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1892<br />

L1<br />

肘<br />

hiji<br />

elbow<br />

7 strokes<br />

hijitsukielbow rest<br />

hijikakearm of chair<br />

hijiKANSETSUelbow joint<br />

OBI ; seal . The OBI form depicts a bent<br />

arm, with a stroke added near the bend of<br />

the elbow to highlight ‘elbow’. The seal form<br />

is of different structure, having 209<br />

‘flesh, body’, with 920 (‘hand’) best taken<br />

as phonetic with associated sense ‘grasp’;<br />

giving the overall meaning ‘that part of<br />

the arm that bends to hold things close (to<br />

chest)’, i.e. ‘elbow’. Ogawa prefers to interpret<br />

here semantically as ‘hand’, but this analysis<br />

is not as satisfactory in providing the link<br />

to ‘elbow’. MS1995:v2:1070-71; SS1984:593-4;<br />

OT1968:816.<br />

Mnemonic: ELBOW CONNECTS HAND TO<br />

BODY<br />

1893<br />

L2<br />

<br />

<br />

<br />

匹<br />

4<br />

HITSU, HIKI<br />

match, cloth, animal<br />

counter<br />

strokes<br />

NIHIKItwo animals<br />

HITTEKImatch<br />

HIPPUordinary people<br />

Bronze ; seal . Interpretations diverge.<br />

In one view, depicts rear end of a horse<br />

(Ogawa), but bronze forms are not really<br />

supportive of this. Another analysis treats<br />

as depicting the forelegs and lower front<br />

bodies of two horses standing side by side,<br />

meaning ‘horses’ (Shirakawa). Another commentator<br />

perceives the bronze forms quite<br />

differently, as depicting a folded roll of cloth<br />

stored in a cupboard or cabinet (Gu). Yet<br />

another analysis (Katō) treats the outer part<br />

of the bronze form (a form which includes a<br />

slightly curved inner stroke) as signifying a<br />

roll of cloth, and one more modestly curved<br />

stroke as representing a second roll, giving<br />

the overall meaning ‘two rolls of cloth next<br />

to each other’. Regarding the discrepancy<br />

in the above between one roll of cloth (Gu)<br />

and two (Katō), Katō asserts that originally<br />

the practice was for just one continuous<br />

length of cloth to be rolled from each end,<br />

producing two shorter rolls. The seal form,<br />

which lengthens and adds extra curve to the<br />

bronze shapes, was further modified in block<br />

script so as to result in the enclosing determinative<br />

(see also 1487), which sometimes<br />

has the general meaning ‘box, container’<br />

in compound graphs. The meanings of <br />

in early Chinese encompass ‘pair, one of a<br />

pair’ (leading to ‘match’), counter for horses<br />

(and subsequently other animals), and unit<br />

for measuring cloth. The original meaning<br />

is difficult to unravel, though ‘rear end of<br />

a horse’ seems unlikely. OT1968:134-135;<br />

SS1984:721; GY2008:73; MS1995:v1:160-61;<br />

KJ1970:207-08; AS2007:413. We suggest<br />

taking this graph in comparison with 28<br />

‘four’, in terms of being a bit short.<br />

Mnemonic: COUNT MATCHING<br />

ANIMALS – NOT QUITE FOUR?!<br />

1894<br />

L1<br />

泌<br />

HITSU, HI<br />

flow, secrete<br />

8 strokes<br />

BUNPITSUsecretion<br />

HINYŌurination<br />

HINYŌKAurology<br />

Seal ; a late graph (Shuowen). Consists<br />

of /42 ‘water’, combined with 597<br />

(‘necessarily’) as phonetic with associated<br />

sense taken either as i] ‘flow out continuously’,<br />

giving ‘water flows out uninterruptedly’ (Katō),<br />

or ii] ‘close, shut’, giving ‘water flows out from<br />

gap once closed’ (Ogawa). Shirakawa suggests<br />

that serves here as onomatopoeic for the<br />

sound of water flowing, but this seems questionable.<br />

KJ1970:806; OT1968:568; SS1984:722.<br />

Mnemonic: WATER IS NECESSARILY<br />

SECRETED AND FLOWS<br />

The Remaining 1130 Characters 565

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