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1712<br />

L1<br />

鋳<br />

CHŪ, iru<br />

cast, found, mint<br />

15 strokes<br />

CHŪZŌcasting<br />

CHŪTETSU cast iron<br />

igata mold<br />

Seal ; traditional . Bronze forms vary<br />

somewhat, and all are different in structure<br />

from the seal form. The bronze form has<br />

hands – or more probably pincers – holding<br />

a container upside down over fire and<br />

metal, and so readily understood as ‘cast’<br />

(Shirakawa); also includes an element which<br />

appears to be phonetic with associated sense<br />

‘red’ (as of molten metal) (Katō).The seal form<br />

consists of 16 ‘metal’, with (traditional<br />

form of 1445 ‘long life’) as phonetic with<br />

associated sense taken as i] ‘melt’, giving<br />

‘melt and pour metal’ (Ogawa), or ii] ‘extend<br />

everywhere’, giving ‘pour molten metal everywhere<br />

within a mold’ (Tōdō); either way, the<br />

overall meaning is ‘cast metal’. KJ1970:697;<br />

QX2000:89; AS2007:627; SS1984:596;<br />

OT1968:1044; TA1965:179-83.<br />

Mnemonic: METAL SHOULD HAVE A LONG<br />

LIFE IF CAST IN FOUNDRY<br />

1713<br />

駐<br />

CHŪ<br />

Seal ; a late graph (Shuowen). Has 210<br />

stop, stay<br />

‘horse’, and 315 (‘master; main’) as phonetic<br />

L2<br />

15 strokes<br />

with associated sense ‘stand still, stay’, giving<br />

‘horse stands still’; sense then generalized<br />

CHŪSHAparking<br />

to ‘stop, stay’. OT1968:1125; TA1965:281-4;<br />

CHŪZAI residence, stay<br />

GY2008:758-9.<br />

CHŪNICHI resident in Japan<br />

Mnemonic: MASTER STOPS HORSE AND STAYS<br />

1714<br />

弔<br />

CHŪ, tomurau<br />

mourn<br />

L1<br />

4 strokes<br />

KEICHŌcondolence<br />

CHŌMONsympathy call<br />

CHŌBUN funeral address<br />

OBI ; seal . Views vary: in one, is seen as<br />

a pictograph originally, taken by one scholar<br />

as showing a snake clinging to a person<br />

(Ogawa), but by another as a vine hanging<br />

down from a pole (Tōdō). Katō, by contrast,<br />

takes as 41 ‘person’, combined with<br />

60 ‘insect’ (or ‘snake’ 1434/ 184) as<br />

phonetic with associated sense ‘twisted’, thus<br />

‘person with twisted body’, or ‘shrink, small’,<br />

giving ‘dwarf’. is seen quite differently by<br />

Shirakawa based on some bronze forms, as<br />

showing string attached to arrow, signifying<br />

‘arrow with string attached for catching birds’,<br />

and seen as the ancestral form of ‘uncle’<br />

1466, not of ; this more traditional view is,<br />

however, dismissed by Mizukami and Katō.<br />

Tōdō takes ‘deities bestow favor’ as extended<br />

sense from ‘hang down’, and ‘sympathize<br />

with others, mourn’ as a further extension,<br />

while Katō sees latter meaning as loan use of<br />

. OT1968:338; TA1965:197-9; SS1984:600;<br />

MS1995:v1:466-8,24-5.<br />

Mnemonic: MOURN MAN CRUSHED LIKE<br />

STICK BY TWISTING SNAKE<br />

The Remaining 1130 Characters 509

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