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a hand rather than a claw. ‘Hand’ is often the<br />

more appropriate sense in compound graphs,<br />

where is usually represented in the modified<br />

shape (see e.g. 709 ‘take, gather’).<br />

The latter two commentators consider ‘claw,<br />

talon’ etc. to be borrowed usage, but it seems<br />

better to take as extended sense (if ‘hand’ is<br />

considered to be what is originally depicted).<br />

SS1984:538; MS1995:v2:818-9; GY2008:93-4;<br />

OT1968:630.<br />

Mnemonic: THREE TALONS CLAWING<br />

1740<br />

L1<br />

鶴<br />

tsuru, KAKU<br />

crane, stork<br />

21 strokes<br />

KAKUSHUstretch neck<br />

tsuruhashipickax<br />

tsurukame congratulations<br />

Seal ; late graph (Shuowen). Has 190<br />

‘bird’, and CO 隺 664 (‘reach high up, fly’; see<br />

Note below) as phonetic with associated<br />

sense taken as i] ‘(bird) calls/sings/chirps’<br />

(Ogawa, Shirakawa), or ii] ‘white’ (Tōdō), either<br />

way taken as ‘crane’. Regarding i] above, it is<br />

worth noting that cranes are very vocal birds,<br />

and at least some varieties have cries which<br />

carry a long distance. Note: 隺 is explained in<br />

Shuowen as ‘bird () rising up and wanting<br />

to go through a boundary’. DJ2009:v2:433;<br />

OT1968:1155; SS1984:110; TA1965:264-6;<br />

MS1995:v1:106-7; BK1957:287. Take 隺 as <br />

‘bird’ 324 and as ‘odd’ claws 1739.<br />

Mnemonic: BIRD WITH ODD CLAWS<br />

ALONGSIDE ANOTHER BIRD – A CRANE<br />

1741<br />

呈<br />

TEI<br />

present, offer<br />

L1<br />

7 strokes<br />

TEIJŌpresentation<br />

ZŌTEIdonation<br />

SHINTEIpresentation<br />

Seal form: . Traditional form has 22<br />

‘mouth; speak’, and

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