3658925934
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
aspect of effort is desire, and that which is commonly called a sensation is always, if not a simple<br />
cluster of instinctive judgments as Wundt tries to show, at least a mixture of a weak sensitive element<br />
and a tangle of extremely rapid judgments and even conclusions. The horse that we say we see in the<br />
distance and judge to exist, actually, we infer its reality even without looking at it, as painters know<br />
very well. Our “seeing” the horse is a result of our instinctively assigning to a retinal impression, the<br />
possibility, the conditional certainty of the tactile, olfactory, and aural sensations that we connect with<br />
the horse. It is a judgment of localizing, a judgment of simultaneous coexistence with other<br />
impressions, a classificatory judgment which enables us to anticipate vaguely what will follow or<br />
makes us reflect on what has just preceded our impression. As the sensation supposedly becomes<br />
clearer, these judgments multiply and become the object of a firmer belief.<br />
If, then, attention is the desire to specify the incipient sensation, this amounts to saying that it is the<br />
desire for an increase of present belief. Consequently, by showing the important role of attention,<br />
psychophysics has proved the great interest attached to the study of the two distinct elements of this<br />
complex quantity as well as the necessity to break it down into them. Almost the same definition<br />
could be applied to the source of hypotheses, the question, because the attentive mind is essentially<br />
inquisitive. A similar analysis can explain this singular faculty of saying if, which, no less than the<br />
faculty of saying yes or no, contributes to the formation of all our ideas (since all scientific laws are<br />
only verified hypotheses encompassing basically the vast array of facts adjudged possible). Before<br />
hypothesizing, the child questions. Before thinking of saying to himself, “If this rock falls, it will<br />
crush me,” the child begins by asking himself implicitly, “Will this rock fall?” Let us analyse the<br />
question. The image of a rock (or the sight of that rock) and the image of its falling motion occur<br />
together in the mind of the child; and by exception (since thesis and antithesis are ordinarily the rule),<br />
the child’s mind does not establish any bond of positive or negative belief between these two ideas.<br />
Yet he desires, he needs to know, to affirm or to deny. This desire, whose object is a future belief, is<br />
interrogation.<br />
One might ask in passing, just what is belief, what is desire? I admit my inability to define them.<br />
Others have failed at it. In his Treatise on Human Nature, after giving belief a definition which<br />
cannot be supported and which, like all the definitions put forth since, would be equally applicable to<br />
desire (belief as an active idea attached to or associated with a current impression), Hume recognizes<br />
in his appendix, and with his usual frankness, that it is not possible for him to explain belief<br />
perfectly. More important than making a definition of this type is to note that belief, no more than<br />
desire, is neither logically nor psychologically subsequent to sensation; that, far from arising out of an<br />
aggregation of sensations, belief is indispensable both to their formation and their arrangement; that<br />
no one knows what remains of sensation once judgment is removed; and that in the most elementary<br />
sound, in the most indivisible colored point, there is already a duration and a succession, a<br />
multiplicity of points and contiguous moments whose integration is an enigma. Through what power<br />
do successive aural moments combine themselves when one has already ended by the time the next<br />
has begun? What makes possible this productive coupling of the living and the dead? The image? But<br />
the image is memory—then explain memory, the fait ultime according to a discouraged John Stuart<br />
Mill. The alternatives: either explain belief (and desire as well) by the sensations everyone knows,<br />
that is, veritable clumps of preexisting propositions—thereby presupposing what you claim to explain<br />
—or else have recourse to conjectural, elementary, mathematically instantaneous sensations—and<br />
these sensitive elements turn out to be the zeros of sensation with which you must construct a<br />
quantity. . . .<br />
It is not, unfortunately, the increases and decreases of belief such as they are which determine the