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114<br />

L4<br />

兄<br />

KEI, KYŌ, ani<br />

elder brother<br />

5 strokes<br />

FUKEIguardians<br />

KYŌDAIbrothers<br />

niisan*elder brother<br />

OBI forms , ; seal . Lower element,<br />

which in OBI has ‘person’ or ‘kneeling person’<br />

(see 41), changes to another determinative<br />

(no.10) for ‘person’, viz. (see also 41) in seal<br />

form. Analyses vary. In one view, shows child<br />

with big head (taking as standing for ‘head’).<br />

In another view, 22 ‘mouth; speak’, and <br />

as phonetic with associated sense ‘big’, giving<br />

‘loud/big voice’, and by extension ‘big’ > ‘big/<br />

elder brother’ (both views noted in Mizukami).<br />

Alternatively some scholars take as ‘person who<br />

utters incantations/prayers’ (Ma, Shirakawa).<br />

KJ1970:348-9; MR2007:397; SS1984:226;<br />

MS1995:v1:90-91.<br />

Mnemonic: ELDER BROTHER IS JUST MOUTH<br />

AND LEGS<br />

115<br />

形<br />

KEI, GYŌ, kata(chi)<br />

shape, form<br />

L3<br />

7 strokes<br />

KEISHIKITEKIformal<br />

NINGYŌdoll<br />

katamikeepsake<br />

Seal forms , . Relatively late origin<br />

(Shuowen). Interpretations vary. Has ‘color,<br />

brush pattern’ (etc.) (determinative no. 59),<br />

and left-hand element identical with or close<br />

in shape to 1575 ‘well’. In one view, taken as<br />

consisting of meaning ‘writing brush hairs’,<br />

and 开 as phonetic with associated sense ‘imitate,<br />

model after’, giving ‘model, copy’ (Katō).<br />

Another analysis treats as ‘pattern’, and 开 /<br />

as semantic and phonetic meaning ‘square<br />

frame’, giving ‘mold (to make copies)’ (Tōdō).<br />

Shirakawa also sees 开 / as representing<br />

a frame or mold. TA1965:501-3; SS1984:227;<br />

KJ1970:359; KJ1985:214.<br />

Mnemonic: THREE STROKES NEXT TO A GRID<br />

FORM IS A DISTINCTIVE SHAPE<br />

116<br />

計<br />

KEI, hakaru<br />

measure<br />

L4<br />

9 strokes<br />

GŌKEIsum total<br />

KEISANcalculation<br />

SOKUDOKEIspeedometer<br />

Of quite late origin (Shuowen) . Varied interpretations.<br />

The modern form comprises the<br />

determinative 118 ‘words/say’ and 35 ‘ten’.<br />

In OBI and bronze texts, a symbol close in shape<br />

to represented the word for ‘seven’, not ‘ten’,<br />

but by the time of the Shuowen dictionary of<br />

around 100AD we find being used for ‘ten’.<br />

Ogawa takes ‘words’ together with the number<br />

‘ten’ as combining to give meanings such as<br />

‘count, calculate, plan’. Qiu prefers to regard<br />

it simply as an abstract geometric symbol.<br />

Shirakawa is alone in looking to interpret the<br />

right-hand element of this graph as originally<br />

having links to the ancient Chinese practice<br />

of divination (, see 96), speculating it was<br />

misinterpreted as . OT1968:920; QX2000:18,<br />

31, 32; SS1984:230.<br />

Mnemonic: COUNTING IN TENS MAKES IT<br />

EASY TO MEASURE<br />

117<br />

元<br />

GEN, GAN, moto<br />

origin, source<br />

L4<br />

4 strokes<br />

GENKIhealth, vigor<br />

GANRAIoriginally<br />

motodōrias before<br />

74 The 160 Second Grade Characters<br />

OBI and bronze forms depict side view of a<br />

person with exaggeratedly large head , to<br />

convey meanings such as ‘head’ and ‘beginning’.<br />

The modern form uses for ‘person’ (see<br />

41). MR2007:209; SS1984:267-8; QX2000:182;<br />

YK1976:146. Use 65 ‘two’.<br />

Mnemonic: TWO BENT PERSONS OF SAME<br />

ORIGIN

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