends Nicole Griecco and<br />

Maurizio Zumrano at Hiroo Segafredo<br />

www.tokyoweekender.com MARCH <strong>2016</strong>


COMING TO A CINEMA NEAR YOU IN MARCH<br />

MAR 25<br />

BATMAN V SUPERMAN:<br />

DAWN OF JUSTICE<br />

Not even Spider-Man can trump the<br />

Man of Steel and the Dark Knight<br />

in terms of enduring popularity<br />

and global impact. Now these two iconic<br />

figures are going head-to-head on our<br />

cinema screens for the first time ever,<br />

whilst also setting the groundwork for a<br />

sprawling new DC film universe to rival<br />

that of the all-conquering Marvel. Ben<br />

Affleck dons Batman’s dark cowl for the<br />

first time and he’s got serious questions<br />

about the intentions of the seemingly<br />

benign yet staggeringly powerful alien<br />

interloper who’s appeared among us.<br />

Henry Cavill returns to his Man of Steel<br />

role as Clark Kent/Superman, along with<br />

Amy Adams as Lois Lane. Jesse Eisenberg<br />

will be pulling our heroes’ strings as archnemesis<br />

Lex Luther. Even Wonder Woman,<br />

in the form of Israeli actress and model<br />

Gal Gadot, makes her first big-screen<br />

appearance. Zack Snyder, a director known<br />

more for flashy visuals than substance and<br />

storytelling, takes the reins of a film that<br />

puts the fate of the entire world, and a new<br />

film franchise, at stake.<br />

THE DANISH GIRL<br />

MAR 18<br />

Eddie Redmayne won a Best Actor<br />

Oscar last year and he’s in with a good<br />

shout at this year’s ceremony for a<br />

similarly transformative role. In “The Theory<br />

of Everything” the actor was outstanding as<br />

internationally renowned theoretical physicist<br />

Stephen Hawking. In “The Danish Girl”<br />

Redmayne once again provides a strikingly<br />

physical performance to tell the story of Lili<br />

Elbe, one of the first people to undergo sex<br />

reassignment surgery. Einar Wagnar and his<br />

wife Gerda are painters. When Gerda has her<br />

husband step in for an absent female model,<br />

a lifelong identification with that gender—and<br />

the Lili Elbe persona—is revealed. Redmayne’s<br />

costar Alicia Vikander (“Ex Machina,” “The<br />

Man From U.N.C.L.E.”) puts in an equally<br />

sensitive performance in a film from “Les<br />

Miserables’” director Tom Hooper.<br />

MR. HOLMES<br />

London’s most notorious supersleuth<br />

Sherlock Holmes has enjoyed<br />

something of a revival in recent<br />

years, epitomized by the BBC series<br />

“Sherlock,” which catapulted Benedict<br />

Cumberbatch to stardom. While Sherlock<br />

and many other recent works place<br />

the character in a modern setting, “Mr.<br />

Holmes” treads a different path. By 1947,<br />

the world-famous detective is reaching<br />

the end of his storied years. Retired and<br />

living a life of relative seclusion, the old<br />

investigator is bitter at the sensationalized<br />

take on his exploits and tormented by the<br />

memory of the one case that he couldn’t<br />

solve. Much admired thesp Ian McKellen<br />

heads the cast in an exceptional turn as the<br />

tortured old genius.<br />

MAR 18<br />

THE BIG SHORT<br />

MAR 4<br />

The housing and credit collapse that<br />

lead to the financial crisis at the end<br />

of the last decade may not seem like<br />

a laughing matter but that’s exactly how<br />

director Adam McKay has approached it.<br />

Focusing on the Wall Street moneymen who<br />

saw the bubble’s impending burst, “The<br />

Big Short” zips along at a frenetic pace as<br />

Ryan Gosling narrates much of the financial<br />

wheeling and dealing going down. Hollywood<br />

big shots Brad Pitt, Steve Carell and Christian<br />

Bale play some unquestionably smart men of<br />

extremely questionable moral character who<br />

saw the system’s weakness and exploited it.<br />

Picking up five Academy Award nominations<br />

including Best Picture and Best Director, the<br />

film deals with a complex subject matter but<br />

it’s delivered in such a way as to make it both<br />

palatable and blackly comic.<br />

MARCH <strong>2016</strong> www.tokyoweekender.com


EXPAT LIFE | WEEKENDER | 31<br />

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www.pethoteltokyo.com (Japanese) | http://adc.pipi.cc (English)<br />

www.tokyoweekender.com MARCH <strong>2016</strong>


AGENDA<br />

1<br />

ARTIST in HOTEL project: Ryosuke Yasumoto’s artist room<br />

2<br />

3<br />

4<br />

6<br />

7<br />

8<br />

5<br />

AGENDA: THE WEEKENDER ROUNDUP OF WHAT’S HAPPENING IN MARCH<br />

1 MAR 21<br />

Jeff Mills X <strong>Tokyo</strong> Philharmonic<br />

Orchestra<br />

Iconic Detroit DJ Jeff Mills<br />

combines his electronic talents with<br />

the esteemed <strong>Tokyo</strong> Philharmonic<br />

Orchestra in a unique musical event.<br />

Where: Bunkamura Orchard Hall<br />

How Much: ¥5,800 - ¥6,800<br />

More info: www.tokyoweekender.com<br />

2<br />

MAR 12-13 3 MAR 23<br />

4<br />

ART in PARK HOTEL<br />

TOKYO <strong>2016</strong><br />

This art-themed hotel will<br />

be transforming its rooms into walkin<br />

galleries featuring pieces from<br />

around Japan, for one weekend only.<br />

Where: Park Hotel <strong>Tokyo</strong>, Higashi Shinbashi<br />

How Much: ¥1,500 (one-day pass)<br />

More info: parkhoteltokyo.com<br />

Buckcherry Tour<br />

The renowned punk rock<br />

band will have fists pumping<br />

all night long at their concert. Catch<br />

one of the loudest and most rebellious<br />

bands of the 21st century!<br />

Where: Tsutaya O-East, Shibuya<br />

How Much: ¥12,500<br />

More info: www.tokyoweekender.com<br />

MAR 20-30<br />

Cherry Blossom Viewing<br />

Parks, streets, and canals all<br />

over <strong>Tokyo</strong> will be bursting<br />

in pink shades at the end of the month.<br />

Look for hanami parties and enjoy the<br />

warm weather!<br />

Where: All over <strong>Tokyo</strong> parks<br />

How Much: Various prices<br />

More info: www.tokyoweekender.com<br />

5 MAR 6 6 MAR 19-20 7 MAR 18<br />

Hina Dolls Exhibition<br />

Avoid if you have a<br />

fear of dolls...10,000<br />

Hina figurines will be on display to<br />

celebrate Girls’ Day and hark back to<br />

the traditions of yore.<br />

Where: Yokohama Doll Museum<br />

How Much: ¥400 | More info: www.<br />

yokohama-doll-museum.com/english<br />

<strong>Tokyo</strong> International Whiskey<br />

Festival<br />

A whiskey aficionado’s<br />

dream come true! The first inaugural<br />

expo is kicking off with food, cigars,<br />

and world-famous whiskeys.<br />

Where: <strong>Tokyo</strong> American Club<br />

How Much: ¥9,870<br />

More info: www.tokyoweekender.com<br />

Asakusa Kannon Jigen-e<br />

In the year 628, two brothers<br />

were fishing when they<br />

found a statue of Buddha. It is said a<br />

golden dragon descended and blessed<br />

them; today, Asakusa celebrates with a<br />

dragon parade, dancing, and cheering.<br />

Where: Sensoji Temple, Asakusa<br />

More info: www.tokyoweekender.com<br />

8 MAR 17-30<br />

Rikugien Cherry Blossom<br />

Illumination<br />

View cherry blossoms in a<br />

completely new light, even at night. Rikugien<br />

never disappoints when it comes to<br />

illuminating their garden.<br />

Where: Rikugien Garden, Bunkyo-ku<br />

How Much: Free<br />

More info: www.tokyoweekender.com<br />

MARCH <strong>2016</strong> www.tokyoweekender.com


MARCH | AGENDA | 33<br />

MARCH<br />

9<br />

10<br />

11<br />

12<br />

9 MAR 5-6 10 MAR 26-27<br />

Aoyama Sake Flea<br />

Anime Japan <strong>2016</strong><br />

Vol. 4 – Keep the drinks<br />

Alright, fans of anime—<br />

flowing! The fourth installment<br />

of the Sake Flea is here—try The expo will feature fashion, art,<br />

we’ve got one for you.<br />

flavors from all corners of Japan, and rare collectibles, lectures, guest stars,<br />

pick up organic crafts and snacks too. exhibits, theater, and much more.<br />

Where: United Nations University<br />

Where: <strong>Tokyo</strong> Big Site, Ariake<br />

How Much: Free<br />

How much: ¥2,000<br />

More info: www.tokyoweekender.com More info: www.anime-japan.jp<br />

11 MAR 13 12 MAR 1-30<br />

Tequila Festa <strong>2016</strong><br />

Totem: Cirque du Soleil<br />

In an attempt to convert<br />

Japan<br />

more people into fans of<br />

The mind-blowing troupe<br />

Mexican cuisine, the Japan Tequila Association<br />

is hosting a day of cocktails, spectacular gymnastics to <strong>Tokyo</strong>. Not<br />

is bringing their wild costumes and<br />

smooth tunes, and culture.<br />

one to be missed.<br />

Where: Tabloid, Kaigan, Minato-ku<br />

Where: Odaiba Big Top<br />

How Much: ¥5,500<br />

How Much: ¥6,500 - ¥7,500<br />

More info: www.tequilafesta.jp/_tokyo/ More info: www.tokyoweekender.com<br />

www.tokyoweekender.com MARCH <strong>2016</strong>


BACK IN THE DAY: MARCH 1974<br />

Check out the scene in <strong>Tokyo</strong> from 1974! You can read the rest of this issue (No.12<br />

1974) and view <strong>Weekender</strong>’s 45-year archive online. www.tokyoweekender.com/<br />

weekender-archives/

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