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1715<br />

挑<br />

CHŌ, idomu<br />

challenge, defy<br />

L1<br />

9 strokes<br />

CHŌHATSUprovocation<br />

CHŌSENchallenge<br />

CHŌSENTEKI aggressive<br />

Seal ; late graph (Shuowen). Has 34<br />

‘hand’, and 573 (‘sign, omen’) as phonetic<br />

with associated sense taken in one view as<br />

‘leap up’, thus ‘raise up high with hands’, giving<br />

‘challenge, confront’ (Ogawa), presumably<br />

taking raised hands as confrontational<br />

posture. Alternatively, here is taken as<br />

associated sense ‘divide in two, open’ (Tōdō),<br />

though how this relates to ‘challenge’ is not<br />

clear. OT1968:414; TA1965:243-4.<br />

Mnemonic: RAISED HANDS ARE A SIGN OF<br />

CHALLENGE<br />

1716<br />

L1<br />

彫<br />

CHŌ, horu<br />

carve, sculpture<br />

11 strokes<br />

CHŌKOKUcarving<br />

CHŌZŌsculpture<br />

tebori hand carving<br />

Seal ; a late graph (Shuowen). Has 115,<br />

a determinative taken to signify ‘decorative<br />

feathers/features’, combined with <br />

532 ‘encircle, around’, taken in one view as<br />

semantic and phonetic, giving ‘surround with<br />

decorative carving’ (Ogawa, Tōdō). In another<br />

analysis, is taken as phonetic with associated<br />

sense ‘knife’, giving ‘fashion decorative<br />

elements with knife’ (Katō); based on a short<br />

passage in Lun Yu (The Analects of Confucius),<br />

Katō maintains that the original meaning of<br />

is ‘carve wood with knife’. TA1965:179-83;<br />

OT1968:345; KJ1970:514.<br />

Mnemonic: THREE LINES CARVED AROUND<br />

SCULPTURE<br />

1717<br />

眺<br />

CHŌ, nagameru<br />

gaze, look<br />

L1<br />

11 strokes<br />

CHŌBŌview, outlook<br />

nagameview, scene<br />

CHŌBŌZEKKEI beauty spot<br />

Seal ; a late graph (Shuowen). Has 76<br />

‘eye’, and 573 (‘sign, omen’) as phonetic<br />

with associated sense taken as i] ‘distant’,<br />

giving ‘look into the distance’ (Ogawa), or<br />

ii] open’, giving ‘open up the field of vision’<br />

(Tōdō). OT1968:700; TA1965:244-5.<br />

Mnemonic: GAZING EYE LOOKS FOR SIGN<br />

1718<br />

釣<br />

CHŌ, tsuru/ri<br />

Seal ; a late graph (Shuowen). Has 16<br />

fishing, entice, lure, ‘metal’, and ‘scoop up, catch’ (see Note<br />

L1<br />

change<br />

below) as semantic and phonetic, giving<br />

11 strokes<br />

‘scoop up/catch (fish)’. Alternatively, is<br />

taken as phonetic with associated sense<br />

tsuribafishing spot<br />

‘pull out’, but still giving essentially the same<br />

CHŌGYOangling<br />

meaning, in this view ‘pull fish out of water’<br />

tsuriSEN change (coin)<br />

(Tōdō). It is unclear as to how came to<br />

510 The Remaining 1130 Characters

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