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eading furu ‘shake’, as also the verbal suffix -buru ‘pose, put on airs’. Use of for another suffix, -buri ‘after (time interval)’, is also loan use based on sound value furu. OT1968:414; KJ1970:560-61. 1541 L1 浸 SHIN, hitasu/ru soak, immerse 10 strokes SHINSHOKUerosion SHINSUIinundation mizubitashiflooding OBI ; seal . Gu gives OBI form of water droplets with NJK 1536 ‘broom’ and 30 ‘roof, building’, which he takes to mean ‘gradually sweep clean a building’. Based on seal equivalent, Shirakawa proposes another original meaning, taking specifically as ‘shrine’ and the broom as one that has been Mnemonic: WAVE CLAM IN HAND IN SWINGING MANNER soaked in sacred wine, giving ‘ritually cleanse a shrine’. The seal script, as the phonetic for this graph, has , comprising 2003 ‘hand’ beneath ‘broom’ (NJK), both these being beneath ‘roof, dwelling’ (later simplified at block script stage to

person and check, examine’ (Ogawa). From an early stage the concept of examination and judgement was narrowed to health. Note: 㐱 is comprised of the determinative character (‘feathers’, ‘hairs’, see 115), in Tōdō’s view, a pictographic representation of long hair, beneath an element which in the seal form is 41 ‘person’, modified in block script to . Mizukami also agrees regarding the seal stage, but suggests OBI and bronze forms might instead depict a person urinating. This is not particularly significant since the dictionary or central meaning of 㐱 is unrelated to its associated sense. Mnemonically, can be taken properly as person, or alternatively it could be taken as a cover. MS1995:v1:44-6;TA1965:743-6; GY2008:514. Mnemonic: WORDY DIAGNOSIS WHEN PERSON HAS THREE HAIRS EXAMINED Or: WORDY DIAGNOSIS IS TO COVER UP THOSE THREE HAIRS 1544 寝 SHIN, neru/kasu sleep, lie down L2 13 strokes SHINSHITSUbedroom neirufall asleep nekashimonounsold goods Bronze ; seal forms include ; a late graph (Shuowen); the traditional form has (1488, and see below), not . Ancestral OBI and bronze forms have 30 ‘roof, building’ over ‘broom’ 1536, some additionally with 2003 ‘hand’. Shuowen lists a small number of different graphs which have been treated as ancestral forms of , and the analyses of commentators reflect this variation. Ogawa gives a bronze form which he analyses as ‘roof, building’ over (‘ritually cleanse’) as semantic and phonetic, giving ‘shrine/ sacred room free from defilement’, being a place where in ancient times sick members of the nobility slept; by extension, ‘bedroom’, indicated by the later addition of ‘frame, bed’. Katō is in agreement in broad terms, though not on as a later addition. Mizukami treats one of the forms listed by Katō, viz.

person and check, examine’ (Ogawa). From<br />

an early stage the concept of examination<br />

and judgement was narrowed to health.<br />

Note: 㐱 is comprised of the determinative<br />

character (‘feathers’, ‘hairs’, see 115), in<br />

Tōdō’s view, a pictographic representation of<br />

long hair, beneath an element which in the<br />

seal form is 41 ‘person’, modified in block<br />

script to . Mizukami also agrees regarding<br />

the seal stage, but suggests OBI and bronze<br />

forms might instead depict a person urinating.<br />

This is not particularly significant since<br />

the dictionary or central meaning of 㐱 is<br />

unrelated to its associated sense. Mnemonically,<br />

can be taken properly as person,<br />

or alternatively it could be taken as a cover.<br />

MS1995:v1:44-6;TA1965:743-6; GY2008:514.<br />

Mnemonic: WORDY DIAGNOSIS WHEN<br />

PERSON HAS THREE HAIRS EXAMINED<br />

Or: WORDY DIAGNOSIS IS TO COVER UP<br />

THOSE THREE HAIRS<br />

1544<br />

寝<br />

SHIN, neru/kasu<br />

sleep, lie down<br />

L2<br />

13 strokes<br />

SHINSHITSUbedroom<br />

neirufall asleep<br />

nekashimonounsold goods<br />

Bronze ; seal forms include ; a late graph<br />

(Shuowen); the traditional form has (1488,<br />

and see below), not . Ancestral OBI and<br />

bronze forms have 30 ‘roof, building’ over<br />

‘broom’ 1536, some additionally with <br />

2003 ‘hand’. Shuowen lists a small number<br />

of different graphs which have been treated<br />

as ancestral forms of , and the analyses of<br />

commentators reflect this variation. Ogawa<br />

gives a bronze form which he analyses as<br />

‘roof, building’ over (‘ritually cleanse’)<br />

as semantic and phonetic, giving ‘shrine/<br />

sacred room free from defilement’, being a<br />

place where in ancient times sick members<br />

of the nobility slept; by extension, ‘bedroom’,<br />

indicated by the later addition of <br />

‘frame, bed’. Katō is in agreement in broad<br />

terms, though not on as a later addition.<br />

Mizukami treats one of the forms listed<br />

by Katō, viz.

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