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142<br />

L3<br />

<br />

<br />

<br />

算<br />

SAN<br />

reckon, count<br />

14 strokes<br />

KEISANcalculation<br />

YOSANbudget<br />

SANSŪarithmetic<br />

Relatively late origin (Shuowen) . The top<br />

element is 58 ‘bamboo’, which Katō takes as<br />

referring to bamboo tallies used for counting<br />

in ancient times, together with 284 (‘equipment,<br />

means’) as phonetic with associated<br />

sense ‘count’, giving ‘to count’. KJ1970:443;<br />

SS1984:353; OT1968:755, 98.<br />

Mnemonic: USE BOTH HANDS TO COUNT ON<br />

A BAMBOO ABACUS<br />

143<br />

止<br />

SHI, tomeru/maru<br />

stop<br />

L4<br />

4 strokes<br />

CHŪSHIsuspension<br />

tomeYAKUpeacemaker<br />

tomedo*an end<br />

144<br />

市<br />

SHI, ichi<br />

city, market<br />

L4<br />

5 strokes<br />

SUItaSHISuita City<br />

SHIJŌmarket<br />

uoichifishmarket<br />

On the basis of the bronze form , Mizukami<br />

interprets the graph as consisting of , meaning<br />

‘flat’ or ‘balanced’ (according to Katō, CO<br />

丂 originally referred to waterweed spreading<br />

flat over the surface, see 130), and 143 ‘stop’,<br />

145<br />

矢<br />

SHI, ya<br />

arrow<br />

L1<br />

5 strokes<br />

ISSHIretaliation<br />

yajirushiarrow sign<br />

yasaki nijust on the point of<br />

146<br />

姉<br />

SHI, ane<br />

elder sister<br />

L4<br />

8 strokes<br />

SHIMAIsisters<br />

neesan* elder sister<br />

aneueelder sister (formal)<br />

OBI forms such as and , already stylized,<br />

are taken as a person’s foot; ‘stop, remain’ is an<br />

extended sense (Qiu), but the graph can also<br />

indicate action with the feet, i.e., ‘go, move’ (see<br />

e.g. 636 ‘istory’), apparently due to confusion<br />

with several other early graphs similar in<br />

shape and pronunciation. MS1995:v1:702-03;<br />

QX2000:329; BK1957:253-4; OT1968:536, 25.<br />

Mnemonic: FOOTPRINT STOPS OVER LINE<br />

giving an extended meaning of ‘stop/stay [at<br />

a place] and exchange items of equal value’,<br />

reflecting an ancient barter system for goods.<br />

Ogawa is in general agreement. Shirakawa, less<br />

convincingly, takes the bronze form as a pictograph<br />

depicting a large sign to show where<br />

a market was being held. MS1995:v1:436-7;<br />

OT1968:313; SS1984:362-3; KJ1985:194. We<br />

suggest taking lower part as ‘cloth’ 1232 and<br />

as a top hat.<br />

Mnemonic: GO TO MARKET TO BUY CLOTH<br />

AND TOP HAT<br />

OBI ; bronze . Based on a pictograph of an<br />

arrow. See also 133 (‘yellow’) and 886<br />

(‘reach’). MS1995:v2:928-9; KJ1970:460-61;<br />

SS1984:363. We suggest taking the graph as <br />

56 ‘big’ with single top stroke as a broken tip.<br />

Mnemonic: BIG ARROW WITH BROKEN TIP<br />

Etymology disputed. Generally recognised from<br />

bronze stage onwards . Has 37 ‘woman’,<br />

and a phonetic interpreted in various ways,<br />

such as 144 (‘market’), with associated sense<br />

‘young plant sprouting’ (Katō), or as (CO; ‘vegetation<br />

growing vigorously’) with associated<br />

sense ‘unequal’ (Mizukami, Tōdō) or ‘projecting’<br />

The 160 Second Grade Characters 81

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