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MAY JUNE 2017

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CD REVIEW:<br />

TATTOOS AND TATTERED HEARTS<br />

BY STEVE VACLAVIK AND THE WOEFUL ONES<br />

Reviewed by Colin Ward<br />

Steve Vaclavik has been part of the Tampa Bay<br />

music scene since 1994. He was part of the March<br />

<strong>2017</strong> Bay Buzz’s Buzzfest festival and brought<br />

his CD to share. Tattoos and Tattered Hearts is<br />

not hot off the press but it is Steve’s most recent<br />

recording. The CD is credited to Steve Vaclavik<br />

and The Woeful Ones but unfortunately the band<br />

is no longer active, due in part to the passing of<br />

Chris Harmon who played lead guitar and other<br />

stringed instruments. Steve is presently a solo<br />

performer.<br />

In some ways, the name Woeful Ones is<br />

misleading because most of the songs sound<br />

anything but woeful. Think upbeat and<br />

energetic. Genre? These days, bands are<br />

pigeonholed into micro-genres that many of us<br />

have never even heard of. In Steve’s case,<br />

Americana fits the bill - stir up a mixture of<br />

bluegrass, singer/songwriter, rock and country<br />

and you will get the idea. But primarily Steve is<br />

a teller of tales. The stories are fascinating and<br />

could well have come from personal experiences.<br />

Many of them are woeful which is no doubt where<br />

the band name originated. A little Bob Dylan<br />

influence creeps into the vocals, along with a bit<br />

of Guy Clark and Townes Van Zandt. The album<br />

is built around acoustic instruments with Chris<br />

Harmon’s tasty electric guitar to add spice when<br />

needed.<br />

harmonica, and it’s easy to imagine the band and<br />

backup singers grouped around a microphone<br />

performing it live in one take. To quote the<br />

story, “Henry found out the hard way, you can<br />

do your best and still lose your way”. Henry<br />

unfortunately came to an abrupt ending despite<br />

his lucky shamrock tattoo.<br />

Keeping the woeful theme alive is song two about<br />

a relationship breakup, there’s nothing to show<br />

for it but a “Broken Heart and a Cat”. After 25<br />

years in a relationship, it’s a tough way to go and<br />

Steve brings the “car wreck of our lives” to life.<br />

Tom’s songs are influenced by the blues and a<br />

western theme pops up in a couple of them. “If<br />

That Ain’t the Blues” is a traditional 12 bar with<br />

some skillful harmonica and electric guitar by<br />

Tom and the band.<br />

The other songs on Tattoos and Tattered Hearts<br />

are both woeful and enjoyable and each one<br />

stands on its own with enough variety to keep us<br />

listening all the way through to the end. Bass and<br />

background vocals by Mike Worrall and solid<br />

drums and percussion by the ubiquitous Bill<br />

LaGrandier complete the band. Tattoos and<br />

Tattered Hearts was recorded very well at Pro<br />

Star studios in St. Petersburg and is<br />

recommended for anyone who likes story songs<br />

with an Americana flavor.<br />

Steve is not the only songwriter or lead singer on<br />

the CD. Tom Stephens, who remains active in<br />

Tampa Bay, is the creator of four of the ten<br />

songs. Tom’s songs blend well with Steve’s and<br />

Tom has apparently had his share of woeful<br />

experiences too. Tom also plays some mean<br />

harmonica which is a nice addition to the stringed<br />

instruments that are predominate.<br />

The lead-off song, Shamrock Tattoo, deservedly<br />

won the Song of the Year Award at the Deland<br />

Original Music Festival in 2016. It has a strong<br />

bluegrass influence despite the percussion and<br />

16 BUZZ Magazine May-June <strong>2017</strong><br />

Send comments on this story to<br />

comments@baybuzz.org

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