480531170
43 L4 GAKUSEI student ISSHŌ one’s whole life ikimono living thing SEINEN a youth aozora blue sky aomono greens On the basis of the shape in bronze forms , the lower part is taken as a type of well dug for the excavation of cinnabar (1686). Although typically cinnabar is red in color, it does occur in other colors such as brown and grey, and Shirakawa notes several classical sources which refer to ‘white cinnabar’ (perhaps grey?) and ‘blue/green cinnabar’. The upper element in the modern form 正 SEI, SHŌ, tadashii, tadasu, masa correct, proper 5 strokes SEIKAI right answer SHŌGATSU New Year masa ni just, exactly Etymology disputed. On the basis of OBI forms such as , Shirakawa considers the original meaning of to be ‘march/progress towards a walled citadel’, a meaning later represented by the more complex graph 1577 (q.v.): this interpretation is shared by Schuessler. Use of in the sense of 44 L5 45 L4 46 L4 生 青 SEI, SHŌ, ikiru/kasu, umu/mareru, nama life, birth, grow 5 strokes SEI, SHŌ, aoi young, fresh, green/blue 8 strokes 夕 SEKI, yū evening 3 strokes KONSEKI this evening yūSHOKU evening meal yūhi setting sun At the OBI stage, the shapes for this character were often indistinguishable from those for ‘correct’ appears to have come about probably as a phonetic loan – the pronunciation of the Chinese words for ‘march against’ and ‘correct’ being virtually identical in the late Han period (c. AD 25-220). Alternatively, regarded on basis of OBI form as being identical at that stage to 54 ‘foot, leg’, representing lower leg (kneecap to foot), and by extension ‘straight, correct’, based on unbending part of leg (Mizukami). SS1984:492-3; AS2007:612; KJ1970:582-3; MS1995:v1:702-3. We suggest a mnemonic using 143 ‘stop’ (which also involves feet). Mnemonic: TO STOP AT THE LINE IS TO DO THE CORRECT AND PROPER THING OBI . Based on a pictograph of a growing plant. KJ1985:412; SS1984:493. Mnemonic: GROWING PLANT IS A SYMBOL OF LIFE of this character is taken to be a variant of 44, functioning originally here as a phonetic (the Late Han words represented by and were reasonably close in pronunciation); several commentators regard as also carrying a semantic function (the green of young plants). SS1984:495; KJ1970:963; GY2008:545; AS2007:459, 431. We suggest using ‘moon’ 18 as a mnemonic. Note: the color spectrum is a continuum, and is broken up somewhat arbitrarily in different languages. Thus, for instance, the blue through green range is differentiated in English, but not traditionally in Japanese, in which ao(i) covers both. Mnemonic: YOUNG BLUE-GREEN PLANTS LIVE ON THE MOON 18 ‘moon’, and at that period had the meanings of ‘crescent moon’ or ‘evening’. At some stage in bronze inscriptions two differentiated shapes evolved, one for each of the two associated words. SS1984:252; KJ1970:90; GY2008:38; AS2007:522. Mnemonic: CRESCENT MOON WITH A WISP OF CLOUD INDICATES EVENING The 80 First Grade Characters 57
47 L3 石 SEKI, SHAKU, ishi stone, rock 5 strokes KASEKI fossil koishi pebble SEKIYU petroleum Etymology unclear. The OBI and bronze forms, , may well depict a rock under an overhanging cliff. Shirakawa considers the shape beneath the cliff to be a ritual vessel related to ancient beliefs, not a rock. Some scholars, including Katō, take as a phonetic element with an associated sense such as ‘split’ or ‘release’ (small rocks splitting off). OT1968:707; QX2000:198; KJ1970:610-11; SS1984:504-5; YK1976:307-8. Mnemonic: LARGE STONE AT BASE OF ROCKY CLIFF 48 赤 SEKI, SHAKU, akai red L4 7 strokes SEKIDŌ equator SEKIMEN blush akanbō baby Etymology disputed. Many scholars take the OBI and bronze forms , to show 56 ‘big’ over 8 ‘fire’, , giving a meaning ‘fire burning brightly’ and thus ‘red [flames]’. Shirakawa, however, interprets the upper element more literally as a person with outstretched limbs, to give a meaning such as ‘cleanse someone of their crimes’, which one imagines would be a final cleansing! Popularly believed to show ‘earth’ 64 over . This is incorrect, but useful as a mnemonic. BK1957:209-10; OT1968:964; SS1984:505. Mnemonic: BIG FIRE MAKES EARTH GLOW RED 49 L5 千 SEN, chi thousand 3 strokes SEN’EN thousand yen GOSEN five thousand chidori plover Etymology unclear. Early forms such as might suggest interpretation as 41 ‘person’ with 35 ‘ten’, representing ‘ten people [each one hundred years old]’. This was the traditional interpretation (Shuowen), but it is incorrect, as in early times the graph close in shape to the modern stood for ‘seven’ 32. Shirakawa takes it as a version of the old graph for ‘person’ modified to represent ‘thousand’ by the addition of a horizontal stroke, with as a phonetic element (a view shared by Katō). BK1957:104; AS2007:424; SS1984:515; KJ1985:84. Mnemonic: ADD A STROKE ON TOP, AND TEN BECOMES A THOUSAND 50 川 SEN, kawa river L5 3 strokes kawaguchirivermouth SENRYŪcomic verse edogawaEdo River Based on pictographs of water flowing between two river banks, such as the OBI form , later stylized. See also 42 ‘water’. SS1984:515; QX2000:175; KJ1970:631. Mnemonic: RIVER FLOWS BETWEEN TWO BANKS 58 The 80 First Grade Characters
- Page 7 and 8: The 80 First-Grade Characters......
- Page 9 and 10: Acknowledgments Thanks are due to O
- Page 11 and 12: writing brush, and then incised. Wr
- Page 13 and 14: 1.5 Cursive Script Forms While the
- Page 15 and 16: 5) ‘semantic-phonetic compounds
- Page 17 and 18: alternative etymologies for the sam
- Page 19 and 20: 集 韻 Jiyun (Collected Rhymes; J.
- Page 21 and 22: text in reverse, then the blocks we
- Page 23 and 24: eflects the reality that in this bo
- Page 25 and 26: compound characters, in the form ),
- Page 27 and 28: Limitations of This Book This book
- Page 29 and 30: that the word kuruma ‘vehicle’
- Page 31 and 32: Hiragana and Katakana and Their Sou
- Page 33 and 34: Hiragana Katakana HO from HO from
- Page 35 and 36: The 214 Determinatives (or ‘Radic
- Page 37 and 38: No. English Alternative forms/nickn
- Page 39 and 40: No. English Alternative forms/nickn
- Page 41 and 42: No. English Alternative forms/nickn
- Page 43 and 44: 4. However, in a few cases vertical
- Page 45 and 46: Editorial and Typographical Matters
- Page 48 and 49: THE KANJI
- Page 50 and 51: 6 L4 音 ON, IN, oto, ne sound 9
- Page 52 and 53: 14 休 KYŪ, yasumu rest(ing) L5 6
- Page 54 and 55: 23 L5 校 KŌ school, check 10 stro
- Page 56 and 57: 33 L5 車 SHA, kuruma vehicle 7
- Page 60 and 61: 51 L5 52 L4 先 SEN, saki prior,
- Page 62 and 63: 59 L5 中 4 CHŪ, naka middle, insi
- Page 64 and 65: 68 年 NEN, toshi year L5 6 strokes
- Page 66 and 67: 76 L5 目 5 MOKU, me, ma eye, look,
- Page 68 and 69: 85 遠 EN, tōi distant L4 13 strok
- Page 70 and 71: 93 L5 会 KAI, E, au meet 6 stro
- Page 72 and 73: 101 L3 丸 3 GAN, maru, marui round
- Page 74 and 75: 110 L4 111 L4 京 KYŌ, KEI c
- Page 76 and 77: 118 L5 言 GEN, GON, koto, iu wo
- Page 78 and 79: 126 L3 公 KŌ, ōyake public, fair
- Page 80 and 81: 134 合 GŌ, KATSU, au/waseru Alter
- Page 82 and 83: 142 L3 算 SAN reckon, count 14
- Page 84 and 85: 150 L4 自 JI, SHI, mizukara sel
- Page 86 and 87: 158 春 SHUN, haru of ‘forest’.
- Page 88 and 89: 166 L4 親 SHIN, oya, shitashii
- Page 90 and 91: 174 L3 雪 SETSU, yuki snow 11 stro
- Page 92 and 93: 182 L4 体 TAI, TEI, karada body 7
- Page 94 and 95: 190 L4 鳥 CHŌ, tori bird 11 st
- Page 96 and 97: 199 冬 TŌ, fuyu winter L4 5 strok
- Page 98 and 99: 207 L3 内 NAI, DAI, uchi inside
- Page 100 and 101: 215 L3 番 BAN number, guard, tu
- Page 102 and 103: 224 L5 北 HOKU, kita north, fle
- Page 104 and 105: 233 L4 234 L5 野 YA, no moor
- Page 106 and 107: THE 200 THIRD GRADE CHARACTERS 241
43<br />
L4<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
<br />
GAKUSEI student<br />
ISSHŌ one’s whole life<br />
ikimono living thing<br />
SEINEN a youth<br />
aozora blue sky<br />
aomono greens<br />
On the basis of the shape in bronze forms , the<br />
lower part is taken as a type of well dug for the<br />
excavation of cinnabar (1686). Although typically<br />
cinnabar is red in color, it does occur in other<br />
colors such as brown and grey, and Shirakawa<br />
notes several classical sources which refer to<br />
‘white cinnabar’ (perhaps grey?) and ‘blue/green<br />
cinnabar’. The upper element in the modern form<br />
<br />
<br />
<br />
正<br />
SEI, SHŌ, tadashii,<br />
tadasu, masa<br />
correct, proper<br />
5 strokes<br />
SEIKAI right answer<br />
SHŌGATSU New Year<br />
masa ni just, exactly<br />
Etymology disputed. On the basis of OBI forms<br />
such as , Shirakawa considers the original meaning<br />
of to be ‘march/progress towards a walled<br />
citadel’, a meaning later represented by the more<br />
complex graph 1577 (q.v.): this interpretation<br />
is shared by Schuessler. Use of in the sense of<br />
44<br />
L5<br />
45<br />
L4<br />
46<br />
L4<br />
生<br />
青<br />
SEI, SHŌ, ikiru/kasu,<br />
umu/mareru, nama<br />
life, birth, grow<br />
5 strokes<br />
SEI, SHŌ, aoi<br />
young, fresh,<br />
green/blue<br />
8 strokes<br />
夕<br />
SEKI, yū<br />
evening<br />
3 strokes<br />
KONSEKI this evening<br />
yūSHOKU evening meal<br />
yūhi setting sun<br />
At the OBI stage, the shapes for this character<br />
were often indistinguishable from those for<br />
‘correct’ appears to have come about probably<br />
as a phonetic loan – the pronunciation of the<br />
Chinese words for ‘march against’ and ‘correct’<br />
being virtually identical in the late Han period<br />
(c. AD 25-220). Alternatively, regarded on basis<br />
of OBI form as being identical at that stage to <br />
54 ‘foot, leg’, representing lower leg (kneecap to<br />
foot), and by extension ‘straight, correct’, based on<br />
unbending part of leg (Mizukami). SS1984:492-3;<br />
AS2007:612; KJ1970:582-3; MS1995:v1:702-3. We<br />
suggest a mnemonic using 143 ‘stop’ (which<br />
also involves feet).<br />
Mnemonic: TO STOP AT THE LINE IS TO DO<br />
THE CORRECT AND PROPER THING<br />
OBI . Based on a pictograph of a growing<br />
plant. KJ1985:412; SS1984:493.<br />
Mnemonic: GROWING PLANT IS A SYMBOL<br />
OF LIFE<br />
of this character is taken to be a variant of 44,<br />
functioning originally here as a phonetic (the<br />
Late Han words represented by and were<br />
reasonably close in pronunciation); several commentators<br />
regard as also carrying a semantic<br />
function (the green of young plants). SS1984:495;<br />
KJ1970:963; GY2008:545; AS2007:459, 431. We<br />
suggest using ‘moon’ 18 as a mnemonic. Note:<br />
the color spectrum is a continuum, and is broken<br />
up somewhat arbitrarily in different languages.<br />
Thus, for instance, the blue through green range<br />
is differentiated in English, but not traditionally in<br />
Japanese, in which ao(i) covers both.<br />
Mnemonic: YOUNG BLUE-GREEN PLANTS<br />
LIVE ON THE MOON<br />
18 ‘moon’, and at that period had the<br />
meanings of ‘crescent moon’ or ‘evening’. At<br />
some stage in bronze inscriptions two differentiated<br />
shapes evolved, one for each of the<br />
two associated words. SS1984:252; KJ1970:90;<br />
GY2008:38; AS2007:522.<br />
Mnemonic: CRESCENT MOON WITH A WISP<br />
OF CLOUD INDICATES EVENING<br />
The 80 First Grade Characters 57