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eading furu ‘shake’, as also the verbal suffix -buru ‘pose, put on airs’. Use of for another suffix, -buri ‘after (time interval)’, is also loan use based on sound value furu. OT1968:414; KJ1970:560-61. 1541 L1 浸 SHIN, hitasu/ru soak, immerse 10 strokes SHINSHOKUerosion SHINSUIinundation mizubitashiflooding OBI ; seal . Gu gives OBI form of water droplets with NJK 1536 ‘broom’ and 30 ‘roof, building’, which he takes to mean ‘gradually sweep clean a building’. Based on seal equivalent, Shirakawa proposes another original meaning, taking specifically as ‘shrine’ and the broom as one that has been Mnemonic: WAVE CLAM IN HAND IN SWINGING MANNER soaked in sacred wine, giving ‘ritually cleanse a shrine’. The seal script, as the phonetic for this graph, has , comprising 2003 ‘hand’ beneath ‘broom’ (NJK), both these being beneath ‘roof, dwelling’ (later simplified at block script stage to
person and check, examine’ (Ogawa). From an early stage the concept of examination and judgement was narrowed to health. Note: 㐱 is comprised of the determinative character (‘feathers’, ‘hairs’, see 115), in Tōdō’s view, a pictographic representation of long hair, beneath an element which in the seal form is 41 ‘person’, modified in block script to . Mizukami also agrees regarding the seal stage, but suggests OBI and bronze forms might instead depict a person urinating. This is not particularly significant since the dictionary or central meaning of 㐱 is unrelated to its associated sense. Mnemonically, can be taken properly as person, or alternatively it could be taken as a cover. MS1995:v1:44-6;TA1965:743-6; GY2008:514. Mnemonic: WORDY DIAGNOSIS WHEN PERSON HAS THREE HAIRS EXAMINED Or: WORDY DIAGNOSIS IS TO COVER UP THOSE THREE HAIRS 1544 寝 SHIN, neru/kasu sleep, lie down L2 13 strokes SHINSHITSUbedroom neirufall asleep nekashimonounsold goods Bronze ; seal forms include ; a late graph (Shuowen); the traditional form has (1488, and see below), not . Ancestral OBI and bronze forms have 30 ‘roof, building’ over ‘broom’ 1536, some additionally with 2003 ‘hand’. Shuowen lists a small number of different graphs which have been treated as ancestral forms of , and the analyses of commentators reflect this variation. Ogawa gives a bronze form which he analyses as ‘roof, building’ over (‘ritually cleanse’) as semantic and phonetic, giving ‘shrine/ sacred room free from defilement’, being a place where in ancient times sick members of the nobility slept; by extension, ‘bedroom’, indicated by the later addition of ‘frame, bed’. Katō is in agreement in broad terms, though not on as a later addition. Mizukami treats one of the forms listed by Katō, viz.
- Page 408 and 409: 1372 砕 SAI, kudaku/keru break, sm
- Page 410 and 411: 1379 L1 塞 13 SAI, SOKU, fusagu ob
- Page 412 and 413: 1387 索 SAKU rope, search L1 10 st
- Page 414 and 415: 1394 L1 撮 SATSU, toru, tsumamu pl
- Page 416 and 417: 1402 L2 伺 7 SHI, ukagau visit, se
- Page 418 and 419: 1410 嗣 SHI, tsugu heir, succeed t
- Page 420 and 421: agree that one component is / 42
- Page 422 and 423: (profile) for ‘bed’ with a stro
- Page 424 and 425: 1429 L1 赦 SHA forgiveness 11 stro
- Page 426 and 427: Shirakawa, though, takes as claws o
- Page 428 and 429: first appeared [as independent grap
- Page 430 and 431: 1447 L1 需 JU need, demand 14 stro
- Page 432 and 433: 1454 L1 羞 SHŪ, hajiru be ashamed
- Page 434 and 435: 1461 L1 充 JŪ, ateru, mitasu f
- Page 436 and 437: for ‘uncle younger than one’s p
- Page 438 and 439: flecting the use in Shang times of
- Page 440 and 441: 1480 L1 庶 11 SHO masses, vario
- Page 442 and 443: age; this complex form was ousted a
- Page 444 and 445: 1494 L1 宵 SHŌ, yoi evening 10 st
- Page 446 and 447: 1501 L1 掌 SHŌ, tanagokoro con
- Page 448 and 449: 1507 L1 奨 SHŌ urge, encourage 13
- Page 450 and 451: part in ancient China, being seen a
- Page 452 and 453: 1520 L1 縄 JŌ, nawa rope, cord 15
- Page 454 and 455: 1526 拭 SHOKU, nuguu, fuku wipe, s
- Page 456 and 457: 1534 L1 芯 7 SHIN core, padding, w
- Page 460 and 461: 1546 L1 審 SHIN judge, investig
- Page 462 and 463: overall meaning ‘enjoy union’,
- Page 464 and 465: 1559 L1 帥 SUI commander 9 strokes
- Page 466 and 467: consisting in one view of 1739 ‘
- Page 468 and 469: appears to already provide the mean
- Page 470 and 471: 1578 L1 斉 SEI, hitoshii equal, si
- Page 472 and 473: 1586 L1 斥 SEKI, shirizokeru re
- Page 474 and 475: 1593 籍 SEKI meaning is ‘written
- Page 476 and 477: 1599 扇 SEN, ōgi, aogu fan L1 10
- Page 478 and 479: 1607 箋 SEN paper, letter L1 14 st
- Page 480 and 481: 1613 L1 禅 ZEN Zen, meditation 13
- Page 482 and 483: 1620 措 SO place, dispose L1 11 st
- Page 484 and 485: 1627 双 SŌ, futapair, both L2 4 s
- Page 486 and 487: 1634 L1 曹 SŌ, ZŌ official, c
- Page 488 and 489: 1639 L1 葬 SŌ, hōmuru bury 12 st
- Page 490 and 491: comb’. Sense then generalized to
- Page 492 and 493: 1653 俗 ZOKU Bronze ; seal . Has 4
- Page 494 and 495: 1658 唾 DA, tsuba(ki) Seal ; late
- Page 496 and 497: 1665 L1 泰 TAI calm, serene, bi
- Page 498 and 499: 1671 L1 戴 TAI, (DAI), itadaku rec
- Page 500 and 501: 1678 L2 濯 TAKU wash, rinse 17 str
- Page 502 and 503: ten with a pictograph showing two s
- Page 504 and 505: tograph of a young plant putting ou
- Page 506 and 507: elow); the associated sense of here
person and check, examine’ (Ogawa). From<br />
an early stage the concept of examination<br />
and judgement was narrowed to health.<br />
Note: 㐱 is comprised of the determinative<br />
character (‘feathers’, ‘hairs’, see 115), in<br />
Tōdō’s view, a pictographic representation of<br />
long hair, beneath an element which in the<br />
seal form is 41 ‘person’, modified in block<br />
script to . Mizukami also agrees regarding<br />
the seal stage, but suggests OBI and bronze<br />
forms might instead depict a person urinating.<br />
This is not particularly significant since<br />
the dictionary or central meaning of 㐱 is<br />
unrelated to its associated sense. Mnemonically,<br />
can be taken properly as person,<br />
or alternatively it could be taken as a cover.<br />
MS1995:v1:44-6;TA1965:743-6; GY2008:514.<br />
Mnemonic: WORDY DIAGNOSIS WHEN<br />
PERSON HAS THREE HAIRS EXAMINED<br />
Or: WORDY DIAGNOSIS IS TO COVER UP<br />
THOSE THREE HAIRS<br />
1544<br />
寝<br />
SHIN, neru/kasu<br />
sleep, lie down<br />
L2<br />
13 strokes<br />
SHINSHITSUbedroom<br />
neirufall asleep<br />
nekashimonounsold goods<br />
Bronze ; seal forms include ; a late graph<br />
(Shuowen); the traditional form has (1488,<br />
and see below), not . Ancestral OBI and<br />
bronze forms have 30 ‘roof, building’ over<br />
‘broom’ 1536, some additionally with <br />
2003 ‘hand’. Shuowen lists a small number<br />
of different graphs which have been treated<br />
as ancestral forms of , and the analyses of<br />
commentators reflect this variation. Ogawa<br />
gives a bronze form which he analyses as<br />
‘roof, building’ over (‘ritually cleanse’)<br />
as semantic and phonetic, giving ‘shrine/<br />
sacred room free from defilement’, being a<br />
place where in ancient times sick members<br />
of the nobility slept; by extension, ‘bedroom’,<br />
indicated by the later addition of <br />
‘frame, bed’. Katō is in agreement in broad<br />
terms, though not on as a later addition.<br />
Mizukami treats one of the forms listed<br />
by Katō, viz.