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630 Wire and Wireless Communication Applications Chap. 8 8–9 TELEVISION Television (TV) is a method of reproducing fixed or moving visual images by the use of electronic signals. There are numerous kinds of TV systems, and different standards have been adopted around the world. Moreover, as discussed subsequently, TV is in a state of flux since there is a worldwide push for digital television (DTV). On-the-air broadcasters in the United States switched to DTV in June 2009, although there are a few low-power TV stations that are still analog. U.S. cable TV systems are still using analog TV on the lower-tier channels to accommodate subscribers with analog TV sets, but are using QAM DTV technology for the digital channels. As we shall see, analog TV uses an analog video signal that is interspersed by digital pulses (for line and frame synchronization) to form the composite analog TV signal. DTV uses samples to the analog TV video signal and passes these samples to an ADC (analog-to-digital converter). The synchronization data is interspersed on the ADC output signal to produce the composite digital TV signal. The following sections describe U.S. television technology as it has developed historically, by first describing analog black-and-white TV, then analog color TV, and, finally, digital TV. Analog Black-and-White Television The black-and-white image of a scene is essentially the intensity of the light as a function of the x- and y-coordinates of the scene and of time. However, an electrical waveform is only a function of time, so that some means of encoding the x- and y-coordinates associated with the intensity of light from a single point in the scene must be used. In broadcast TV, this is accomplished by using raster scanning, which is shown in Fig. 8–30. It is assumed that the whole scene is scanned before any object in the scene has moved appreciably. Thus, moving images can be transmitted by sending a series of still images, just as in motion pictures. As the scene is scanned, its intensity is signified by the amplitude of the analog video signal. A synchronizing pulse is inserted at the end of each scan line by the electronic switch, as shown in Fig. 8–30, to tell the TV receiver to start another scan line. For illustrative purposes, a black triangle is located in the upper left portion of the scene. In Figs. 8–30b and 8–30c, numbers are used to indicate the corresponding times on the video waveform, with the location of the point being scanned in the scene at that instant. The composite analog TV video signal is actually a hybrid signal that consists of a digital waveform during the synchronizing interval and an analog waveform during the video interval. Operating personnel monitor the quality of the video by looking at a waveform monitor, which displays the composite video waveform, as shown in Fig. 8–30c. The picture (as viewed) is generated by scanning left to right to create a line, and the lines move from the top to the bottom of the screen. During retrace, indicated by the dashed lines from right to left, the TV screen is turned off by the video level that is “blacker than black” during the sync pulse interval. The scene is actually covered by scanning alternate lines from the top to the bottom (one field) and returning to the top to scan the missed lines (the next field). This technique is called interlacing and reduces the flicker effect on moving pictures, giving two fields (passes down the screen) for every frame. In the United States there are approximately 30 framess transmitted, which is equivalent to 60 fieldss for the 2:1
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630<br />
Wire and Wireless Communication Applications Chap. 8<br />
8–9 TELEVISION<br />
Television (TV) is a method of reproducing fixed or moving visual images by the use of electronic<br />
signals. There are numerous kinds of TV systems, and different standards have been<br />
adopted around the world. Moreover, as discussed subsequently, TV is in a state of flux since<br />
there is a worldwide push for digital television (DTV). On-the-air broadcasters in the United<br />
States switched to DTV in June 2009, although there are a few low-power TV stations that are<br />
still analog. U.S. cable TV systems are still using analog TV on the lower-tier channels to<br />
accommodate subscribers with analog TV sets, but are using QAM DTV technology for the<br />
digital channels. As we shall see, analog TV uses an analog video signal that is interspersed<br />
by digital pulses (for line and frame synchronization) to form the composite analog TV<br />
signal. DTV uses samples to the analog TV video signal and passes these samples to an ADC<br />
(analog-to-digital converter). The synchronization data is interspersed on the ADC output<br />
signal to produce the composite digital TV signal.<br />
The following sections describe U.S. television technology as it has developed historically,<br />
by first describing analog black-and-white TV, then analog color TV, and, finally,<br />
digital TV.<br />
Analog Black-and-White Television<br />
The black-and-white image of a scene is essentially the intensity of the light as a function of<br />
the x- and y-coordinates of the scene and of time. However, an electrical waveform is only a<br />
function of time, so that some means of encoding the x- and y-coordinates associated with the<br />
intensity of light from a single point in the scene must be used. In broadcast TV, this is<br />
accomplished by using raster scanning, which is shown in Fig. 8–30. It is assumed that<br />
the whole scene is scanned before any object in the scene has moved appreciably. Thus, moving<br />
images can be transmitted by sending a series of still images, just as in motion pictures.<br />
As the scene is scanned, its intensity is signified by the amplitude of the analog video signal.<br />
A synchronizing pulse is inserted at the end of each scan line by the electronic switch, as<br />
shown in Fig. 8–30, to tell the TV receiver to start another scan line. For illustrative purposes,<br />
a black triangle is located in the upper left portion of the scene. In Figs. 8–30b and 8–30c,<br />
numbers are used to indicate the corresponding times on the video waveform, with the location<br />
of the point being scanned in the scene at that instant. The composite analog TV video<br />
signal is actually a hybrid signal that consists of a digital waveform during the synchronizing<br />
interval and an analog waveform during the video interval. Operating personnel monitor the<br />
quality of the video by looking at a waveform monitor, which displays the composite video<br />
waveform, as shown in Fig. 8–30c.<br />
The picture (as viewed) is generated by scanning left to right to create a line, and the<br />
lines move from the top to the bottom of the screen. During retrace, indicated by the dashed<br />
lines from right to left, the TV screen is turned off by the video level that is “blacker than<br />
black” during the sync pulse interval. The scene is actually covered by scanning alternate<br />
lines from the top to the bottom (one field) and returning to the top to scan the missed lines<br />
(the next field). This technique is called interlacing and reduces the flicker effect on moving<br />
pictures, giving two fields (passes down the screen) for every frame. In the United States there<br />
are approximately 30 framess transmitted, which is equivalent to 60 fieldss for the 2:1