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174<br />

L3<br />

雪<br />

SETSU, yuki<br />

snow<br />

11 strokes<br />

KŌSETSUsnowfall<br />

ōyukiheavy snow<br />

JOSETSUSHAsnow plow<br />

OBI forms , . The simpler OBI form is taken<br />

either as patterns in the surface of snow made<br />

by wind in a blizzard (Mizukami, Katō), or<br />

snowflakes (Karlgren, Shirakawa); additional<br />

element in the other OBI form shows clouds, or<br />

rain. The snow patterns/snowflakes were later<br />

(seal script) mistakenly interpreted as ‘broom’,<br />

and wrongly interpreted as ‘precipitation to<br />

be swept away’; lower element is not phonetic<br />

here. MS1995:v2:1418-9; KJ1970:617; BK1957:90;<br />

SS1984:512-3; AS2007: 547,289. However, while<br />

incorrect, we suggest taking the modern form as<br />

sweeping snow away (by broom).<br />

Mnemonic: ‘RAIN’ THAT A BROOM CAN<br />

SWEEP AWAY IS ACTUALLY SNOW<br />

175 L3<br />

L3<br />

船<br />

SEN, fune, funaboat,<br />

ship<br />

11 strokes<br />

SENCHŌcaptain<br />

kogibunerowing boat<br />

funaBINseamail<br />

Bronze forms such as show 1450 ‘boat’<br />

with right-hand element as phonetic, probably<br />

as a substitute for NJK ‘to gouge, bore<br />

through’, giving ‘hollowed-out timber’ and<br />

thus ‘boat’ (early Chinese pronunciation of <br />

is close to ) (Schuessler). Katō too feels the<br />

right-hand element is phonetic with associated<br />

sense ‘hollowing out’. MS1995:v1:1100-01;<br />

KJ1970:501; AS2007:195; SS1984:520. We<br />

suggest taking the right hand element as <br />

70 ‘eight’ and 22, ‘mouth, opening’ as ‘(port)<br />

hole’.<br />

Mnemonic: A BOAT WITH EIGHT PORTHOLES<br />

IS A SHIP<br />

176<br />

L4<br />

<br />

<br />

<br />

線<br />

SEN<br />

line<br />

15 strokes<br />

DASSENderailment<br />

KŌSENlight ray<br />

CHOKUSENstraight line<br />

A relatively late graph , noted in Shuowen<br />

as an old form of ‘thread’. Modern form has<br />

29 ‘thread’, and 926 (‘spring/source’) as<br />

phonetic with associated sense of ‘thin/fine<br />

thread’. KJ1970:626-7; YK1976:320; SS1984:525;<br />

DJ2009:v3:1069.<br />

Mnemonic: TRACE THREAD-LIKE LINE TO<br />

SOURCE<br />

177<br />

前<br />

ZEN, mae<br />

before, front<br />

L5<br />

9 strokes<br />

ZENSHAthe former<br />

KŪZENunprecedented<br />

maebaraiprepayment<br />

Early forms , . Traditional . Views vary,<br />

but widely agreed OBI forms onwards have <br />

143 ‘foot, footprint’. Beneath there is an element<br />

typically taken as 1450 ‘boat’, here perhaps<br />

representing primitive boat-shaped sandals (referred<br />

to by Ma), overall giving meaning of ‘go<br />

forward’ spatially, then by extension in terms<br />

of time. Katō and Tōdō both note the graph<br />

as early way of writing ‘cut’ (NJK); when <br />

came to be used mainly for ‘before’, 198<br />

‘knife’ was added as bottom element to represent<br />

‘cut’. Shirakawa interprets it in a ceremonial<br />

sense, with ‘before’ etc. as extended meanings.<br />

MR2007:238-9; SS1984:530; KJ1970:636;<br />

TA1965:571. We suggest taking (a variant of<br />

209 ‘meat’) of the modern form as ‘meat’, and<br />

the top element as ‘horns’.<br />

Mnemonic: BEFORE CUTTING MEAT, CUT THE<br />

HORNS<br />

The 160 Second Grade Characters 89

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