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CD REVIEW:<br />
TATTOOS AND TATTERED HEARTS<br />
BY STEVE VACLAVIK AND THE WOEFUL ONES<br />
Reviewed by Colin Ward<br />
Steve Vaclavik has been part of the Tampa Bay<br />
music scene since 1994. He was part of the March<br />
<strong>2017</strong> Bay Buzz’s Buzzfest festival and brought<br />
his CD to share. Tattoos and Tattered Hearts is<br />
not hot off the press but it is Steve’s most recent<br />
recording. The CD is credited to Steve Vaclavik<br />
and The Woeful Ones but unfortunately the band<br />
is no longer active, due in part to the passing of<br />
Chris Harmon who played lead guitar and other<br />
stringed instruments. Steve is presently a solo<br />
performer.<br />
In some ways, the name Woeful Ones is<br />
misleading because most of the songs sound<br />
anything but woeful. Think upbeat and<br />
energetic. Genre? These days, bands are<br />
pigeonholed into micro-genres that many of us<br />
have never even heard of. In Steve’s case,<br />
Americana fits the bill - stir up a mixture of<br />
bluegrass, singer/songwriter, rock and country<br />
and you will get the idea. But primarily Steve is<br />
a teller of tales. The stories are fascinating and<br />
could well have come from personal experiences.<br />
Many of them are woeful which is no doubt where<br />
the band name originated. A little Bob Dylan<br />
influence creeps into the vocals, along with a bit<br />
of Guy Clark and Townes Van Zandt. The album<br />
is built around acoustic instruments with Chris<br />
Harmon’s tasty electric guitar to add spice when<br />
needed.<br />
harmonica, and it’s easy to imagine the band and<br />
backup singers grouped around a microphone<br />
performing it live in one take. To quote the<br />
story, “Henry found out the hard way, you can<br />
do your best and still lose your way”. Henry<br />
unfortunately came to an abrupt ending despite<br />
his lucky shamrock tattoo.<br />
Keeping the woeful theme alive is song two about<br />
a relationship breakup, there’s nothing to show<br />
for it but a “Broken Heart and a Cat”. After 25<br />
years in a relationship, it’s a tough way to go and<br />
Steve brings the “car wreck of our lives” to life.<br />
Tom’s songs are influenced by the blues and a<br />
western theme pops up in a couple of them. “If<br />
That Ain’t the Blues” is a traditional 12 bar with<br />
some skillful harmonica and electric guitar by<br />
Tom and the band.<br />
The other songs on Tattoos and Tattered Hearts<br />
are both woeful and enjoyable and each one<br />
stands on its own with enough variety to keep us<br />
listening all the way through to the end. Bass and<br />
background vocals by Mike Worrall and solid<br />
drums and percussion by the ubiquitous Bill<br />
LaGrandier complete the band. Tattoos and<br />
Tattered Hearts was recorded very well at Pro<br />
Star studios in St. Petersburg and is<br />
recommended for anyone who likes story songs<br />
with an Americana flavor.<br />
Steve is not the only songwriter or lead singer on<br />
the CD. Tom Stephens, who remains active in<br />
Tampa Bay, is the creator of four of the ten<br />
songs. Tom’s songs blend well with Steve’s and<br />
Tom has apparently had his share of woeful<br />
experiences too. Tom also plays some mean<br />
harmonica which is a nice addition to the stringed<br />
instruments that are predominate.<br />
The lead-off song, Shamrock Tattoo, deservedly<br />
won the Song of the Year Award at the Deland<br />
Original Music Festival in 2016. It has a strong<br />
bluegrass influence despite the percussion and<br />
16 BUZZ Magazine May-June <strong>2017</strong><br />
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