MAY JUNE 2017

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By Keith Wilkins The Explosion, 1980’s – 1990’s The 1980's would prove to be a very important time in history for the Tampa Bay music scene. The Tampa Bay music scene simply exploded wide open in the early 1980's, ushering in the second "golden age" for the local music scene which would peak around the mid-1980's through the mid 1990's. During this time, Tampa Bay become a huge hot bed of talent, comparable to the L.A. music scene around the same time. Leading the way throughout the 1980's were two rock bands, Stranger (formerly known as Lynxx, and later Romeo), and Savatage (formerly known as Avatar). Both bands would eventually sign major label deals during the 1980's, Stranger signing with Epic/CBS Records in 1981, and Savatage signing with Atlantic Records in 1985. This would open the doors for other bands, both locally and nationally. During this time, bands were forming all over the Tampa Bay area, to the point where it started to seem like musicians were a dime a dozen. In addition, countless bands were relocating to the Tampa Bay area from other parts of the country, all in the hopes of having a better chance of getting discovered and signing with a major record label. Following the major label signings of both Stranger & Savatage earlier in the 1980's, two more Tampa Bay bands would also see major label deals in the late 80's and early 90's as Bleeding Hearts well... Roxx Gang, who signed with Virgin Records, and The Hazies (formerly known as UROK) who signed with EMI. Other prominent Tampa Bay bands who made a name for themselves during the 1980's and early 1990's included The McCarr Brothers and Momentum, Four in Legion, Blade, Multi Color House, Bleeding Hearts, Arazmo, The Damon Fowler Group, Deloris Telescope, Freaks Rule, Intice, DeeForce,

Powersurge, Noiz, and Men From Earth... just to name a few. Bars & music venues started sprouting up all over, showcasing some of the best talent the Bay area had to offer in all forms of music, but especially in rock music. It was usually standing room only, no matter what venue or which band you went to see... the clubs and venues were always packed. Venues such as the Rock-it Club, ML Chasers, Alley Cats, Brass Mug, Killian’s, Bourbon Street... They all were hugely popular, and showcased a lot of great original bands. During this time, the only "cover bands" you would find would be either some house band, or some lounge act playing at a local Holiday Inn somewhere. This area was rich with "original bands". You couldn't go into a venue to listen to a local band that didn't play all, or at least mostly, original material. Most of the venues would only gig bands that were original. This area became so rich with original talent that A&R reps from all the major record companies started looking in our direction, heading down to the Bay area to scout all the local live music bars & venues, just drooling at the possible prospect of being the first to sign the next big band. Along with the A&R scouts coming down here from all the major record labels to tap the well of talent Tampa Bay had to offer, Independent record companies started popping up all around the bay area as well. The record companies that were here already now had a much larger pool of talent to wade through. Some of the local independent record companies (just to name a few) that were prominent in the area include: Blue Heart Records, BSP Records, Concrete Cargo Music, Deep Cut records, and Little Leaque Records. Along with the record companies and the saturation of bands came a demand for recording studios and rehearsal space as well. New ones started popping up, and old ones started getting much more business than they ever could have hoped for before. Some of the local recording studios (just to name a few) that were here were: Anything Audio, Atlas Recording Studios, Axium Recorders, Bay Sound Recording, Morrisound Recording, HouseQuake Recording Studios, Labyrinth Studios, Infinity Studios, Panda Productions, and Slam Studios. Rehearsal studios were popping up as well, but couldn't keep up with the high demand. There was such a high demand for the limited rehearsal space that even the air-conditioned storage units started advertising rehearsal space for bands in the media. Public Storage (or PS for short) was one of the more popular ones that would actually advertise as rehearsal studios...believe it or not. The local media started also writing editorials about the problem of bands using storage spaces to rehearse in that weren't air conditioned. The news media was actually publishing public service announcements in the papers and on TV, warning about the dangers of practicing in a non-air conditioned storage unit. Some of the more popular rehearsal studios were: Apple rehearsal

By Keith Wilkins<br />

The Explosion, 1980’s – 1990’s<br />

The 1980's would prove to be a<br />

very important time in history<br />

for the Tampa Bay music scene.<br />

The Tampa Bay music scene<br />

simply exploded wide open in<br />

the early 1980's, ushering in the<br />

second "golden age" for the local<br />

music scene which would peak<br />

around the mid-1980's through<br />

the mid 1990's. During this time,<br />

Tampa Bay become a huge hot<br />

bed of talent, comparable to the<br />

L.A. music scene around the<br />

same time. Leading the way<br />

throughout the 1980's were two<br />

rock bands, Stranger (formerly<br />

known as Lynxx, and later<br />

Romeo), and Savatage (formerly<br />

known as Avatar). Both bands<br />

would eventually sign major label<br />

deals during the 1980's, Stranger<br />

signing with Epic/CBS Records in<br />

1981, and Savatage signing with<br />

Atlantic Records in 1985. This<br />

would open the doors for other<br />

bands, both locally and<br />

nationally.<br />

During this time, bands were<br />

forming all over the Tampa Bay<br />

area, to the point where it<br />

started to seem like musicians<br />

were a dime a dozen. In addition,<br />

countless bands were relocating<br />

to the Tampa Bay area from<br />

other parts of the country, all in<br />

the hopes of having a better<br />

chance of getting discovered and<br />

signing with a major record label.<br />

Following the major label<br />

signings of both Stranger &<br />

Savatage earlier in the 1980's,<br />

two more Tampa Bay bands<br />

would also see major label deals<br />

in the late 80's and early 90's as<br />

Bleeding<br />

Hearts<br />

well... Roxx Gang, who signed<br />

with Virgin Records, and The<br />

Hazies (formerly known as<br />

UROK) who signed with EMI.<br />

Other prominent Tampa Bay<br />

bands who made a name for<br />

themselves during the 1980's and<br />

early 1990's<br />

included The McCarr Brothers<br />

and Momentum, Four in Legion,<br />

Blade, Multi Color House,<br />

Bleeding<br />

Hearts, Arazmo, The Damon<br />

Fowler Group, Deloris<br />

Telescope, Freaks Rule, Intice,<br />

DeeForce,

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