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18<br />

L5<br />

月<br />

4<br />

GETSU, GATSU,<br />

tsuki<br />

moon, month<br />

strokes<br />

KONGETSU this month<br />

GETSUYŌbi Monday<br />

tsukimi moon viewing<br />

Originally depicting crescent moon with pitted<br />

surface , later undergoing a cumulative process<br />

of stylization , . As a determinative, .<br />

Note that the determinative for 209 ‘meat/<br />

flesh’ is of the same shape in compound<br />

graphs. SS1984:252; KJ1970:953.<br />

Mnemonic: CRESCENT MOON IS PITTED AND<br />

FACES DOWN<br />

19<br />

犬<br />

KEN, inu<br />

Based on pictograph of a dog rearing up .<br />

dog<br />

L4<br />

Occurs also in the formas a left-hand determinative,<br />

sometimes in characters for other<br />

4 strokes<br />

animals. References: QX2000:65-67; SS1984:254.<br />

RYŌKEN hunting-dog<br />

We suggest remembering it by taking it as <br />

inugoya kennel<br />

56 ‘big’ plus a spot.<br />

koinu puppy<br />

Mnemonic: DOG IS BIG WITH A SPOT<br />

20<br />

見<br />

KEN, miru/seru/eru<br />

look, see, show<br />

L5<br />

7 strokes<br />

HAKKEN discovery<br />

KENBUTSU sightseeing<br />

mimono spectacle, sight<br />

OBI forms such as , show the graph for<br />

an exaggerated eye 76 on top of a variant<br />

form for ‘person’ 41, originally bending but<br />

sometimes just ‘legs’. SS1984:255; QX2000:194.<br />

Take as a bending figure.<br />

Mnemonic: PERSON WITH BIG EYE BENDS TO SEE<br />

21<br />

五<br />

GO, itsufive<br />

L5<br />

4 strokes<br />

GOGATSU May<br />

GONIN five people<br />

itsuka fifth day<br />

Disputed etymology. OBI forms can simply have<br />

five strokes on top of each other , but more<br />

commonly (unrelated to stroke number). On<br />

the basis of this latter, Shirakawa takes such<br />

shapes as representing a lid constructed with<br />

22 L5<br />

口<br />

KŌ, KU, kuchi<br />

mouth, opening<br />

3 strokes<br />

JINKŌ population<br />

KŌJITSU pretext<br />

deguchi exit<br />

According to Katō et al., widely regarded as<br />

based on a pictograph for the mouth . How -<br />

ever, according to Shirakawa, the early (OBI and<br />

bronze) shapes which might appear to be the<br />

pieces of wood which cross each other, the character<br />

then being borrowed for its sound value to<br />

represent another word meaning ‘five’. Alternatively,<br />

Qiu seems to interpret the ancient form<br />

of this character as no more than a geometric<br />

symbol, but the relationship to five is unclear.<br />

Also, some interpret it as a reel that replaces the<br />

five fingers when winding yarn. This is one of<br />

those graphs with a range of proposed etymologies.<br />

SS1984:281-2; QX2000:32.<br />

Mnemonic: IS A MISSHAPEN REEL BETTER<br />

THAN FIVE FINGERS?<br />

ancestral forms of this character (with a meaning<br />

‘mouth’) are rare, and more common are instances<br />

of another graph of identical shape which<br />

instead represents a ritual vessel. It is difficult<br />

to substantiate Shirakawa’s view, though some<br />

support for caution in interpretation of the early<br />

occurrences is found in Matsumaru. Extended<br />

meanings include ‘hole’, ‘opening’ and ‘speak’.<br />

MS1995:v1:204-5; SS1984:284-5; MM1993:30;<br />

KJ1985:98.<br />

Mnemonic: SQUARE OPEN MOUTH<br />

52 The 80 First Grade Characters

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