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1534 L1 芯 7 SHIN core, padding, wick, pencil lead strokes SHINJIpadding TŌSHINlamp wick SHINdashicentering A very late, post-Shuowen graph. Consists of 53 ‘vegetation, plant’, with 164 ‘heart’ as semantic and phonetic, giving ‘core/pith of plant or vegetation’. Originally referred in particular to a type of rush, the oily pith of which can be used as a lamp wick, leading to extended senses such as ‘wick’ and also to denote the central part of items such as in ‘padding (of quilt)’, ‘(pencil) lead’. GY2008:384; OT1968:845. Mnemonic: THE CORE OF A PLANT IS ITS HEART 1535 L2 辛 SHIN, karai, tsurai sharp, bitter 7 strokes SHINKUhardship karaMIsharp taste karōjitebarely OBI ; seal . Originally, pictograph of a large needle with sideways projections partway down, presumably to make it easier to push the needle into the target surface. The significance of the top horizontal stroke in OBI and seal (changed to near-vertical or vertical in block script) is not clear. This graph is widely considered to represent a needle for tattooing the foreheads of slaves and criminals as a mark of ownership. Tattooing was also one of the ancient Five Punishments, the others being cutting off the nose, cutting off a foot, castration, and capital punishment (ancient Chinese culture exhibits a fondness for numerical categories). The original meaning ‘tattooing needle’ (for slaves and criminals) gave rise to various extended senses such as ‘crime’, ‘painful’, ‘bitter, pungent’. The additional meaning ‘eighth of the ten Heavenly Stems’ (used in the traditional Chinese year-counting system) is a loan use. MS1995:v2:1274-5; KJ1970:942-3; OT1968:989; AS2007:538. We suggest taking the graph as 77 ‘stand’ and 35 ‘ten’. Mnemonic: STAND ON TEN SHARP NEEDLES – A BITTER EXPERIENCE! 1536 侵 SHIN, okasu element. The seal form no longer has , but invade, violate has 41 ‘person’ added; the second element L1 9 strokes is taken by several commentators as semantic and phonetic to mean ‘sweep away defilement’, SHINNYŪinvasion giving overall meaning ‘sweep away SHINGAIviolation defilement and cleanse’, and ‘invade’ as a loan SHINRYAKUaggression use (Mizukami, Katō). Ogawa prefers to regard ‘invade’ as an extended sense from his projected original meaning ‘sweep and advance’. Note: was originally (OBI) a pictograph of a broom stood bristle-end up, resting against some type of support or frame. GY2008:884- 5; MS1995:v1:76-8,436-7; KJ1970:251-2; OT1968:64-5. We suggest taking as hand, as a cover, and 2003 as another hand. OBI (

1537 L1 SHINSHINbrimful tsunamitidal wave tsutsuuraurathroughout land 1538 L1 1539 L1 津 9 唇 SHIN, kuchibiru lip(s) 10 strokes SHIN’ONlabial sound KŌSHINlips INSHINlabia Seal form A ( ) ; seal form B ( ) ; late graphs (both are listed, as separate entries, in Shuowen). At the seal stage, the graph meaning ‘lips’ was written ( 209 ‘flesh, meat; body’), and (originally, pictograph of large clam; see 1531) as phonetic with associated sense ‘shake, tremble, move quickly’, giving ‘(part of) body which moves quickly’, i.e. ‘lips’. Separate from 娠 SHIN, tsu harbor, ferry, crossing place strokes Seal ; a late graph (Shuowen). Analyses vary. In one view, has / 42 ‘water, liquid’, and 400 (‘writing brush’), itself as abbreviation of

1534<br />

L1<br />

芯<br />

7<br />

SHIN<br />

core, padding, wick,<br />

pencil lead<br />

strokes<br />

SHINJIpadding<br />

TŌSHINlamp wick<br />

SHINdashicentering<br />

A very late, post-Shuowen graph. Consists of <br />

53 ‘vegetation, plant’, with 164 ‘heart’ as semantic<br />

and phonetic, giving ‘core/pith of plant<br />

or vegetation’. Originally referred in particular<br />

to a type of rush, the oily pith of which can<br />

be used as a lamp wick, leading to extended<br />

senses such as ‘wick’ and also to denote the<br />

central part of items such as in ‘padding (of<br />

quilt)’, ‘(pencil) lead’. GY2008:384; OT1968:845.<br />

Mnemonic: THE CORE OF A PLANT IS ITS HEART<br />

1535<br />

L2<br />

辛<br />

SHIN, karai, tsurai<br />

sharp, bitter<br />

7 strokes<br />

SHINKUhardship<br />

karaMIsharp taste<br />

karōjitebarely<br />

OBI ; seal . Originally, pictograph of<br />

a large needle with sideways projections<br />

partway down, presumably to make it easier<br />

to push the needle into the target surface. The<br />

significance of the top horizontal stroke in OBI<br />

and seal (changed to near-vertical or vertical<br />

in block script) is not clear. This graph is widely<br />

considered to represent a needle for tattooing<br />

the foreheads of slaves and criminals as a mark<br />

of ownership. Tattooing was also one of the<br />

ancient Five Punishments, the others being<br />

cutting off the nose, cutting off a foot, castration,<br />

and capital punishment (ancient Chinese<br />

culture exhibits a fondness for numerical<br />

categories). The original meaning ‘tattooing<br />

needle’ (for slaves and criminals) gave rise to<br />

various extended senses such as ‘crime’, ‘painful’,<br />

‘bitter, pungent’. The additional meaning<br />

‘eighth of the ten Heavenly Stems’ (used in the<br />

traditional Chinese year-counting system) is<br />

a loan use. MS1995:v2:1274-5; KJ1970:942-3;<br />

OT1968:989; AS2007:538. We suggest taking<br />

the graph as 77 ‘stand’ and 35 ‘ten’.<br />

Mnemonic: STAND ON TEN SHARP NEEDLES<br />

– A BITTER EXPERIENCE!<br />

1536<br />

侵<br />

SHIN, okasu<br />

element. The seal form no longer has , but<br />

invade, violate<br />

has 41 ‘person’ added; the second element<br />

L1<br />

9 strokes<br />

is taken by several commentators as semantic<br />

and phonetic to mean ‘sweep away defilement’,<br />

SHINNYŪinvasion<br />

giving overall meaning ‘sweep away<br />

SHINGAIviolation<br />

defilement and cleanse’, and ‘invade’ as a loan<br />

SHINRYAKUaggression<br />

use (Mizukami, Katō). Ogawa prefers to regard<br />

‘invade’ as an extended sense from his projected<br />

original meaning ‘sweep and advance’.<br />

Note: was originally (OBI) a pictograph of<br />

a broom stood bristle-end up, resting against<br />

some type of support or frame. GY2008:884-<br />

5; MS1995:v1:76-8,436-7; KJ1970:251-2;<br />

OT1968:64-5. We suggest taking as hand, <br />

as a cover, and 2003 as another hand.<br />

OBI (

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