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6<br />

L4<br />

<br />

<br />

<br />

音<br />

ON, IN, oto, ne<br />

sound<br />

9 strokes<br />

ONGAKU music<br />

SHIIN consonant<br />

HATSUON pronunciation<br />

Precise etymology disputed. Early bronze equi -<br />

valent . The lower element is interpreted<br />

either as a mouth (Karlgren, Katō) or as a prayer<br />

receptacle. Shirakawa takes the latter view,<br />

and maintains that the (extra) horizontal stroke<br />

inside the receptacle represents a written<br />

prayer. Katō regards and (see ‘word’, 118)<br />

as having been used interchangeably in ancient<br />

times, though Karlgren treats them as having<br />

been separate. References: BK1957:173, 80;<br />

KJ1970:68; SS1984:68. We suggest taking as<br />

‘rising’ 77 and as ‘sun’ 66.<br />

Mnemonic: SOUND OF THE RISING SUN<br />

7<br />

L5<br />

<br />

<br />

<br />

下<br />

KA, GE, shita, moto,<br />

shimo, sageru, oriru,<br />

kudasaru<br />

under, lower<br />

3 strokes<br />

GEHIN vulgarity<br />

TEIKA decrease<br />

kawashimo downstream<br />

OBI . Mizukami suggests the curve was to<br />

help distinguish this character from early forms<br />

of 65 (‘two’). At some point, a vertical stroke<br />

was added beneath the longer horizontal. Qiu<br />

feels this change was also for graphic distinction<br />

– in this case from the early forms of 39<br />

(‘above’), which was written with a short horizontal<br />

stroke over a longer one to represent ‘go<br />

up, above’. Shirakawa takes the longer horizontal<br />

line in early forms as depicting the palm of<br />

the hand (in profile). References: BK1957:28;<br />

QX2000:46; MS1983:151; SS1984:69.<br />

Mnemonic: T-BAR WITH DROOPY LOWER<br />

HANDLE UNDERNEATH<br />

8<br />

L5<br />

<br />

<br />

<br />

火<br />

KA, hi<br />

fire<br />

4 strokes<br />

KAYŌbi Tuesday<br />

KAZAN volcano<br />

hibana spark<br />

OBI shows it to be based on a stylized<br />

sketch of a burning fire. As a lower determinative<br />

/ element, it typically occurs as .<br />

References: SS1984:70; KJ1970:953-4.<br />

Mnemonic: FLAMES OF FIRE<br />

9<br />

L4<br />

<br />

<br />

<br />

花<br />

KA, hana<br />

flower, blossom<br />

7 strokes<br />

KABEN petal<br />

hanami blossom viewing<br />

hanabi fireworks<br />

A late character. The top element is the typical<br />

abbreviation of the ‘plant’ determinative<br />

53 (itself based on a pictograph of plants<br />

growing), while the lower element ‘change’<br />

(see 258), serves as phonetic (associated sense<br />

here disputed), and is a pointer to the reading,<br />

which in modern Sino-Japanese is KA (also a<br />

phonetic indicator in KA 455, etc.). According<br />

to Shirakawa, the graph was probably<br />

not devised in China until the early 5th century<br />

AD; Katō gives a wider timeframe, viz the Six<br />

Dynasties period (ca. 222-589AD). References:<br />

SS1984:72; KJ1970:315.<br />

Mnemonic: FLOWERS BLOSSOM WHEN<br />

PLANTS CHANGE<br />

The 80 First Grade Characters 49

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